Though I really enjoy nature writing of the creative nonfiction kind, I had never read a book by Robert Macfarlane. I’d heard of The Old Ways, but steered away from what I perceived was a very English text.
In that book he travelled Britain’s ancient paths discovering the secrets of their beautiful, underappreciated landscape.
Deliberate Reading and Intentional Rejection
To be honest, we have lived through multiple decades of male English explorer literature and I find they have been over represented in the past. I was more interested in rebel explorers like Jane Digby and in this century, nature writers whose work was lyrical and/or moving, authors like Kathleen Jamie, Annie Dillard, Tove Jansson’s Summer & Winter books, Rachel Carson’s Sea Trilogy, Terry Tempest Williams When Women Were Birds, Rebecca Solnit’s The Faraway Nearby.






Travel Companions Matter
So while I had deliberately turned my attention elsewhere, something about the premise of Is a River Alive? made me loosen my gaze and look to find out for myself what he was seeing. Because firstly, he was going to Ecuador, India and Canada, and secondly, he was keeping unorthodox, interesting, and passionately dedicated company on his travels.
On Partnership and Healthy Collaboration
A few years ago I read Riane Eisler’s excellent book The Chalice and the Blade (1987) and its follow up Nurturing Our Humanity: How Domination and Partnership Shape Our Brains, Lives and Future (2019) books that explore the concept of partnership, how it fosters connection and positive collaboration to build healthy communities, encouraging creativity to solve problems.
Robert Macfarlane’s book, to me, is a living example of those dedicated to pursuing this kind of philosophy, it is not just about one man’s observations, it is about bringing together people with a common interest, with different strengths or expertise, doing good to bring attention to that which needs help – NATURE – to prevent further destruction and death, because YES, A River IS Alive!
Three River Journeys and an English Spring
A journey into an idea that changes the world – the idea that a river is alive.
Apart from starting and ending the book at a local spring he walks with his children in England, the book is divided into three, covering geographically diverse journeys in three countries, connecting with their rivers and eco-systems.
Part I : The River of the Cedars (Ecuador); Part II : Ghosts, Monsters and Angels (India) and Part III : The Living River (Nitassinan/Canada).
It is the summer of 2022, the hottest on global record – the summer when nearly all the rivers die…
The rivers have it worst. The Po dead-pools. Sections of the Rhine are no longer navigable to the shallow-draughted barges that keep Germany’s heartlands moving. In Canada, spawning salmon are poached alive in gravel beds. On the banks of the Yangtze in Sichuan, parents sit their young children in buckets of water to keep them from heatstroke. In the borderlands of England and Wales, the run-off from giant chicken farms sickens the listless water of the River Wye.
A Personified Natural World – Te Awa Tupua
But first the introduction. An idea was presented in 1971 by Christopher Stone to a seminar in Southern California, an idea that made his students sit upright, pay attention and apply their problem solving skills. It led to a landmark paper called ‘Could Trees Have Standing? Toward Legal Rights for Natural Objects‘.
‘So,’ he asked hesitantly, ‘what would a radically different law-driven consciousness look like? A consciousness in which…Nature has rights. Yes, rivers, lakes, trees, animals. How would such a posture in law affect a community’s view of itself?’
An idea that then found traction in New Zealand, nearly forty years later, when Māori legal scholar Professor Jacinta Ruru (Raukawa, Ngāti Ranginui) after reading his work and together with student James Morris, took it further, publishing the paper ‘Giving Voice to Rivers‘.
Ideas move in space and time. They swim like fish. They drift like pollen. They migrate like birds. Sometimes their movement carries them right around the world, and they find new niches in which to flourish.
Their article demonstrated an affinity between the concept of legal personhood for natural entities and the long-standing Māori relationship with rivers as living, sacred ancestors.
This lead to the Te Awa Tupua Act and entered into law. The river was alive, it was an ancestor to the iwi (people), a ‘legal person’ with rights and now Guardians would uphold those rights. It created a global ripple, super-charging the ‘Rights of Nature ‘ movement.
In 2017, after more than a century of legal struggles by the Māori people of the Whanganui River (Te Āti Haunui-a-Pāpārangi), the 292-kilometer Whanganui River — also known as Te Awa Tupua — became the first river in the world to be recognized as a legal entity, granting it the same rights and powers as a legal person.
Ultimately, Christopher D. Stone (1937-2021) left a profound and lasting legacy in environmental law, legal philosophy, and human rights, reshaping how the law understands who – or what – can have rights.
Book Review
Exploring Rivers Considering the Rights of Nature
Part I : Los Cedros, Ecuador
The book follows these three journeys to places threatened by mining, pollution and dams: first to the cloud forest, Los Cedros, in northern Ecuador with Chilean-Italian-British fungi expert, Guiliana Furci; musician/singer Cosmo Sheldrake (who listens and records nature sounds) and César Rodriguez-Garavitoa, Colombian social justice lawyer advocating for the Rights of Nature.
A cloud-forest is a river maker.
Cloud-forests form at higher altitudes than rainforests; typically between three thousand and eight thousand feet above sea level, in steep landscapes of peak, ridge and valley. The elevation means that cloud-forests are cooler than rainforests, and the drama of their topography means that their rivers are fast, shallow, clear and rock-bedded, compared to the muddier, slower rivers of of rainforests.
As the group walks into the forest, each person brings their knowledge, concern and creativity, they join in the excitement of finding new species of fungi, they listen to the sounds captured and together they create their own song from what they hear and what they learn. It will be the first legal attempt to recognise an ecosystem’s moral authorship in the co- creation of a work of art. I can only imagine how it must have been to travel with this group and be part of this.
I listened to the song they co-created with the forest. The Song of the Cedars. I was blown away by the combination of listening and feeling its vibration as I read the accompanying text. Prepare to be moved if you listen and read, especially when it gets to the drumbeat refrain about 2.30 minutes in.
✨️CLOUDS DEEPEN MY SIGHT✨️
Part II : Chennai, India
I have come to Chennai in search of ghosts, monsters and angels.
The ghosts are those of the rivers who had to be killed for this city to live.
The monsters are the terrible forms those river ghosts take every few years, when they are resurrected by cyclone or monsoon.
The angels are those who watch over the lives of the rivers where they survive, and who seek to revive those who are dying and Yuvan Aves – teacher, naturalist, writer, water activist – is one of these angels.
In Part II, Macfarlane travels to Chennai, India to follow three wounded rivers to their source with Yuvan Aves, a young man he has never met, but corresponded with for five years. Together they will trace Chennai’s rivers and waterbodies from inland to coast.
Part III : Mutehekau Shipu River, Canada

And finally Part III, a wild kayak ride down the threatened Mutehekau Shipu river, with instructions from local native healer, Rita Mestokosho that will make the accomplishment and observations even more meaningful than his original intentions.
The Mutehekau Shipu had become the first river in Canada to be recognised as a living, rights-bearing Being.
Inspired by the negotiations between indigenous Maori and the Crown in New Zealand, they too have signed a resolution to recognise the river as a living being.
The small team will travel down the challenging river for a hundred miles to its mouth at the sea over two weeks. It is a wild adventure and a spiritual experience, Macfarlane has been told to forget his notebooks and ‘be the river’.
‘You need to pay attention to the river, Robert. The important thing is to wake up not the consciousness but the heart. Rather than you speaking of the river, it is the river who will speak to you.’
This is an extraordinary, informative, compelling read that, though packed with information, is full of humanity and incredibly passionate characters, all trying to do more to honour and protect nature’s gifts, before other less enlightened aspects of humanity kill them off or choke them forever.
I completely devoured this. Highly Recommended if you have any interest in understanding the wilds of nature and her impact on our living, breathing world.
Further Reading
Article: Jacinta Ruru : Recalibrating the law to recognise Māori interests
Article: The Revelator, Environmental Truth & Justice : The Te Awa Tupua Act: An Inspiration for Communities to Take Responsibility for Their Ecosystems
Article: Canadian Geographic : I am Mutehekau Shipu: A river’s journey to personhood in eastern Quebec
Author, Robert Macfarlane
Robert Macfarlane’s best-selling books include Underland, The Old Ways, and Mountains of the Mind. With the artist Jackie Morris he is the coauthor of The Lost Words, The Lost Spells, and The Book of Birds.
Is A River Alive? was a finalist for the 2025 Banff Mountain Book Competition in Environmental Literature & longlisted for the 2026 Andrew Carnegie Medal for Excellence in Nonfiction. It was named a Best Book of 2025 by The New Yorker, Economist, Guardian, Minneapolis Star-Tribune, Kirkus Reviews, and Publishers Weekly.
He is the recipient of the E. M. Forster Prize for Literature and the Henry David Thoreau Prize for Literary Excellence and is a fellow of Emmanuel College, Cambridge.
































