Set in Northern Ireland during ‘The Troubles’, in the mid 1970’s, Trespasses began with what seemed like a chance encounter, when a known barrister, Michael Agnew, a married man of the opposite faith, a Protestant, known to provide legal defence to IRA members; a man who had known Cushla’s father, sat at the bar, while she was serving, engaging her in stilted conversation.
There are various types that frequent the pub, that one ought to be wary of, an aura of menace seems never far away. This man Michael asks her questions, coming across initially, to this reader, as a suspicious character. Yet, there is a chemistry between the two.
Cushla, 26 years old, is a teacher of primary school aged children and helps her brother in the family owned bar some evenings due to the deterioration of their mother into alcoholism. Much of her spare time is spent caring for her mother, trying to prevent something more than drunkenness from occurring.
Absent Father, Alcoholic Mother, A Rescuer Desires Love
We know the father has passed on, though we know little of the relationship dynamic he brought to the family, except that he was regarded as having married beneath him. He was a Lavery, a prominent family name. His wife, Cushla’s mother Gina, was always seen as ‘less then’, something Cushla has inherited, grown up with and allowed to define her, without a full appreciation of.
She has a soft spot for one of her pupils, Davy McGeown, she knows his mother is struggling with three small children, a wayward 18 year old son and a troubled husband. Her attempt to cut them some slack, to try and get the school to provide Davy school lunches brings the family unwanted attention. Moved by their need, her instinct is to get involved and help.
Friends and Lovers
Her colleague Gerry invites her out. He seems to be her one true friend, the only person she can rely on. But it is towards the older, in almost every way unavailable, Michael, she yearns.
The novel traces the early days of their doomed affair, displaying all the classic signs of being something to the side of one’s life, except that for her, she desires more. Though he takes her to his Irish conversation social gathering, the way his friends act is less than welcoming. Much of their connection, irrespective of their age and religious differences is frowned upon everywhere, it seems impossible and she wonders if she is just one in a line of other women.
News, Bad News, Terror and Scares
Photo by S.DiMatteo Pexels.com
Each chapter begins with a radio news announcement, a politically motivated violent event, a death, a bombing, a recounting of damage, injuries, blame.
Every school day too begins with recounting the news, the children have no chance of not knowing the charged political climate around them, often their school events are interrupted by random police checks, a bomb-scare.
Those Trespasses
There are lines that should not be crossed, there are consequences unseen, random events that require little imagination to see how they might unfold. There are ordinary, dsyfunctional trysts and risky choices of career, that occur in all cultures and societies, but in some the punishment for what another might consider to be a transgression are more severe than others.
The lack of love in Cushla’s life might be what leads her to cross these lines, to defy convention without being the rebellious type. We don’t know much about Michael or why he made the decisions he did; he set out to protect some, which could disturb others, and his choices would make the women in his life suffer.
A Collision Course
Ultimately the connections Cushla has made will collide and demonstrate how easy it can be for one of those radio announcements to no longer be a mere repetition of the way life is, in a country where sectarian violence is normalised.
It is a sad depiction of life and an interesting novel to discuss, as it reinforces the necessity for so many to choose to leave, when their options and opportunities close on them.
Entrance to Titanic Museum, modern day Northern Ireland
In this respect I was reminded a little of Michelle Gallen’s recent novel Factory Girls, where another young woman, in her naivety finds doors closing permanently, as she too leaves Northern Ireland.
I enjoyed how this all came together in the latter part of the novel, when it suddenly picks up pace, energy and suspense; I found the initial two thirds less engaging and too many pages given to the affair that could have more usefully been given to greater character development, that might have evoked greater empathy for some of the characters and the situation.
The depiction of the tense atmosphere and some of the revealing anecdotes that demonstrate the prejudices and slights people have against one another were incredibly well done and somewhat eye-opening, the result of a continued separation of people and a belief in their own self-made differences.
It left me with quite a few questions; however it was a thought provoking read, about an unsettling place and time, that remains something of an enigma to the outside world.
I read this during March 2023 for #ReadingIrelandMonth23
Louise Kennedy, Author
Louise Kennedy grew up in Holywood, Country Down, a few miles from Belfast.
Her stories have appeared in literary journals including The Stinging Fly, The Tangerine, Banshee, Awsfiri and Ambit and she has written for the guardian, Irish Times, BBC Radio 4 and rTE radio 1.
Her work has won prizes and she was shortlisted for the Sunday Times Audible short story award in both 2019 and 2020. Her short story collection The End of the World is a Cul de Sac was published in 2021.
Trespasses has been longlisted for the Women’s Prize for Fiction 2023. It won the An Post Irish Book Awards Novel of 2022 for
Before starting her writing career, she spent nearly 30 years working as a chef. She lives in Sligo with her husband and children.
Further Reading
New York Times review: In Northern Ireland During the Troubles, a Secret Romance by J. Courtney Sullivan
the guardian review: love amid the Troubles by Kevin Power
A fascinating collection of vignettes based on the author’s life in China during the Cultural Revolution.
Having just read and loved Edna O’Brien’s trilogy 
Today the longlist for the Women’s Prize for Fiction 2023 of 16 novels was announced.
Childhood in the west Irish countryside, early adulthood in a boarding house in Dublin, marriage in London; the three books follow the lives of two girls Caithleen (Kate) and Bridget (Baba), who were neighbours, school friends and boarding house room mates. Though they were not girls who had much in common personality wise, they had a shared history; without that connection, their lives might have been much worse.
Caithleen meets Eugene, something about him (half foreign, older man) reminds her of Mr Gentleman, whom she hasn’t seen for two years. The girls now live in Joanna and Gustav’s boarding house and become like family in this house, sometimes confiding in Joanna, who struggles to maintain rules and boundaries with the girls.
Again time passes, so that when we encounter the girls next, they are on the cusp of marriage. Caith (now Kate) will marry the one who abandoned her and Baba, a man who can provide for her in the manner she craves. One desires love, the other security. Sadly, there’s not much in the way of bliss.
Edna O’Brien was born in December 1930 in Tuamgraney, County Clare. She has written over 20 works of fiction.
Birnam Wood itself is the name of a gardening collective, a group of people doing gently rebellious activism, planting sustainable gardens in places where they don’t have permission. There is a rivalrous friendship between the founder Mira and her flatmate, sidekick Shelley, who we learn early on has a desire to undermine her friend.
The farm, nestled up against a national park, was inherited by Jill Darvish; her husband Owen, a self-made pest-control business man has just been knighted for services to conservation, though he is unsure exactly why.
Valeria Cossati is a 42 year old Italian working wife, married with two children; one Sunday she is drawn to want to purchase a notebook in a local grocery store, a shop that is only permitted to be open on a Sunday, to sell tobacco. This purchase is her first act of transgression, the shopkeeper will allow it, but insists she hide the notebook in her coat.
Alba de Céspedes (1911-1997) was a bestselling Italian-Cuban novelist, poet and screenwriter. The granddaughter of the first President of Cuba, who helped lead Cuba’s fight for independence, she was the daughter of a Cuban diplomat and his Italian wife, raised in Rome, Italy. She kept alive her family’s political commitment, often running afoul of Italy’s Fascist regime.
Factory Girls is a story that takes place over the summer of 1994, while three friends, living in an unnamed northern Irish town, await their exam results and confirmed university placements, and therefore the trajectory of their future lives.
They stand at the edge of a crevice looking down on their client, a British climber.
In effect, the novel itself is like an ascent, a trek that stops periodically to look back, to observe both the reality of current conditions, of local lives, and the persistent effects of imperialism. And then it looks down into the crevice, taking its time to dig deeper into the subject, into the influences that might have caused this dissonance, this treatment of people, this naming of others.
This work of autofiction opens when the author with his elderly uncle is taken to a cemetery where the tomb of his great-great-grandmother lies, where he is shown proof of her close association with Gregorio Cartagena, a priest, the man who fathered all her children, whom she was never married to, a man who denied his children both his name and a relationship with their father.
This novel is his way of exploring all that, of seeing how this new information informs him, how it makes apparent the patterns and threads of a lineage. Although much of the narrative by necessity has been ficitonlised, it reads like a work of creative nonfiction.
If I have one criticism, it would be the way the women in the story have been depicted, they are made to be responsible and given agency in a way that might raise the eyebrows of some readers. In times gone by, when a woman fell pregnant, there were few options open to them and very little choice.
Word by Word 