books

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bell hooks: The Last Interview and other conversations

The Last Interview is a series of books each entitled, The Last Interview and Other Conversations that offers a fresh look at some of the world’s leading innovative writers and edgiest cultural figures by gathering conversations from throughout an artist’s career and collecting them in one volume. There are currently 41 books in the series and the next one coming will feature Sinead O’Connor.

Having read two of the books in bell hooks Love trilogy, All About Love and Salvation (the third book Communion, I have – but yet to read), I was interested to read these interviews. They provide more background on the author and allow for the greater understanding and depth in a subject that conversation can bring. They include an exploration of her affiliation and interest in Buddhist thought.

Overall, while the interviews are interesting, I think it is great to read the work of bell hooks, as she was quite prolific on a number of topics and a very engaging writer and thinker. If you have read all her work, this will be a bonus read and if you haven’t these interviews, some of which you can find online are a great introduction.

Meet and Read bell hooks

feminist interview bell hooks on writing criticism

bell hooks (born Gloria Jean Watkins) (1952-2021) was an African-American author, feminist, and social activist. Her writing focused on education, political theory, the interconnectivity of race, class, and gender and their ability to produce and perpetuate systems of oppression and domination.

The pseudonym she used, was the name of her great-grandmother, to honour female legacies, spelling it always in lower case letters, to focus on her works and message, about ideas and not herself.

She published over thirty books and numerous scholarly and mainstream articles, appeared in several documentary films and participated in various public lectures. Primarily through a postmodern female perspective, she addressed race, class, and gender in education, art, history, sexuality, mass media and feminism.

The bell hooks theory

She is most well known for her feminist theory that recognizes that social classifications (e.g. race, gender, sexual identity, class, etc.) are interconnected, and that ignoring their intersection creates inequality and oppression towards women and changes the experience of living as a woman in society.

On Love

nonfiction essays love effect of domination patriarchy black woman perspective

In her book All About Love, bell hooks perspective is heart lead, her definition of love leaves behind conditioned perceptions of romance and desire and the traditional roles of carer, nurturer, provider – and suggests that it might be ‘the will to do for oneself or another that which enables us to grow and evolve spiritually’ love becomes a verb not a noun.

“All too often women believe it is a sign of commitment, an expression of love, to endure unkindness or cruelty, to forgive and forget. In actuality, when we love rightly we know that the healthy, loving response to cruelty and abuse is putting ourselves out of harm’s way.”

I find her work particularly interesting as it sits alongside the work of another cultural commentator, Riane Eisler’s The Chalice and the Blade and Nurturing Our Humanity in addressing those systems of domination such as class, gender and race that interfere with our ability to commune with one another.

It is also in alignment with the work of Anita Moorjani, another heart based spiritual commentator, who wrote Sensitive is the new Strong, Dying To Be Me and What If This is Heaven?.

The Interviews – No Such Thing as Bad Publicity?

One of the interviews addresses the controversy of her decision to appear on a live talk show, something she did as a way for her to reach a different, wider audience. It was a strategy that in one sense did not work that well for her, due to the hard time she was given on the show. However, despite the public take-down, her aim was still achieved, as the silent majority who watched it from their homes, will have become more aware of who she was and the message she was trying to portray, in particular to Black women.

Photo P. Apichodilok Pexels.com

In the collection of seven interviews, stretching from early in her career until her last interview, she discusses feminism, the complexity of rap music and masculinity, her relationship to Buddhism, the “politic of domination,” sexuality, and love and the importance of communication across cultural borders.

Dominator culture has tried to keep us all afraid, to make us choose safety instead of risk, sameness instead of diversity. Moving through that fear, finding out what connects us, reveling in our differences; this is the process that brings us closer, that gives us a world of shared values, of meaningful community.
– Teaching Community: A Pedagogy of Hope, 2003

Whether she was sparking controversy on campuses or facing criticism from contemporaries, hooks relentlessly challenged herself and those around her, she inserted herself into the tensions of the cultural moment, and anchored herself with love.

For me, forgiveness and compassion are always linked: how do we hold people accountable for wrongdoing and yet at the same time remain in touch with their humanity enough to believe in their capacity to be transformed?
– in conversation with Maya Angelou, 1998

On Tough Love, Loving Environments and Community

This was an interview by Abigail Bereola for Shondaland in December 2017 on self-love, discussing why we know so little about it or how to even cultivate it, and how a lack of it has played into the patriarchal culture of workplace abuse and assault.

I think that societies begin with our small units of community, which are family — whether bio or chosen. I am often amazed when I meet people that I see have been raised in loving families because they’re so different and they live in the world differently. I don’t agree that every family is dysfunctional — I think we don’t want to admit that when people are loving, it’s a different world. It’s an amazing world. It’s a world of peace. It’s not that they don’t have pain, but they know how to handle their pain in a way that’s not self-negating. And so I think insomuch as we begin to look again at the family and challenging and changing patriarchy within family systems, irrespective of what those families are, there’s hope for love.

I have enjoyed her books considerably and the interviews extend her work into the joy of what conversation can bring. Though some of her work is clearly targeted at Black women, I believe there is value in it for all, indeed, it is necessary to read outside one’s own race, gender, culture, ethnic group and language, to understand other perspectives and the issues that others face. Sometimes we find resonance, other times, we pay attention, listen, read and learn. There is plenty to learn and consider in the writings and conversations of bell hooks.

N.B. This was an ARC (Advance Reader Copy) kindly provided by the publisher via NetGalley.

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Women’s Prize for Fiction Shortlist 2024

The Women’s Prize for Fiction have announced their shortlist of six novels. You can view the entire longlist here.

Identity, Resilience, Migrant Experiences, Family Relationships

Many of the books depict characters who are navigating seismic changes in their identity, undergoing a process of self-reckoning and self-acceptance, with several dealing with the inheritance of trauma and the resilience of women overcoming the weight of the past.

Half of the books in this year’s shortlist explore the migrant experience through different lenses, offering moving, distinct, explorations of race, identity and family, of the West’s false promise and the magnetism of home.

The shortlist encompasses stories that both focus on intimate family relationships, as well as those that convey a sweep of history, always with an eye on the particularity of women’s experience, whether in the home or in the context of war and political upheaval.

The Shortlist

Below are descriptions of the individual titles, along with a quote from a judge, to help you discern if they might be of interest:

The Wren, The Wren by Anne Enright (Ireland) published by Jonathan Cape, 283 pgs

A psychologically astute examination of family dynamics and the nature of memory. Enright’s prose is gorgeous and evocative and scalpel sharp.

Nell – funny, brave and much loved – is a young woman with adventure on her mind. As she sets out into the world, she finds her family history hard to escape. For her mother, Carmel, Nell’s leaving home opens a space in her heart, where the turmoil of a lifetime begins to churn. Across the generations falls the long shadow of Carmel’s famous father, an Irish poet of beautiful words and brutal actions.

A consideration of love: spiritual, romantic, darkly sexual or genetic. A generational saga tracing the inheritance of trauma and wonder, it is a testament to the resilience of women in the face of promises, false and true. An exploration of the love between a mother and daughter – sometimes fierce, often painful, always transcendent.

Brotherless Night by V. V. Ganeshananthan (Sri Lanka), published by Viking, 348 pgs

Visceral, historical, emotional. It is 300 pages of must-read prose. A powerful book that has the intimacy of memoir, the range and ambition of an epic, and tells a truly unforgettable story about the Sri Lankan civil war.

Sixteen-year-old Sashi wants to become a doctor. But over the next decade, as a vicious civil war subsumes Sri Lanka, her dream takes her on a different path as she watches those around her, including her four beloved brothers and their best friend, get swept up in violent political ideologies and their consequences. She must ask herself: is it possible for anyone to move through life without doing harm?

Restless Dolly Maunder by Kate Grenville (Australia), published by Canongate Books, 256 pgs

[It] follows the life of Dolly, who really is restless. It begins in the 1880s in rural Australia, and it follows Dolly’s ambitions to live a bigger life than the one she’s been given.

Dolly Maunder is born at the end of the 19th century, when society’s long-locked doors are just starting to creak ajar for determined women. Growing up in a poor farming family in rural New South Wales, Dolly spends her life doggedly pushing at those doors. A husband and two children do not deter her from searching for love and independence.

Restless Dolly Maunder is a subversive, triumphant tale of a pioneering woman working her way through a world of limits and obstacles, who is able – despite the cost – to make a life she could call her own.

Enter Ghost by Isabella Hammad (Britain/Palestine), published by Jonathan Cape, 336 pgs

How can a production of Hamlet in the West Bank resonate with the residents’ existential issues? Enter Ghost is a beautiful, profound meditation on the role of art in our society and our lives.

After years away from her family’s homeland, and reeling from a disastrous love affair, actress Sonia Nasir returns to Haifa to visit her sister Haneen. While Haneen made a life here commuting to Tel Aviv to teach at the university, Sonia remained in London to focus on her acting career and now dissolute marriage. On her return, she finds her relationship to Palestine is fragile, both bone-deep and new.

When Sonia meets the charismatic, candid Mariam, a local director, she joins a production of Hamlet in the West Bank. Soon, Sonia is rehearsing Gertrude’s lines in classical Arabic with a dedicated group of men who, in spite of competing egos and priorities, all want to bring Shakespeare to that side of the wall. As opening night draws closer and the warring intensifies, it becomes clear just how many obstacles stand before the troupe. Amidst it all, the life Sonia once knew starts to give way to the daunting, exhilarating possibility of finding a new self in her ancestral home.

Timely, thoughtful, and passionate, Isabella Hammad’s highly anticipated second novel is an exquisite story of the connection to be found in family and shared resistance.

Soldier Sailor by Claire Kilroy (Ireland), published by Faber & Faber, 233 pgs (my review)

A full-bodied, remorseless, visceral deep dive into the maternal mind. It is ultimately a love story between Soldier, the mother, and Sailor, the son.

In her acclaimed new novel, Claire Kilroy creates an unforgettable heroine, whose fierce love for her young son clashes with the seismic change to her own identity.
As her marriage strains, and she struggles with questions of autonomy, creativity and the passing of time, an old friend makes a welcome return – but can he really offer her a lifeline to the woman she used to be?

River East, River West by Aube Rey Lescure (France/China), published by Duckworth, 352 pgs

Set in Shanghai in the 2000s, it’s a novel about reinvention. It’s original, it’s funny, and it’s sometimes heartbreaking as well.

A mesmerising reversal of the east–west immigrant narrative set against China’s economic boom, River East, River West is an exploration of race, identity and family, of capitalism’s false promise and private dreams.

Shanghai, 2007: feeling betrayed by her American mother’s engagement to their rich landlord Lu Fang, fourteen-year-old Alva begins plotting her escape. But the exclusive American School – a potential ticket out – is not what she imagined.

Qingdao, 1985: newlywed Lu Fang works as a lowly shipping clerk. Though he aspires to a bright future, he is one of many casualties of harsh political reforms. Then China opens up to foreigners and capital, and Lu Fang meets a woman who makes him question what he should settle for.

The 2024 Winners

The winner of both the Women’s Prize for Fiction and the inaugural Women’s Prize for Non Fiction will be announced on June 14th, 2024.

I have only read one from the list, Claire Kilroy’s excellent Soldier, Sailor. I’m most interested in reading V.V. Ganeshananthan’s Brotherless Night and Isabella Hammad’s Enter Ghost and am reminded that a friend recommended her debut The Parisian back in 2019 (but you know, 700+ pages).

Have you read any of these from the shortlist? Let us know what you thought in the comments below.

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International Booker Prize shortlist 2024

The shortlist for the International Booker Prize 2024 has been decided. It features novels from six countries, (Argentina, Brazil, Germany, Netherlands, South Korea and Sweden), translated from Dutch, German, Korean, Portuguese, Spanish and Swedish.

Chair of judges Eleanor Wachtel said:

‘Our shortlist, while implicitly optimistic, engages with current realities of racism and oppression, global violence and ecological disaster’

Prize Administrator Fiammetta Rocco added:

‘The books cast a forensic eye on divided families and divided societies, revisiting pasts both recent and distant to help make sense of the present’ 

Read Around the World, Other Perspectives

The International Booker Prize introduces readers to the best novels and short story collections from around the globe that have been translated into English and published in the UK and/or Ireland. Recognising the vital work of translators, the £50,000 prize money is divided equally: £25,000 for the author and £25,000 for the translator(s).

The shortlist was chosen from a longlist of 13 titles announced in March, which was selected from 149 books published in the UK and/or Ireland between May 1, 2023 and April 30, 2024, submitted to the prize by publishers. 

I have read one from the shortlist and it was excellent; Selva Almada’s Not a River (link to my review), the second of her novella’s I have read. Not having read any others on this list, I can’t really comment, but I would love to know what you thought if you have read any of these, or intend to. Brief summaries below.

The Shortlist

Not a River by Selva Almada (Argentina) tr. by Annie McDermott

International Booker Prize longlist 2024 Argentinian literature Spanish translation

Selva Almada’s novel is the finest expression yet of her compelling style and singular vision of rural Argentina.

Three men go out fishing, returning to a favourite spot on the river despite their memories of a terrible accident there years earlier. As a long, sultry day passes, they drink and cook and talk and dance, and try to overcome the ghosts of their past. But they are outsiders, and this intimate, peculiar moment also puts them at odds with the inhabitants of this watery universe, both human and otherwise. The forest presses close, and violence seems inevitable, but can another tragedy be avoided?

Mater 2-10 by Hwang Sok-yong (Korea) tr. Sora Kim-Russell, Youngjae Josephine Bae

An epic, multi-generational tale that threads together a century of Korean history. 

Centred on three generations of a family of rail workers and a laid-off factory worker staging a high-altitude sit-in, Mater 2-10 vividly depicts the lives of ordinary working Koreans, starting from the Japanese colonial era, continuing through Liberation, and right up to the twenty-first century. 

What I’d Rather Not Think About by Jente Posthum (Netherlands) tr. Sarah Timmer Harvey

A deeply moving exploration of grief, told in brief, precise vignettes and full of gentle melancholy and surprising humour.

What if one half of a pair of twins no longer wants to live? What if the other can’t live without them? This question lies at the heart of Jente Posthuma’s deceptively simple What I’d Rather Not Think About. The narrator is a twin whose brother has recently taken his own life. She looks back on their childhood, and tells of their adult lives: how her brother tried to find happiness, but lost himself in various men and the Bhagwan movement, though never completely. 

Crooked Plow by Itamar Vieira Junior (Brazil) tr. Johnny Lorenz

A fascinating and gripping story about the lives of subsistence farmers in Brazil’s poorest region.

Deep in Brazil’s neglected Bahia hinterland, two sisters find an ancient knife beneath their grandmother’s bed and, momentarily mystified by its power, decide to taste its metal. The shuddering violence that follows marks their lives and binds them together forever.

Kairos by Jenny Erpenbeck (Germany) tr. Michael Hofmann

An intimate and devastating story of the path of two lovers through the ruins of a relationship, set against the backdrop of a seismic period in European history.

Berlin. 11 July 1986. They meet by chance on a bus. She is a young student, he is older and married. Theirs is an intense and sudden attraction, fuelled by a shared passion for music and art, and heightened by the secrecy they must maintain. But when she strays for a single night he cannot forgive her and a dangerous crack forms between them, opening up a space for cruelty, punishment and the exertion of power. And the world around them is changing too: as the GDR begins to crumble, so too do all the old certainties and the old loyalties, ushering in a new era whose great gains also involve profound loss. 

The Details by Ia Genberg (Sweden) tr. Kira Josefsson

In exhilarating, provocative prose, Ia Genberg reveals an intimate and powerful celebration of what it means to be human.

A famous broadcaster writes a forgotten love letter; a friend abruptly disappears; a lover leaves something unexpected behind; a traumatised woman is consumed by her own anxiety. In the throes of a high fever, a woman lies bedridden. Suddenly, she is struck with an urge to revisit a particular novel from her past. Inside the book is an inscription: a message from an ex-girlfriend. Pages from her past begin to flip, full of things she cannot forget and people who cannot be forgotten. Johanna, that same ex-girlfriend, now a famous TV host. Niki, the friend who disappeared all those years ago. Alejandro, who appears like a storm in precisely the right moment. And Birgitte, whose elusive qualities shield a painful secret. Who is the real subject of a portrait, the person being painted or the one holding the brush?

The Winner

The International Booker Prize 2024 ceremony will take place from 7pm BST on Tuesday, 21 May. It is being held for the first time in the Turbine Hall at London’s Tate Modern.

Highlights from the event, including the announcement of the winning book for 2024, will be livestreamed on the Booker Prizes’ channels, presented by Jack Edwards. 

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Women’s Prize Nonfiction Shortlist 2024

In 2024 The Women’s Prize created a new prize to raise the profile and awareness of women authors writing nonfiction.

They began with a list of 16 titles, from gripping memoirs and polemic narratives, to groundbreaking investigative journalism and revisionist history. It featured seven debut writers, two international bestsellers, two poets and five journalists. You can see the longlist here.

From Sixteen to Six Titles

The longlist has now been whittled down to six books covering a broad range of subjects – from life writing, religion, art and history, to AI, social media and online politics. What links them is an originality of voice and an ability to turn complex ideas and personal trauma into inventive, compelling and immersive prose.

“Our magnificent shortlist is made up of six powerful, impressive books that are characterised by the brilliance and beauty of their writing and which each offer a unique, original perspective. The readers of these books will never see the world – be it through art, history, landscape, politics, religion or technology – the same again.” Suzannah Lipscomb, Chair of Judges

The six titles shortlisted are:

Thunderclap: A Memoir of Art and Life and Sudden Death by Laura Cumming (UK) (Art History & Grief)

‘We see with everything that we are’

On the morning of 12 October 1654, a gunpowder explosion devastated the Dutch city of Delft. The thunderclap was heard over seventy miles away. Among the fatalities was the painter Carel Fabritius, dead at thirty-two, leaving only his haunting masterpiece The Goldfinch and barely a dozen known paintings. The explosion that killed him also buried his reputation, along with answers to the mysteries of his life and career.

What happened to Fabritius before and after this disaster is just one of the discoveries in a book that explores the relationship between art and life, interweaving the lives of Laura Cumming, her Scottish painter father, who also died too young, and the great artists of the Dutch Golden Age.

This is a book about what a picture may come to mean: how it can enter your life and change your thinking in a thunderclap.

Doppelganger: A Trip Into the Mirror World by Naomi Klein (Canada) (Mistaken Identity)

– When Naomi Klein discovered that a woman who shared her first name, but had radically different, harmful views, was getting chronically mistaken for her, it seemed too ridiculous to take seriously. Then suddenly it wasn’t. She started to find herself grappling with a distorted sense of reality, becoming obsessed with reading the threats on social media, the endlessly scrolling insults from the followers of her doppelganger. Why had her shadowy other gone down such an extreme path? Why was identity – all we have to meet the world – so unstable?

To find out, Klein decided to follow her double into a bizarre, uncanny mirror world: one of conspiracy theories, anti-vaxxers and demagogue hucksters, where soft-focus wellness influencers make common cause with fire-breathing far right propagandists (all in the name of protecting ‘the children’). In doing so, she lifts the lid on our own culture during this surreal moment in history, as we turn ourselves into polished virtual brands, publicly shame our enemies, watch as deep fakes proliferate and whole nations flip from democracy to something far more sinister.

This is a book for our age and for all of us; a deadly serious dark comedy which invites us to view our reflections in the looking glass. It’s for anyone who has lost hours down an internet rabbit hole, who wonders why our politics has become so fatally warped, and who wants a way out of our collective vertigo and back to fighting for what really matters.

A Flat Place by Noreen Masud (Pakistan/UK) (Nature Writing Memoir)

– Noreen Masud has always loved flat landscapes – their stark beauty, their formidable calm, their refusal to cooperate with the human gaze. They reflect her inner world: the ‘flat place’ she carries inside herself, emotional numbness and memory loss as symptoms of childhood trauma. But as much as Britain’s landscapes provide solace for suffering, they are also uneasy places for a Scottish-Pakistani woman, representing both an inheritance and a dispossession.

Pursuing this paradox across the wide open plains that she loves, Noreen weaves her impressions of the natural world with the poetry, folklore and history of the land, and with recollections of her own early life, rendering a startlingly strange, vivid and intimate account of a post-traumatic, post-colonial landscape – a seemingly flat and motionless place which is nevertheless defiantly alive.

All That She Carried: The Journey of Ashley’s Sack, a Black Family Keepsake by Tiya Miles (US) (History)

– In 1850s South Carolina, Rose, an enslaved woman, faced a crisis: the imminent sale of her daughter Ashley. Thinking quickly, she packed a cotton bag with a few items. Soon after, the nine-year-old girl was separated from her mother and sold. Decades later, Ashley’s granddaughter Ruth embroidered this family history on the sack in spare, haunting language.

That, in itself, is a story. But it’s not the whole story. How does one uncover the lives of people who, in their day, were considered property? Harvard historian Tiya Miles carefully traces these women’s faint presence in archival records, and, where archives fall short, she turns to objects, art, and the environment to write a singular history of the experience of slavery, and the uncertain freedom afterward. All That She Carried gives us history as it was lived, a poignant story of resilience and love passed down against steep odds.

Code Dependent: Living in the Shadow of AI by Madhumita Murgia (India/UK) (Technology)

– What does it mean to be human in a world that is rapidly changing thanks to the development of artificial intelligence, of automated decision-making that both draws on and influences our behaviour?

Through the voices of ordinary people in places far removed from Silicon Valley, Code Dependent explores the impact of a set of powerful, flawed, and often exploitative technologies on individuals, communities, and our wider society. Madhumita Murgia, AI Editor at the FT, exposes how AI can strip away our collective and individual sense of agency – and shatter our illusion of free will.

AI is already changing what it means to be human, in ways large and small. In this compelling work, Murgia reveals what could happen if we fail to reclaim our humanity.

How to Say Babylon: A Jamaican Memoir by Safiya Sinclair (Jamaica) (Memoir)

– There was more than one way to be lost, more than one way to be saved.

Born in Montego Bay, Jamaica, where luxury hotels line pristine white sand beaches, Safiya Sinclair grew up guarding herself against an ever-present threat. Her father, a volatile reggae musician and strict believer in a militant sect of Rastafari, railed against Babylon, the corrupting influence of the immoral Western world just beyond their gate. To protect the purity of the women in their family he forbade almost everything: nowhere but home and school, no friends but this family and no future but this path.

Her mother did what she could to bring joy to her children with books and poetry. But as Safiya’s imagination reached beyond its restrictive borders, her burgeoning independence brought with it ever greater clashes with her father. Soon she realised that if she was to live at all, she had to find some way to leave home. But how?

In seeking to understand the past of her family, Safiya Sinclair takes readers inside a world that is little understood by those outside it and offers an astonishing personal reckoning. How to Say Babylon is an unforgettable story of a young woman’s determination to live life on her own terms.

The Winner

The winner will be announced on the 13th of June 2024.

Have you read any of these titles? Anything here interest you? Leave a comment below letting us know if you have read or intend to read any of these titles.

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Ockham New Zealand Book Awards Shortlist 2024

Earlier this month the shortlists were announced for the New Zealand Book Awards 2024. All four of the shortlisted authors have won the prize before. You can read my post on the 8 novels that made the longlist here.

Eleanor Catton, who won the Booker Prize in 2013 for The Luminaries,(my review) is a finalist for her novel Birnam Wood (my review).

Emily Perkins, who won the Montana Medal for Fiction or Poetry in 2009 for Novel About My Wife is shortlisted with Lioness. (I read and enjoyed it, but not reviewed)

Pip Adam, who won the Acorn Foundation Fiction Prize in 2018 for The New Animals (recently read but not reviewed) is in the running with Audition. (On my bookshelf!)

Stephen Daisley, who won the first awarded Acorn Foundation Fiction Prize in 2016 for Coming Rain is a contender this year with A Better Place.

Judge’s Comment

Juliet Blyth, convenor of judges for the Jann Medlicott Acorn Prize for Fiction, says there is much to celebrate among this year’s shortlisted novels, and readers will be rewarded by the richness contained within their pages.

“These four singular and accomplished titles encompass pertinent themes of social justice, violence, activism, capitalism, war, identity, class, and more besides. Variously confronting, hilarious, philosophical, and heart-rending, these impressive works showcase Aotearoa storytellers at the top of their game.”

The Shortlist

The four novels shortlisted for the fiction prize, along with judges’ comments are:

Jann Medlicott Acorn Prize for Fiction

NZ book awards 2024 shortlist

Audition by Pip Adam, Te Herenga Waka University Press – [Science Fiction/Dystopia]

– A spaceship called Audition is hurtling through the cosmos. Squashed immobile into its largest room are three giants: Alba, Stanley and Drew. If they talk, the spaceship keeps moving; if they are silent, they resume growing.

Talk they must, and as they do, Alba, Stanley and Drew recover their shared memory of what has been done to their former selves – experiences of imprisonment, violence and misrecognition, of disempowerment and underprivilege.

A novel, part science fiction, part social realism that asks what happens when systems of power decide someone takes up too much room – about how we imagine new forms of justice, and how we transcend the bodies and selves we are given.

Judges’ Comment

Three giants hurtle through the cosmos in a spacecraft called Audition powered by the sound of their speech. If they are silent, their bodies continue to grow. Often confronting and claustrophobic, but always compelling, Audition asks what happens when systems of power decide someone takes up too much space and what role stories play in mediating truth. A mind-melting, brutalist novel, skillfully told in a collage of science fiction, social realism, and romantic comedy.

A Better Place  by Stephen Daisley, Text – [WWII visceral novel]

– a novel about brothers at war, empathy and the aftermath. Aged 19 in 1939, Roy and his twin brother Tony enlist in the NZ Infantry Brigade. They fight in Crete where Tony dies. Burdened by the loss of his brother, Roy continues to Africa and Europe.

Beautifully written, brutal, tender and visceral, A Better Place is about love in its many forms.

Judges’ Comment

The tragedies of war and prevailing social attitudes are viewed with an unflinching but contemporary eye as Stephen Daisley’s lean, agile prose depicts faceted perspectives on masculinity, fraternity, violence, art, nationhood and queer love in this story about twin brothers fighting in WW2. With its brisk and uncompromising accounts of military action, and deep sensitivity to the plights of its characters, A Better Place is by turns savage and tender, absurd and wry.

eco thriller tech billionaire New Zealand

Birnam Wood  by Eleanor Catton, Te Herenga Waka University Press – [Eco Mystery/Thriller(y)]

– an eco-thriller of sorts that considers intentions, actions, and consequences, an unflinching examination of the human impulse to ensure our own survival. Featuring green activists, politician farmer and his wife, a tech billionaire and the lone wolf investigative journalist with a past.

Judges’ Comment

When Mira Bunting, the force behind guerilla gardening collective Birnam Wood, meets her match in American tech billionaire Robert Lemoine, the stage is set for a tightly plotted and richly imagined psychological thriller. Eleanor Catton’s page-turner gleams with intelligence, hitting the sweet spot between smart and accessible. And like an adrenalised blockbuster grafted on to Shakespearian rootstock, it accelerates towards an epic conclusion that leaves readers’ heads spinning.

Lioness by Emily Perkins, Bloomsbury – [Literary Fiction/Blended Family, Second Wife Drama]

– a novel of a woman’s self doubt and shifting place in second family’s and relationships.

Trevor and Therese are a power couple living in the capital city, he is a developer and she runs a chain of fashion boutiques. That’s the exterior. At home, there is his adult family (issues) to contend with and her uncertain place in a scenario that is rapidly shifting when his deals come under scrutiny and his children make increasing demands. Increasingly, she finds refuge elsewhere, inviting another kind of risk into her precarious existence.

Judges’ Comment

After marrying the older, wealthier Trevor, Teresa Holder has transformed herself into upper-class Therese Thorn, complete with her own homeware business. But when rumours of corruption gather around one of Trevor’s property developments, the fallout is swift, and Therese begins to reevaluate her privileged world. Emily Perkins weaves multiple plotlines and characters with impressive dexterity. Punchy, sophisticated and frequently funny, Lioness is an incisive exploration of wealth, power, class, female rage, and the search for authenticity.

Winner Announced

The winners will be announced on 15 May during the Auckland Writer’s Festival.

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Dublin Literary Award Longlist Announced

The Dublin Literary Award has announced a longlist of 70 books nominated by 80 libraries from 35 countries around the world.

Celebrating excellence in world literature and now in its 29th year, this award is the world’s most valuable annual prize for a single work of fiction published in English, worth €100,000 to the winner.

The list features 16 debut novelists and 31 novels in translation representing 14 languages including Finnish, Hungarian, Romanian, Serbian and Turkish. New  Zealand author Catherine Chidgey has been nominated for two novels. 

The shortlist will be revealed on 26th March 2024 and the winner will be announced on 23rd May 2024.

The nominated novels will be available for readers to borrow from Dublin City Libraries and from public libraries around Ireland, and some can be borrowed as eBooks and eAudiobooks on the free Borrowbox app, available to all public library users.

I have read Pet, Birnam Wood, Soldier Sailor, Old God’s Time and Demon Copperhead.

Irish Book Awards 2023 motherhood literary fiction
literary fiction Irish
Demon Copperhead Barbara Kingsolver
eco thriller tech billionaire New Zealand

The Longlist

1000 coils of fear by Olivia Wenzel (Germany) tr. Priscilla Layne – A multilayered and rhythmic debut novel about her life as a Black German woman living in Berlin and New York during the chaos of the 2016 U.S. presidential election from playwright Olivia Wenzel.

A History of the Island by Eugene Vodolazkin (Russia) tr. Lisa C. Hayden – Internationally acclaimed novelist and scholar of medieval literature, Eugene Vodolazkin returns with a satirical parable about European and Russian history, the myth of progress, and the futility of war.

A Minor Chorus by Billy-Ray Belcourt (Canada) – An urgent first novel about breaching the prisons we live inside from one of Canada’s most daring literary talents. An unnamed narrator abandons grad school and returns to northern Alberta in search of answers to existential questions about family, love, and happiness. What ensues is a series of conversations amounting to an autobiography of his hometown. 

Ada’s Realm by Sharon Dodua Otoo (Germany) tr. Jon Cho-Polizzi – In a small village in what will become Ghana, Ada gives birth to a baby who does not live. As she grieves for her child, Portuguese traders arrive in the village, an event that will bear terrible repercussions for Ada and her kin. Centuries later, Ada will become the mathematician Ada Lovelace; Ada, a prisoner forced into prostitution in a concentration camp; and Ada, a pregnant Ghanaian woman who arrives in Berlin in 2019 for a fresh start. Ada is not one woman, but many, and she is all women. This debut from Sharon Dodua Otoo paints an astonishing picture of femininity and resilience with deep empathy and infinite imagination.

An Astronomer in Love by Antoine Laurain (France) tr. by Louise Rogers Lalaurie & Megan Jones – Part swashbuckling adventure on the high seas and part modern-day love story set in the heart of Paris, An Astronomer in Love is an enchanting tale of adventure, destiny and the power of love. 

Birnam Wood by Eleanor Catton (New Zealand) – A landslide has closed the Korowai Pass cutting off the town of Thorndike, leaving a farm abandoned. The disaster presents an opportunity for Birnam Wood, a guerrilla gardening collective that plants crops where no one will notice. An enigmatic billionaire also has an interest in the place. Can they trust him? Can they trust each other? A propulsive literary thriller from the Booker Prize-winning author of The Luminaries, Birnam Wood is a brilliantly constructed tale of intentions, actions, consequences and survival.

Breakwater by Marijke Schermer (Netherlands) tr.(Dutch) Liz Waters – A woman who seems to have it all is unable to tell her husband of her violent secret past, which threatens to tear their family apart. “A secret between a husband and a wife threatens their existence in Marijke Schermer’s novel Breakwater. Breakwater is a concise, cutting story about trauma, post-traumatic stress, and misdirected love.”

Canción by Eduardo Halfon (Guatemala) tr. (Spanish) Lisa Dillman & Daniel Hahn – In Canción, Eduardo Halfon’s eponymous wanderer is invited to a Lebanese writers’ conference in Japan, where he reflects on his Jewish grandfather’s multifaceted identity. To understand more about the day in January 1967 when his grandfather was abducted by Guatemalan guerillas, Halfon searches his childhood memories. Soon, chance encounters around the world lead to more clues about his grandfather’s captors, including a butcher nicknamed “Canción” (or song). As a brutal and complex history emerges against the backdrop of the Guatemalan Civil War, Halfon finds echoes in the stories of a woman he meets in Japan whose grandfather survived the atomic bombing of Hiroshima.

Chain-Gang All-Stars by Nana Kwame Adjei-Brenyah (US) – Two top women gladiators fight for their freedom within a depraved private prison system not so far-removed from America’s own. In packed arenas, live-streamed by millions, prisoners compete as gladiators for the ultimate prize: their freedom. Fan favourites Loretta Thurwar & Hamara ‘Hurricane Staxxx’ Stacker are teammates and lovers. Thurwar is nearing the end of her time on the circuit, free in just a few matches, a fact she carries as heavily as her lethal hammer. As she prepares for her final encounters, as protestors gather at the gates, and as the programme’s corporate owners stack the odds against her – will the price be simply too high?

Crimson Spring by Navtej Sarna (India) – On 13 April 1919, around 25,000 unarmed Indians had gathered in Jallianwala Bagh in Amritsar. Many were listening to speakers denouncing the Rowlatt Act, while others were there to relax. In the evening, a detachment of soldiers led by Brigadier General R. E. H. Dyer entered the Bagh and open fired without warning. Several hundred perished and several hundred more were injured. Navtej Sarna brings the horror of the atrocity to life through the eyes of nine characters -Indians and Britons, ordinary people and powerful officials, the innocent and the guilty. Set against India’s epic freedom struggle, the book is a powerful, unsettling meditation on the costs of colonialism.

Crooked Plow by Itamar Vieira Junior (Brazil) tr.(Brazilian Portuguese) Johnny Lorenz – Deep in Brazil’s neglected Bahia hinterland, two sisters find an ancient knife beneath their grandmother’s bed and, momentarily mystified by its power, decide to taste its metal. The shuddering violence that follows marks their lives and binds them together forever.

Heralded as a new masterpiece and the most important Brazilian novel of this century, this fascinating and gripping story about the lives of subsistence farmers in the Brazil’s poorest region, three generations after the abolition of slavery in that country is at once fantastic and realist, covering themes of family, spirituality, slavery and its aftermath and political struggle.

Dandelion Daughter by Gabrielle Boulianne-Tremblay (Canada) tr. Eli Tareq El Bechelany-Lynch (French) – An intimate portrait of growing up having been assigned the wrong sex at birth. Set against the windswept countryside of the remote Charlevoix region north of Montreal, an autobiographical novel immortalizes her early years as an alienated boy trapped in a world of small-town values. In the midst of her parents’ dissolving marriage, Boulianne-Tremblay traverses complex adolescent years of self-discovery and first loves, to harrowing episodes that fuel the growing realization that she must transition and give birth to her new self if she is to continue living at all. One of the first novels of its kind to appear in Quebec.

Day’s End by Garry Disher (Australia) – Hirsch’s rural beat is wide. Daybreak to day’s end, dirt roads and dust. Every problem that besets small towns and isolated properties, from unlicensed driving to arson. Today he’s driving an international visitor around: Janne Van Sant, whose backpacker son went missing while the borders were closed. They’re checking out his last photo site, his last employer. A feeling that the stories don’t quite add up. A call comes in: a roadside fire. Nothing much—a suitcase soaked in diesel and set alight. Two noteworthy facts emerge. Janne knows more than Hirsch about forensic evidence. And the body in the suitcase is not her son’s.

Demon Copperhead by Barbara Kingsolver (US) – Demon’s story begins with his traumatic birth to a single mother in a single-wide trailer. For the life ahead of him he would need all of that fighting spirit, a quick wit, and some unexpected talents. In the southern Appalachian Mountains of Virginia, poverty and addiction are as natural as the grass grows. For Demon, born on the wrong side of luck, the affection and safety he craves is as remote as the ocean he dreams of seeing one day.

Falling Hour by Geoffrey Morrison (Canada) – It’s a hot summer day, and Hugh Dalgarno, a 31-year-old clerical worker, thinks his brain is broken. Over the course of several hours in an uncannily depopulated public park, he will traverse the baroque landscape of his own thoughts: the theology of nosiness, the beauty of the arbutus tree, the theory of quantum immortality, Louis Riel’s letter to an Irish newspaper, the baleful influence of Calvinism on the Scottish working class, the sea, and, ultimately, thinking itself and how it may be represented in writing. A meandering sojourn, as if the history-haunted landscapes of Sebald’s The Rings of Saturn were shrunk down to a mere 85 acres.

Feast by Emily O’Grady (Australia) – Alison is an actress who no longer acts, Patrick a musician past his prime. The eccentric couple live an isolated existence in Scotland until Patrick’s teenage daughter Neve, flees Australia to spend a year abroad with her father, and the stepmother she barely knows.

On the weekend of Neve’s eighteenth birthday, her father insists on a special feast to mark her coming of age. Despite Neve’s objections, her mother Shannon arrives in Scotland to join the celebrations. What none of them know is that Shannon has arrived with a hidden agenda that has the potential to shatter the delicate façade of the loving, if dysfunctional, family.

Hades by Aisha Zaidal (Malaysia) – In 2012, sixteen-year-old troublemaker Kei and his mother move into a decaying low-cost flat from the slums at the edge of town, right next to Maryam, a young mother, and her three-year-old son Ishak. Shunned by society, Kei and Maryam develop an unspoken bond, which starts to fray as the ghosts of their pasts circle in. Both wonder if they can free themselves of the men who made them the abominations everyone considers them to be, and of the despair creeping in around them.

Haven by Emma Donoghue (Ireland) – In 7th-century Ireland, a scholar/priest called Artt has a dream telling him to leave the sinful world behind. Taking two monks – young Trian & old Cormac – he rows down the river Shannon in search of an isolated spot on which to found a monastery. With only faith to guide them and drifting out into the Atlantic, the three men find a steep, bare island, inhabited by tens of thousands of birds, and claim it for God. In such a place, what will survival mean? What they find is the extraordinary island now known as Skellig Michael.

Hello Beautiful by Ann Napolitano (US) –

The four Padavano girls bring loving chaos to their neighbourhood. William Waters grew up in a house silenced by tragedy. When he meets Julia Padavano, it’s as if the world has lit up around him. With Julia comes her family: Sylvie, the dreamer; Cecelia, the artist; and Emeline patiently taking care of them all. But when darkness from William’s past begins to block the light of his future, a catastrophic rift leaves the family inhabiting two sides of a fault line. Can they find their way back to each other? Can love make a broken family whole?

Hollow Bamboo: A Novel by William Ping (Canada) – The hilarious and heart-breaking story of two William Pings in Newfoundland—the lost millennial and the grandfather he knows nothing about. Based on a true story, Hollow Bamboo recounts with humour and sympathy the often-brutal struggles, and occasional successes, faced by some of the first Chinese immigrants in Newfoundland. Drawing on elements of magical realism, auto fiction and satire, as well as deep historical research, Hollow Bamboo is a fresh and original portrayal of our past and our present, and the debut of an extraordinary new author.

Human Nature by Serge Joncour (France) tr. Louise Rogers Lalaurie – When his three sisters escape to the city Alexander is left to run the family farm. Though reluctant, he commits himself to honouring the traditional methods that prioritise the welfare of his cattle, and produce the highest quality meat. But the world around him is changing. The insatiable appetites of supermarkets and fast food chains demand that standards must be sacrificed for speed. As Alexandre struggles to balance his principles and his livelihood, he is drawn to the beautiful Constanze, part of a group of environmental activists keen to draw him into their cause. Farmers uses ammonium nitrate and so do eco-terrorists…

Identitti by Mithu Sanyal (Germany) tr. Alta L. Price – Nivedita (a.k.a. Identitti), a doctoral student who blogs about race with the help of Hindu goddess Kali, is in awe of Saraswati, her superstar postcolonial and race studies professor. But Nivedita’s life and sense of self are upturned when it emerges that Saraswati is actually white. Hours before she learns the truth Nivedita praises her tutor in a radio interview, which calls into question her own reputation and ignites an angry backlash among her peers and online community. A darkly comedic tour de force, Identitti showcases the outsized power of social media in the current debates around identity politics and the power of claiming your own voice.

If I Survive You by Jonathan Escoffery (US) – In the 1970s, Topper and Sanya flee to Miami as political violence consumes their native Kingston. But America, as the couple and their two children learn, is far from the promised land. Excluded from society as Black immigrants, the family pushes on first through Hurricane Andrew and later the 2008 recession. But even as things fall apart, the family remains motivated by what their younger son calls “the exquisite, racking compulsion to survive.” Pulsing with vibrant lyricism and sly commentary, Escoffery’s debut unravels what it means to be in between homes and cultures in a world at the mercy of capitalism and white supremacy.

Limberlost by Robbie Arnott (Australia) – In the heat of a long summer Ned hunts rabbits in a river valley, hoping the pelts will earn him enough money to buy a small boat. His two brothers are away at war, their whereabouts unknown. His father and older sister struggle to hold things together on the family orchard, Limberlost. Desperate to ignore it all—to avoid the future rushing towards him—Ned dreams of open water. As his story unfolds over the following decades, we see how Ned’s choices that summer come to shape the course of his life, the fate of his family and the future of the valley, with its seasons of death and rebirth.

Lone Women by Victor LaValle (US) – Adelaide Henry carries an enormous locked steamer trunk with her wherever she goes. It’s locked because when the trunk opens, people around Adelaide disappear. It’s 1915 and Adelaide is in trouble. Her secret has killed her parents, forcing her to flee California for a new life in Montana. Dragging the trunk with her, she becomes one of the “lone women,” accepting the government’s offer of free land for those who can tame it—except Adelaide isn’t alone. And the secret she’s kept locked away might be the key to her survival.

Memorial, 29 June by Tine Høeg (Denmark) tr. Misha Hoekstra – Celebrated for her signature insight and precision, Tine Høeg returns with a wry, haunting, and riotously funny novel about how loss is bound up with the urge to create. Asta is invited to a memorial. It’s been ten years since her university friend August died. The invitation disrupts everything – the novel she is working on, her friendship with Mai and her two-year-old son – reanimating longings, doubts, and the ghosts of parties past. Moving between Asta’s past and present, Memorial, 29 June is a novel about who we really are, and who we thought we would become.

Monsters Like Us by Ulrike Almut Sandig (Germany) tr. Karen Leeder – the story of old friends Ruth and Viktor in the last days of Communist East Germany. Inseparable since kindergarten, forced to go their different ways to escape their difficult childhood: Ruth into music and the life of a professional musician; Viktor into violence and a neo-Nazi gang. A story of families, a story of abuse, a story about the search for redemption and the ways it takes shape over generations. More than anything, it is about the stories we tell ourselves about who we are, and who we want to be.

My Father’s House by Joseph O’Connor (Ireland) – September 1943: German forces occupy Rome. SS officer Paul Hauptmann rules with terror. An Irish priest, Hugh O’Flaherty, dedicates himself to helping those escaping from the Nazis. His home is Vatican City, the world’s smallest state, a neutral country within Rome where the occupiers hold no sway. Here Hugh brings together an unlikely band of friends to hide the vulnerable under the noses of the enemy. But Hauptmann’s net begins closing in on the Escape Line and the need for a terrifyingly audacious mission grows critical. Based on an extraordinary true story, My Father’s House is a powerful literary thriller from a master of historical fiction.

My Men by Victoria Kielland (Norway) tr. Damion Searls – Based on the true story of Norwegian maid turned Midwestern farmwife Belle Gunness, the first female serial killer in American history, My Men is the radically empathetic and disquieting portrait of a woman capable of ecstatic love and gruesome cruelty. Among thousands of other Norwegian immigrants seeking freedom, Brynhild Størset emigrated to the American Upper Midwest in the late nineteenth century, changing her name and her life. As Bella, later Belle Gunness, she came in search of fortune and faith but, most of all, love. In pursuit of her American Dream, Kielland’s Belle grows increasingly alienated, ruthless, and perversely compelling.

Now I Am Here by Chidi Ibere (UK) – About to make his last stand, a soldier facing certain death at enemy hands, writes home to his love to explain how he ended up there. The Officer in the story has no name nor is his nation specified. While out walking, he stumbles upon officers enjoying a military barbecue and is persuaded to join them. He enjoys the comradeship of the event, is quickly seduced by the smart, tailored military uniform he is fitted with, by the power bestowed upon it and the respect commanded by it. From there, this gentle man is gradually transformed into a war criminal, committing acts he wouldn’t have thought himself capable.

Old God’s Time by Sebastian Barry (Ireland) – Retired policeman Tom Kettle is enjoying the quiet of his new home in Dalkey, overlooking the sea. His peace is interrupted when two former colleagues turn up at his door to ask about a traumatic, decades-old case. A case that Tom never came to terms with. His peace is further disturbed by a young mother who asks for his help. And what of Tom’s wife, June, and their two children? A beautiful, haunting novel about what we live through, what we live with, and what will survive of us.

Open Heart by Elvira Lindo(Spain) tr. Adrian Nathan West – This intimate family novel that follows the rise and fall of a great love is also a moving tribute to the generation that struggled to survive in Spain after the Civil War. In Open Heart, Elvira Lindo tells the story of her parents—the story of an excessive love, passionate and unstable, forged through countless fights and reconciliations, which had a profound effect on their entire family.

Orgy by Gábor Zoltán (Hungary) tr. Thomas Sneddon – A nightmarish recounting of events from the final phase of the Holocaust in Hungary. In late 1944 and early 1945 Budapest was consigned to the rule of the fascist organization known as the Arrow Cross. They sought out individuals not only of Jewish descent but anyone they viewed as liberals, “English sympathizers” or “humanists.” One such man is the novel’s main character, the thirty-year-old factory owner, Renner. He is a successful, fearless man: the Arrow Cross have plenty of reasons to kill him. But instead of a swift execution, they torture and humiliate him even longer than usual, subsequently forcing him to assist them.

Our Missing Hearts by Celeste Ng (US) – Bird Gardner lives a quiet existence with his father, a former linguist who now shelves books in a library. His mother Margaret, a Chinese American poet, left without a trace. He doesn’t know what happened to her—only that her books have been banned. Bird receives a letter containing a cryptic drawing, and he’s entered a quest to find her. His journey will take him to the folktales she poured into his head as a child, through the ranks of an underground network of heroic librarians, and finally to NYC, where he will finally learn the truth about what happened to his mother, and what the future holds for them both.

Our Share of Night by Mariana Enriquez (Argentina) tr. Megan McDowell (Spanish) – Moving back and forth in time, from London in the swinging 1960s to the brutal years of Argentina’s military dictatorship and its turbulent aftermath, Our Share of Night is a novel like no other: a family story, a ghost story, a story of the occult and the supernatural, a book about the complexities of love and longing with queer subplots and themes. This is the masterwork of one of Latin America’s most original novelists, “a mesmerizing writer,” says Dave Eggers, “who demands to be read.”

Pet by Catherine Chidgey (New Zealand) – Like every other girl in her class, twelve-year-old Justine is drawn to her glamorous, charismatic new teacher, and longs to be her pet. However, when a thief begins to target the school, Justine’s sense that something isn’t quite right grows ever stronger. With each twist of the plot, this gripping story of deception and the corrosive power of guilt takes a yet darker turn. Young as she is, Justine must decide where her loyalties lie.

Praiseworthy by Alexis Wright (Australia) – In a small town in northern Australia dominated by a haze cloud, a crazed visionary sees donkeys as the solution to the global climate crisis and the economic dependency of the Aboriginal people. His wife seeks solace from his madness in the dance of moths and butterflies. One of their sons, called Aboriginal Sovereignty, is determined to commit suicide. The other, Tommyhawk, wishes his brother dead so that he can pursue his dream of becoming white and powerful. Praiseworthy is a novel which pushes allegory and language to its limits, a cry of outrage against oppression and disadvantage, and a fable for the end of days.

Properties of thirst : a novel by Marianne Wiggins (US) – “Rocky” Rhodes has spent years fiercely protecting his California ranch from the LA Water Corporation. It is where he and his wife Lou raised their twins, Sunny and Stryker, and it where Rocky has mourned Lou since her death. When the government decides to build an internment camp next to the ranch, Rocky realizes that the land faces even bigger threats than the LA watermen. Complicating matters is the fact that the Department of the Interior man assigned to build the camp, who only begins to understand the horror of his task after it may be too late, becomes infatuated with Sunny and entangled with the Rhodes family.

Querelle of Roberval: A Syndical Fiction by Kevin Lambert (Canada) tr. Donald Winkler (French) – As a millworkers’ strike in the northern lumber town of Roberval drags on, tensions escalate between the workers—but when a lockout renews their solidarity, they rally around the mysterious and magnetic influence of Querelle, a dashing newcomer from Montreal. As the dispute hardens and both sides refuse to yield, the tinderbox of class struggle and entitlement ignites in a firestorm of passions carnal and violent. A tribute to Jean Genet’s antihero, and a brilliant reimagining of the ancient form of tragedy, Querelle of Roberval is a wildly imaginative story of justice, passion, and murderous revenge.

River Sing Me Home by Eleanor Shearer (UK) – Rachel is searching for her children. For Mary Grace, Micah, Thomas Augustus, Cherry Jane and Mercy. These are the five who were sold to other plantations; the faces she cannot forget. It is 1834, and the law says her people are now free. But for Rachel freedom means finding her children. With fear snapping at her heels, Rachel keeps moving. From sunrise to sunset, through the cane fields of Barbados to the forests of British Guiana, then on to Trinidad, up the dangerous river and to the open sea. Only once she knows their stories can she rest. Only then can she finally find home…

Rombo by Esther Kinsky (Germany) tr. Caroline Schmidt – In May and September 1976, two earthquakes ripped through north-eastern Italy, causing severe damage to the landscape and its population. About a thousand people died under the rubble, tens of thousands were left without shelter, and many ended up leaving their homes in Friuli forever. In Rombo, Esther Kinsky’s sublime new novel, seven inhabitants of a remote mountain village talk about their lives, which have been deeply impacted by the earthquake that has left marks they are slowly learning to name. From the shared experience of fear and loss, the threads of individual memory soon unravel and become haunting and moving narratives of a deep trauma.

Schmutz by Felicia Berliner (US) – In this witty, provocative, and “compulsively readable coming-of-age story” (Cosmopolitan), a young Hasidic woman on a quest to get married fears she will never find a groom because of her secret addiction to porn. Like the other women in her ultra-Orthodox community, Raizl expects to find a husband through arranged marriage. But Raizl has a secret. With a hidden computer to help her complete her college degree, she falls down the slippery slope of online pornography. As Raizl dives deeper into the world of porn at night, her daytime life begins to unravel. Raizl must balance her growing understanding of her sexuality with the expectations of the family she loves.

Small Mercies by Denis Lehane (US) – In the summer of 1974 a heatwave blankets Boston and Mary Pat Fennessey is trying to stay one step ahead of the bill collectors. One night Mary Pat’s teenage daughter Jules stays out late and doesn’t come home. That same evening, a young Black man is found dead, struck by a subway train under mysterious circumstances. The two events seem unconnected. But Mary Pat, propelled by a desperate search for her missing daughter, begins turning over stones best left untouched – asking questions that bother Marty Butler, chieftain of the Irish mob, and the men who work for him, men who don’t take kindly to any threat to their business.

Solider Sailor by Claire Kilroy (Ireland) – In her wildly acclaimed novel, her first in over a decade, Claire Kilroy creates an unforgettable heroine whose fierce love for her young son clashes with the seismic change to her own identity. As her marriage strains, and she struggles with questions of autonomy, creativity and the passing of time, an old friend makes a welcome return ­– but can he really offer a lifeline to the woman she used to be?

Solenoid by Mircea Cărtărescu (Romania) tr. Sean Cotter – Based on Cărtărescu’s own role as a high school teacher, Solenoid begins with the mundane details of a diarist’s life and spirals into a philosophical account of life, history, philosophy, and mathematics. On a broad scale, the novel’s investigations of other universes, dimensions, and timelines reconcile the realms of life and art. Grounded in the reality of late 1970s/early 1980s Communist Romania, including long lines for groceries, the absurdities of the education system, and the misery of family life. Combining fiction, autobiography and history, Solenoid ruminates on the exchanges possible between the alternate dimensions of life and art within the Communist present.

Stolen by Ann-Helén Laestadius (Sweden) tr. Rachel Willson-Broyles – Nine-year-old Elsa lives just north of the Arctic Circle. She and her family are Sámi, Scandinavia’s indigenous people, and make their living herding reindeer. One morning, Elsa witnesses a man brutally killing her reindeer calf. She recognises the man but refuses to tell anyone – least of all the Swedish police force – about what she saw. A decade later, Elsa finds herself the target of the man she first encountered all those years ago, and something inside of her finally breaks. The guilt, fear and anger she’s been carrying since childhood come crashing over her like an avalanche, and will lead Elsa to a final catastrophic confrontation.

Stone and Shadow by Burhan Sönmez (Turkey) tr. Alexander Dawe – In the city of Mardin, the orphaned Avdo finds purpose when an old mason takes him on as an apprentice. From Master Josef, he learns the importance of their art, which looks after the dead and bears witness to their lives. Avdo travels the country and meets a woman he loves wholeheartedly, only to lose her through a tragic crime. Resigned to a lonely existence, he retreats from the world into his cemetery workshop, but even there, life, with all its sorrows, joys, injustices, and gifts, draws him in unexpected directions.

Take What You Need by Idra Novey (US) – Take What You Need traces the parallel lives of Jean and her beloved but estranged stepdaughter, Leah, who’s sought a clean break from her rural childhood. In Leah’s urban life with her young family, she’s revealed little about Jean, how much she misses her stepmother’s hard-won insights and joyful lack of inhibition. But with Jean’s death, Leah must return to sort through what’s been left behind. Set in the Allegheny Mountains of Appalachia, the novel explores the continuing mystery of the people we love most, zeroing in on the joys and difficulties of family with great verve.

The Ascent by Stefan Hertmans (Netherlands) tr. David McKay (Dutch) – In 1979, Stefan Hertmans fell in love with a beautiful old house in Ghent in Belgium, which he lovingly rescued from decay. Now, years later, he learns that a bust of Hitler once sat on the mantelpiece, and a war criminal relaxed in its rooms with his family. This shocking discovery sends Hertmans off to the archives and to interview next of kin, to uncover the secrets of the house and expose the atrocities this man committed. A story of war, family, and fate, Hertmans masterfully brings history to life, as he appears in the novel as a trusted guide, and imagines individual lives to tell the greater European story.

The Axeman’s Carnival by Catherine Chidgey (New Zealand) – Everywhere, the birds: sparrows and skylarks and thrushes, starlings and bellbirds, fantails and pipits – but above them all and louder, the magpies. We are here and this is our tree and we’re staying and it is ours and you need to leave and now.

The Birthday Party by Laurent Mauvignier (France) tr. Daniel Levin Becker – Buried deep in rural France, little remains of the isolated hamlet of the Three Lone Girls, save a few houses and a curiously assembled quartet. While Patrice plans a surprise for his wife’s 40th birthday, inexplicable events start to disrupt the hamlet’s quiet existence. Told in rhythmic, propulsive prose that weaves seamlessly from one consciousness to the next, a deft unravelling of the stories we hide from others and from ourselves, a gripping tale of the violent irruptions of the past into the present, written by a major contemporary French writer.

The Chinese Groove by Kathryn Ma (US) – Eighteen-year-old Shelley, born into a much-despised branch of the Zheng family in Yunnan Province, heads to San Francisco to claim his destiny, confident that any hurdles will be easily overcome. Shelley is dismayed to find that his “rich uncle” is his unemployed second cousin and that the guest room he’d envisioned is but a scratchy sofa. Even worse, the loving family he hoped would embrace him is in shambles, shattered by a senseless tragedy that has cleaved the family in two. Ever the optimist, Shelley concocts a plan to resuscitate his American dream by insinuating himself into the family.

The Crane Husband by Kelly Barnhill (US) – In this stunning contemporary retelling of “The Crane Wife” by the Newbery Medal-winning author of The Girl Who Drank the Moon, one fiercely pragmatic teen forced to grow up faster than was fair will do whatever it takes to protect her family—and change the story.

The Drinker of Horizons by Mia Couto (Mozambique) tr. David Brookshaw (Portuguese) – the epic love story between a young Mozambican woman named Imani and the Portuguese sergeant Germano de Melo to its moving close. We resume where The Sword and the Spear concluded: While Germano is left behind in Africa, serving with the Portuguese military, Imani has been enlisted to act as the interpreter to the imprisoned emperor of Gaza, Ngungunyane, on the long voyage to Lisbon. For the emperor and his seven wives, it will be a journey of no return. Imani’s own return will come only after a decade-long odyssey through the Portuguese empire at the beginning of the twentieth century.

The Exhibition by Miodrag Kajtez (Serbia) tr. Nikola M. Kajtez – Izlozba (original title of The Exhibition published in 2015 and awarded the National Award Laza Kostić for the book of the year) is an explicit story about the morphology of death. The characters seem to be as if from the other side of life. On the other hand, the very text of the novel is addictively fun, especially for literary connoisseurs, the humor, although unobtrusive, is often hilarious.

The Eye of the Beholder by Margie Orford (South Africa) – Cora carries secrets her daughter can’t know. Freya is frightened by what her mother leaves unsaid. Angel will only bury the past if it means putting her abusers into the ground.
One act of violence sets the three women on a collision course, each desperate to find the truth. In a nail-biting thriller set between the scorched red soil of South Africa, the pitiless snowfields of Canada and the chilly lochsides of western Scotland, each woman must contend with the spectres of male violence, sexual abuse and the choices we each make to keep our souls.

The Fire by Daniela Krien (Germany) tr. Jamie Bulloch – With plans adrift after a fire burns down their rented holiday cabin, Rahel and Peter find themselves on an isolated farm where Rahel spent many a happy childhood summer. Suddenly, after years of navigating careers, demanding children and the monotony of the daily routine, they find themselves unable to escape each other’s company. With three weeks stretching ahead, they must come to an understanding on whether they have a future together. What happens when love grows older and passion has faded? When what divides us is greater than what brought us together? And how easy is it to ask the fundamental questions about our relationships?

The Ghetto Within by Santiago H. Amigorena (Argentina/France) tr. Frank Wynne – The Ghetto Within re-imagines the life of its author’s Jewish grandfather whose guilt provokes an enduring silence to span generations. 1928. Vicente Rosenberg is a European émigré starting a new life in Buenos Aires. Despite success, Vicente still misses his mother, who stayed behind in Poland. For years, she writes him. Yet, as unnerving rumors mount from abroad, her letters become increasingly sporadic, and Vicente begins to construct the reality of a tragedy that already occurred. Then, one day, the letters cease. Racked with guilt, Vicente lapses into a longstanding silence. With his new novel, Amigorena finds the language to retrieve his voice from the oblivion of familial trauma.

The Great Reclamation by Rachel Heng (Singapore) – On a quiet moonlit night, Ah Boon, young and terrified, takes his first trip out to sea in his father’s fishing boat – a rite of passage for the boys of the kampong. As the air hums and the wind howls, a mysterious, impossible island materialises in the darkness; an island that Ah Boon soon learns only he has the ability to find. But this is only the beginning of the story, and as Ah Boon grows up, alongside Siok Mei, the spirited girl he has fallen in love with, he finds himself caught in the tragic sweep of Singapore’s history.

The House of Fortune by Jessie Burton (UK) – In the golden city of Amsterdam, in 1705, Thea Brandt is turning eighteen, and she is ready to welcome adulthood with open arms. At the city’s theatre, Walter, the love of her life, awaits her, but at home in the house on the Herengracht, all is not well – her father Otto and Aunt Nella argue endlessly, and the Brandt family are selling their furniture in order to eat. On Thea’s birthday, also the day that her mother Marin died, the secrets from the past begin to overwhelm the present.

The Moonday Letters by Emmi Itäranta (Finland) tr.Emmi Itäranta – Sol has disappeared. Their Earth-born wife Lumi sets out to find them but it is no simple feat: each clue uncovers another enigma. Their disappearance leads back to underground environmental groups and a web of mystery that spans the space between the planets themselves. Told through letters and extracts, the course of Lumi’s journey takes her not only from the affluent colonies of Mars to the devastated remnants of Earth, but into the hidden depths of Sol’s past and the long-forgotten secrets of her own. Part space-age epistolary, part eco-thriller, and a love story between two individuals from very different worlds.

The Orphans of Amsterdam by Elle Van Rijn (Netherlands) tr. Jai van Essen – Amsterdam, 1941. My hands are so shaky I’m fumbling. Where to hide? I pull open the dresser, throw aside the blankets, put the baby in and push the drawer shut, just as the nursery door swings open. The German officer marches into the room, yelling over the crying downstairs: ‘You! Grab all the children – now!’ Based on the heart-wrenching true story of an ordinary young woman who risked everything to save countless children from the Nazis, this gripping read is perfect for fans of The Tattooist of Auschwitz, We Were the Lucky Ones and The Nightingale.

The Sleeping Car Porter by Suzette Mayr (Canada) – It’s 1929, and Baxter is considered lucky, as a Black man, to have a job as a porter on a train that crisscrosses the continent. He has to smile and nod for the white passengers when they call him ‘George.’ He’s obsessed with teeth, and saving up tips for dentistry school.

On this trip, the passengers are unruly, especially when the train is stranded for days – their secrets leak out, blurring with Baxter’s sleep-deprivation hallucinations. When he finds an illicit postcard of two men, Baxter’s longings are reawakened; keeping it puts his job in peril, but he can’t part with it or his memories of a certain Porter Instructor.

The Words that Remain by Stênio Gardel (Brazil) tr. Bruna Dantas Lobata (Portuguese) – A letter has beckoned to Raimundo since he received it over 50 years ago from his youthful passion, handsome Cícero. But having grown up in an impoverished area of Brazil where demands of manual labor thwarted his becoming literate, Raimundo has been unable to read. Exploring Brazil’s little-known hinterland as well its urban haunts, this is a sweeping novel of repression, violence, and shame, along with survival, endurance, and the ultimate triumph of an unforgettable figure on society’s margins. The Words That Remain explores the universal power of the written word and language, and how they affect all our relationships.

The World and All That It Holds by Aleksandar Hemon (Bosnia/US) – “The World and All That It Holds would be an audacious title for a book by anybody except God–or Aleksandar Hemon. . . From start to finish, no matter what else he’s up to, Hemon is telling a tale about the resilience of true love.” —RON CHARLES, The Washington Post. The World and All That It Holds—in all its hilarious, heartbreaking, erotic, philosophical glory—showcases Aleksandar Hemon’s celebrated talent at its pinnacle. It is a grand, tender, sweeping story that spans decades and continents. It cements Hemon as one of the boldest voices in fiction.

This Other Eden by Paul Harding (US) – inspired by the true story of Malaga Island, an isolated island off the coast of Maine that became one of the first racially integrated towns in the Northeast. In 1792, formerly enslaved Benjamin Honey and his Irish wife, Patience, discover an island where they can make a life together. Over a century later, the Honeys’ descendants and a diverse group of neighbors are desperately poor but nevertheless protected from the hostility on the mainland. During the summer of 1912, Matthew Diamond, a retired, idealistic but prejudiced schoolteacher-turned-missionary, disrupts the community’s fragile balance. (Bibliotheca Alexandrina) This Other Eden is an exceptional novel. It is lyrically expressed historical fiction which is “a tribute to community and human dignity.” (Rachel Seiffert, The Guardian)

Thistlefoot by Genna Rose Nethercott (US) – The Yaga siblings have been estranged since childhood. Then they learn that they are to receive an inheritance: a sentient house on chicken legs. Thistlefoot, as the house is called, has arrived from the Yagas’ ancestral home outside Kyiv—but the sinister Longshadow Man has tracked it to American shores, bearing with him violent secrets from the past. As the Yagas embark with Thistlefoot on a final cross-country tour of their family’s traveling theater show, the Longshadow Man follows, seeding destruction in his wake. Ultimately, time, magic, and legacy must collide—erupting in a powerful conflagration to determine who gets to remember the past and craft a new future.

Ti Amo by Hanne Ørstavik (Norway) tr. Martin Aitken – A woman is in a deep and real, but relatively new relationship with a man from Milan. She has moved there, they have married, and they are close in every way. Then he is diagnosed with cancer. It’s serious, but they try to go about their lives as best they can. But when the doctor tells the woman that her husband has less than a year to live – without telling the husband – death comes between them. She knows it’s coming, but he doesn’t – and he doesn’t seem to want to know. An incredibly beautiful and harrowing novel, filled with tenderness and grief, love and loneliness.

Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin (US) – This is the story of Sam and Sadie. It’s not a romance, but it is about love. When Sam catches sight of Sadie at a crowded train station one morning he is catapulted straight back to childhood, and the hours they spent immersed in video games. Their spark reignited, together they get to work: making their own games to delight and challenge players. It’s the 90s, and anything is possible. Their collaborations make them superstars.What comes next is a tale of friendship and rivalry, fame and creativity, betrayal and tragedy, perfect worlds and imperfect ones. And, above all, of our need to connect: to be loved and to love.

When We Were Fireflies by Abubakar Adam Ibrahim (Nigeria) – When brooding artist, Yarima Lalo, encounters a moving train for the first time, two serendipitous events occur. First, it triggers memories of past lives in which he was twice murdered—once on a train. He also meets Aziza, a woman with a complicated past of her own, who becomes key to helping him understand what he is experiencing. With a third death in his current life imminent, together they go hunting for remnants of his past lives. Will they find evidence that he is losing his mind or the people who once loved or loathed him?

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Reading Intentions 2024

Photo Ylanite Koppens @ Pexels.com

I’m not really into reading goals and rarely participate in challenges that might oblige me to stick with a fixed plan.

A mood reader, I like being able to change my mind about what is going to be picked next. So often, the book I’m reading points the way forward to the next one, or a conversation leads me to recall another book I have on the shelf already.

That said, there are certain intentions I have, and I thought I would list them this year, to give a little direction or framework to the year. As always, things can change, they probably will and if so I will welcome that!

1. Read one book a week

While the number doesn’t really matter, it exists so that that at any one time I can see if I’m keeping with my intention or lagging behind. This reading challenge is on Goodreads, which is where I dump my first impressions as I read or makes notes while reading, or not.

Some may think that reading 50-60 books in a year is a lot; it is about the equivalent of reading 50 pages a day, which is around half an hour to an hour each day. The trick is to read a little every day. I mostly read at night, in the TV watching hour(s) and just before sleep.

2. Reading Ireland Month, March 2024

Last year I read 18 Irish books and I could easily do the same this year, the main focus being Reading Ireland Month in March over at Cathy’s 746Books.

In addition to books from this pile I own here, Cathy has just posted Irish Novels to look out for in 2024 and Irish Short Story Collections + Nonfiction to Look Out for in 2024.

There are few books here I am interested in, notably, from author’s I’ve read and enjoyed; Jan Carson’s Quickly, While They Still Have Horses (short stories) plus collections from Mary Costello and Lucy Caldwell; in fiction, Nuala O’Connor’s Seaborne, Siobhan Gleeson’s Hagstone, Caiolinn Hughe’s The Alternatives. There’s likely to be more temptations I’m sure!

3. Read More Latin American Fiction

Thanks to a subscription with Charco Press, I will be receiving nine books throughout 2024, as they are published.

2023 was a stellar year of reading books from this region, I enjoyed them all, in particular A Little Luck by Claudia Piñeiro (Argentina) tr. Frances Riddle, Two Sherpas by Sebastian Martinez Daniell (Argentina) tr. Jennifer Croft and The Delivery by Margarita Garcia Robayo (Colombia) tr. Megan McDowell.

The 2024 Fiction Bundle includes these titles, so many of which I am excited to read:

4. Read More Annie Ernaux, In French

In 2023, I read Annie Ernaux’s Nobel Prize lecture, I Will Write to Avenge My Race (2022), Simple Passion (1991), and Shame (1997).

In 2024, I hope to read her masterpiece The Years (2008) in English and these three titles in French, L’occupation (2002), (The Possession), Une femme (1987), (A Woman’s Story) and “Je ne suis pas sortie de ma nuit” (1997), (I Remain in Darkness).

I live in France, but tend to read French titles in English, in order to encourage readers to pick them up, however all these titles are available in English anyway and reading in French is a great way to increase vocabulary and exercise the brain!

5. Observe the Awards

Each year, there are certain awards, I like to follow, though they rarely influence what I am going to read. If anything, I’m more likely to find something that might interest me on the longlists, but I do enjoy watching the process of these so very subjective gatherings and all the literary chatter they evoke.

The awards I’ll be looking our for in 2024 are, the New Zealand Book Awards, The Irish Book Awards, The Dublin Literary Prize, The International Booker, The Booker and The Warwick Prize for Women in Translation.

I also like to see who makes the Dylan Thomas Prize longlist, an award for young writers, aged 39 and under, as it is can be a predictor of authors to watch out for in the future. The author Okwiri Oduour (Kenya), who wrote Things They Lost, my One Super Outstanding Read of 2023, was longlisted for this prize and another favourite author Sara Baume (Ireland/UK) was shortlisted.

6. Read More Women in Translation

I love to read around the world. In 2023, I read books from 23 countries and a third of them were in translation. I particularly like to support women authors in translation, due to the challenge this group has in being picked up by publishers and seen.

There is a wealth of great literature to discover here and it is heartening to see classics by the likes of Alba de Céspedes (Italy) coming to print in English for the first time, since being published in the 1950’s.

In 2024, I hope to read more of her work, more by Natalia Ginzburg (Italy), plenty via Charco Press and certainly more that I have yet to decide on. Women in Translation month #WITMonth is in August, which isn’t a great reading month for me, as it’s peak season work wise, so I’ll be reading it all year round, but following closely in August for recommendations.

7. Écrire Marseille: 15 grands auteurs célèbrent la cité phocéenne

Jean Claude Izzo Alexandre Dumas Gustave Flaubert Albert Cohen Simone de Beauvoir

Marseille is a wonderful city, only 25 minutes from where I live. I came across this title in a local bookstore, a compilation of extracts from various French works that mention or celebrate the city of Marseille in some way.

Having had a glimpse inside, I won’t be exactly reviewing the titles or extracts, but I will allow each text to inspire me to write something, using them as a kind of springboard to discover whatever it is to be found by studying the text. That is likely to include a few visits to this complex, unique city herself.

The opening quote is from The Trilogy Fabio Mentale, of which I have read the first in the series, Jean-Claude Izzo’s Total Khéops (1995) (Total Chaos):

“Marseille n’est pas une ville pour les touristes. Il n’y a rien à voir. Sa beauté ne se photographie pas. Elle se partage. Ici, il faut prendre parti. Se passionner. Être pour, être contre. Être, violemment. Alors seulement ce qui est à voir se donne à voir.”

“Marseilles isn’t a city for tourists. There’s nothing to see. Its beauty can’t be photographed. It can only be shared. It’s a place where you have to take sides. Be passionate. Be for, be against. Be, violently. Only then what is to be seen, shows itself.” 

The 15 authors included in the anthology are:

Arrivées à Marseille: Alexandre Dumas (1802-1870), Gustave Flaubert (1821-1880), Albert Cohen (1895-1981), Simone de Beauvoir (1908-1986)

Regards sur la ville: Paul Valéry (1871-1945), Marcel Pagnol (1895-1974), Albert Camus (1913-1916), René Frégni (né en 1947), Rebecca Lighieri (née en 1966), Alain Damasio (né en 1969)

Quelques quartiers de la cité phocéenne: Paul Cézanne (1839-1906), Albert Londres (1884-1932), Louis Brauquier (1900-1976), Jean-Claude Izzo (1945-2000), Maylis de Kerangal (née en 1967)

8. Read What I Like, When I Like

Photo by Julia Kuzenkov on Pexels.com

Have intentions, not obligations. No need to review or finish a book, just follow what lights me up.

Reading and playing around on this blog is total freedom and enjoyment, never a chore, just a fun place to hang out and create content that are like the conversations I am unable to have, because I would never wish to impose all this on anyone.

But thank you to those willing to read and comment, who follow along anyway, that is like the icing on the cake, a gift that is much valued and appreciated and which often contributes to what I might read next.

* * * * * * * * *

Do you have any reading intentions for 2024? Let me know in the comments below.

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The Last Train from Paris (2023) by Juliet Greenwood

Women of Courage, WWII

Juliet Greenwood writes immersive historical fiction, often set in Wales or Cornwall around World War II and always featuring women protagonists, who rise to the challenge in difficult times. Her books are a tribute to those women, often unseen, who keep the world turning, even in the most terrible of times.

I have been following Juliet’s progress and reading her books since she wrote Eden’s Garden and I have also read and reviewed We That are Left and The Ferryman’s Daughter.

The Last Train from Paris is set in the period just before and during World War II, moving from Paris, to London to Cornwall and was inspired in part by stories that Juliet’s mother told her about this period.

It’s a story I’ve been longing to write, ever since I was a little girl and my Mum first told me about studying French near Paris on the day war broke out in 1939. I couldn’t imagine then what it must have been liketo have been a 17-year-old English girl, on her own, catching the train to Calais through a country preparing for war and, like Nora, finding herself on a ferry in the middle of the Channel, being stalked by a German submarine. It’s a story that’s haunted me, especially since we found the letters Mum exchanged with my Dad in London, and the scribbled note she sent him when she finally arrived in Dover.

Past Circumstances, Present Lives

WWII Historical Fiction Cornwall Paris 1939

1964: Iris is visiting her mother in St Mabon’s Cove, Cornwall, an escape from her life in London. She has been having nightmares of feeling trapped. Her mother has given her a box. She has also been looking at the objects in it that relate to her past. It is awakening something that has become more insistent. She knows she was adopted and that these items have something to do with her original family.

Over the course of the weekend, she will ask her mother questions and begin to learn about the past. And encounter a strange reporter is snooping around the village asking questions, a caller her mother wishes to ignore.

Studying in Paris, 1939

The historical narrative centres around two young women characters in 1939; Nora lives in London, where she has worked as a dish washer in a kitchen since she was sixteen. Sabine, a freelance journalist works in a boulangerie (bakery) in Paris, living with her husband Emil, also a journalist, who is focused on writing the novel that is going to change their lives.

The two women meet when Sabine gives a talk in London, after spending a month gaining work experience at the London Evening Standard newspaper. They maintain contact, writing each letters regularly.

Nora, frustrated with the lack of opportunity in her job, comes up with the idea of going to Paris to do a chef training course at Madame Godeaux’s Cuisine Française, seeing no chance of promotion in her current employment.

The Risk of Relying on the Family Business

Juliet Greenwood historical fiction Paris 19
Photo Pixabay @ Pexels.com

Sabine and Emil’s lives are a little precarious due to their reliance on Emil’s brother Albert to subsidise their rent and pending war has contributed to the family boot business suffering. When bad news arrives, Emil, as the second son, is summoned to return to Colmar, to take over from his brother.

When Nora arrives in Paris, she is disappointed to learn that Sabine has already left for Colmar, but she settles into her course and meets other girls, amid a growing wariness of the safety of the city. When one of the girls Heidi tells her the real reason she is in Paris, Nora begins to understand the danger that is not far away.

The novel follows the twin time periods, the present day 1964 where Iris hearing from her mother stories of the past that will lead towards her understanding her identity and circumstances that lead to where she is now and the crossing of paths of two women in the past whose connection resulted in lives being forever changed.

As the story gathers pace, secrets are revealed, dangers confronted and choices made in desperation have long term effects.

There are so many twists and turns in the story, it’s one that you won’t want to put down once started, bt to share any more would be to spoil the joy of discovering and the detective work we begin to do as readers, trying to puzzle out the missing pieces of the jigsaw of these three women’s lives.

A riveting and immersive read, that reminds us just how precarious life is, how stability can be shattered from one day to the next, yet offers hope in its demonstration of the acts of kindness some will make to help others, to make each other safe.

N.B. Thanks you to the author Juliet Greenwood, for providing me a copy of the book to read and review.

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Shame (1997) by Annie Ernaux, tr. Tanya Leslie

In her 2022 nobel prize lecture, I Will Write to Avenge My People, Annie Ernaux shares her motivation for writing in the particular way that is unique to her, telling us how it is at odds with the way she taught.

I had to break with ‘writing well’ and beautiful sentences – the very kind I taught my students to write – to root out, display and understand the rift running through me.

So it with this understanding, that I picked up Simple Passion (my review here) and now Shame, works of non-fiction that explore how certain pivotal events in her life affected her, by noticing her actions and reactions, how her own behaviour or perception changed.

The Origin of Shame

The book opens with a quote from Paul Auster‘s The Invention of Solitude:

Language is not truth.

It is the way we exist in the world.

The opening line begins with the pivotal event, shortly before her 12th birthday:

My father tried to kill my mother one Sunday in June, in the early afternoon.

and then describes everything she remembers about that day in a page of detail.

It was 15 June 1952. The first date I remember with unerring accuracy from my childhood. Before that, the days and dates inscribed on the blackboard and in my workbooks seemed just to drift by.

These words were written 45 years later, around 1997, when this book was first published in French, words that she tells the reader were impossible to write about, even in a personal diary, before then.

Silence Esteemed, The Seed of Unworthiness

I considered writing about it to be a forbidden act that would call for punishment. Not being able to write anything else afterwards for instance. (I felt a kind of relief just now when I saw that I could go on writing, that nothing terrible had happened). In fact, now that I have finally committed it to paper, I feel that it is an ordinary incident, far more common among families than I had originally thought. It may be that narrative, any kind of narrative, lends normality to people’s deeds, including the most dramatic ones.

Ernaux looks back at the origin of her experience of shame, awakened to it by certain moments, exploring the change(s) as she is made to feel them, in the many areas of her life within which it dwelt, sometimes just hidden behind a door, always at risk of being discovered by others.

From then on, that Sunday was like a veil that came between me and everything I did. I would play, I would read, I would behave normally but somehow I wasn’t there.

Beginning with that traumatic event, she observes the lingering effect it had on her, the strong presence it maintained, despite the fact that no one ever talked (to her) about it.

She revisits photos and news archives from that day, that time, trying to find something.

Writing an Ethnological Study of Self

While she rejects the idea of traditional therapy, it could be said that she has created her own form of it, by bringing her deepest shame to the page, as if in doing so, she is somehow sending it away, banishing it to readers.

I expect nothing from psychoanalysis or therapy, whose rudimentary conclusions became clear to me a long time ago – a domineering mother, a father whose submissiveness is shattered with a murderous gesture. To state it’s ‘childhood trauma’ or ‘that day the idols of childhood were knocked off their pedestal’ does nothing to explain a scene which could only be conveyed by the expression that came to me at the time: ‘gagner malheur‘, to breathe disaster. Here abstract speech fails to reach me.

Photo Pavel Danilyuk @ Pexels.com

This text she describes as carrying out an ethnological study of herself.

Like Simple Passion, written in short fragments, it is an engaging read that centres around the year 1952, living by the rules and codes of her world, which usually required unquestioning obedience, without any knowledge that there may be others.

The more I retrace this world of the past, the more terrified I am by its coherence and its strength. Yet I am sure I was perfectly happy there and could aspire to nothing better. For its laws were lost in the sweet, pervasive smells of food and wax polish floating upstairs, the distant shouts coming from the playground and the morning silence shattered by the tinkling of a piano – a girl practicing scales with her music teacher.

A brilliant depiction of a shattering of illusion and the origins of one girls perception of unworthiness.

As the book closes, and the year 1952 ends, her attention is caught by a film/book release.

In his novel, Fires on the Plain, published in 1952, the Japanese author Shōhei Ōoka writes: ‘All this may just be an illusion but all the same I cannot question the things I have experienced. Memories too belong in that category’.

Highly Recommended.

Author, Annie Ernaux

Born in 1940, Annie Ernaux (née Duchesne) was born in Lillebonne and grew up in Yvetot, Normandy, where her parents ran a café-grocery store in the spinning mill district.

She was educated at a private Catholic secondary school, encountering girls from more middle-class backgrounds, and experiencing shame of her working-class parents and milieu for the first time.

After a brief stint in Finchley, London, cleaning houses all morning and reading from the library all afternoon, she returned to France to study at the University of Rouen. Obtaining a degree in modern literature, she became a school teacher. From 1977 to 2000 she was a professor at the Centre National d’Enseignement par Correspondance.

Her books, in particular A Man’s Place (La Place) and A Woman’s Story (Une femme) have become contemporary classics in France. These books marked a break from the definitive novelistic form, she would continue teaching in order to never depend on commercial success.

One of France’s most respected authors, she has won multiple awards for her books, including the Prix Renaudot (2008) for The Years (Les Années) and the Marguerite Yourcenar prize (2017) for her entire body of work. The English translation of The Years (2019) was shortlisted for the Man Booker prize International and won the Warwick Prize for Women in Translation (2019).

The main themes threaded through her work over more than four decades are: the body and sexuality; intimate relationships; social inequality and the experience of changing class through education; time and memory; and the overarching question of how to write these life experiences.

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Top Reads of 2023 – Part 2, Top 5 Non-Fiction

In Top Reads of 2023 – Part 1 I shared my One Super Outstanding Read of the Year and my Top 7 Fiction titles. I also provide a brief look into what I read overall, the 23 countries, the mix of fiction and non-fiction of works in translation.

Top 5 Non-Fiction, An Irish Scoop

In 2023, I read 19 works of non-fiction, from 9 countries, ranging from climate change memoirs like Ugandan author Vanessa Nakate’s A Bigger Picture and Doreen Cunningham’s Soundings to fragmentary slices of life by French nobel prize winner Annie Ernaux in Simple Passion and Shame and Natalia Ginzburg’s Family Lexicon and the true crime adventures of David Grann’s The Wager.

Everything I read was good, but the standouts were:

Irish Book Awards Biography of the Year 2023

Poor, Grit, courage and the life-changing value of self-belief by Katriona O’Sullivan (2023) (Ireland) (Memoir)

– Poor is the incredible story of Katriona O’Sullivan, a university Professor in Dublin, who overcame incredible odds to rise up through the education system, having been raised by heroin addicts in a chaotic household, dropping out of school and becoming pregnant at 15.

She charts the turning points in her life, the people and the opportunities that allowed her to change the trajectory of her life and become a major influencer in advocating for access to higher education for working class girls from poor backgrounds.

She won two Irish Book Awards (Best Biography + Listener’s Choice Award). Totally Inspirational.

grief nature writing memoir motherhood loss apothecary garden

All My Wild Mothers, Motherhood, Loss and an Apothecary Garden by Victoria Bennett (2023) (UK) (Memoir/Nature Writing/Grief)

– This was one of the first books I read in 2023, a beautiful memoir that shares a mother’s journey of homeschooling her son while dealing with the grief of having lost a close sibling. Much like Helen MacDonald’s H is For Hawk, the author plunges into a creative project, to help move through the emotional challenges. Here it was to create an apothecary garden in a social housing estate in rural Cumbria, built over what was an industrial site, a barren, rubble-filled, now rule-restricted, wasteland.

Each chapter began with a different plant, starting with an intriguing medieval, magical perception of it, including stunning black & white woodcut illustrations, the medicinal properties, a bit of folklore and where it might be found. The real star of the book and source of comfort though is her inquisitive son.

A quiet book that celebrates the wisdom of small children and a tribute to sisters and mothers.

creative nonfiction nature writing Irish Literature

Cacophony of Bone by Kerri ní Dochartaigh (2023) (Ireland) (Creative Nonfiction)

– This memoir is a delightful sequel to the author’s more bleak, but exceptional, memoir Thin Places. That debut memoir was a mix of memoir and a reckoning with the after effect of a fractured childhood in a Northern Irish town.

In Cacophony of Bones, she has moved to a rural cottage in the middle of Ireland and while still in the process of healing, there is more light and poetry and inspiration from a multitude of nonfiction writers here. Written in the form of a 12 month journal, it is a book of reflection, poetic expression and of noticing, of planting, growing, of collecting objects, abandoned nests, bone remnants…

I find myself searching for the words of others as a means to fill the holes that the actions of (other) others have left in me.

In my review, I mention a number of the authors she quotes from; I spent a lot of pleasurable time looking up the many references and finding new sources of creative nonfiction to read. A great book and an extremely well-read author.

My Fourth Time We Drowned by Sally Hayden (2022) (Ireland) (Political Nonfiction)

– Though it is a challenging read, this is an incredible book and tribute to the endless support, research and investigative journalism, Sally Hayden has contributed. Winner of the 2022 Orwell Prize for Political Writing, Irish Book Awards Book of the Year 2022, it tells the story of how she was contacted by refugees incarcerated in Libyan migrant detention centres, who were using hidden phones to appeal for help.

Abandoned by everyone, these people were being held in terrible conditions, treated inhumanely and often being extorted for huge sums of money in order to attempt the deadliest migrant rote of all, across the Mediterranean. While the rules of her profession prevented her from assisting them, she began to share their stories and investigate the different centres and discovered the complicity of the EU, in their policies that magnified the humanitarian crisis.

An extraordinary, detailed and condemnatory read. Highly Recommended.

essays memoir creative nonfiction Jamaican literature

Redemption Ground, Essays & Adventures by Lorna Goodison (2018) (Jamaica)

– A mix of memoir, poetry, life adventure and epiphanies, I loved this collection, that stops in and visits different periods in the life of the poet/writer Jamaican author Lorna Goodison (poet laureate of Jamaica from 2017 – 2020), including first time visits to London, New York, tributes to her mother and grandmother in poetry, to her mentor, the great poet and playwright, Derek Walcott, influential theatre and film experiences and inspirational women writers and poets.

Special Mentions, The Other Two Stand Outs

These two 5 star reads are very slim volumes, featuring one essay or lecture, they are literally half hour reads, but very worthwhile and not difficult to access and read.

I Will Write to Avenge My People by Annie Ernaux (2022) (France) translated by Tanya Leslie (French) (Essay + Bio)

– Annie Ernaux won the Nobel prize for literature in 2022 and this is the lecture she gave to the committee, in it she shares her motivation for writing and an explanation of how she came to write in her very particular style.

Indignez-vous! (Time For Outrage) by Stéphane Hessel (2010) (France) (Essay)

– Very well known in France, this is the essay written by 93 year old Stéphane Hessel, since translated into numerous languages and sold 4.5 million copies worldwide. He wrote it 3 years before passing away and it is a message for youth of today, inviting them to find their cause and take action. It became a huge bestseller and long lines of young people lined up to have him sign their copy, much respect did they have for a man who had lived through it all, the war, the resistance, the concentration camp and a participant in the creation of the declaration of human rights.

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That’s it for nonfiction, let me know if you have any good recommendations for 2024!
Let us know your favourite non-fiction title from 2023 in the comments below.