Dance Move by Wendy Erskine

Dance Move is Belfast author Wendy Erskine’s second volume of short stories and the first one I have read. Her debut Sweet Home was reviewed to critical acclaim, so I was looking forward to reading this collection published in 2022 and appropriately I chose to read it in-flight, on my way to Belfast for a weekend visit.

I also was reading it for Reading Ireland Month 2023, but did not have time to review it before that ended.

In-flight versus On-Train Entertainment

Dance Move Wendy ErskineIt was the perfect choice for in-flight reading, as the stories were thoroughly entertaining and kept me gripped in between flight delays, air traffic control strikes, and would have kept me company on the Elizabeth Line had I not been engrossed in eavesdropping on a conversation between two captivating young men where they discussed how they create fashion insta stories, the merits of studying in Portugal versus London; a recent concert one of them performed in Cuba last week (as you do) and gossiping about their friend who found love after challenging himself to go on 100 tinder dates – not the kind of conversation one might overhear where I live, thus book aside and ears wide open!

And so to some of the stories that have stayed with me:

Mathematics

In the first story, the opening line reads:

“The drawer beside Roberta’s bed contained remnants of other people’s fun”

It is a wonderful encapsulation of all that is to come, referring to a collection of things that have been left behind in the various short-let rentals our protagonist has cleaned. She works in a hotel that has a policy of holding lost property for 2 months before the staff can claim them, but her other boss goes by the saying ‘finders keepers, losers weepers’. Unless it is a weapon, then it should be given to him.

“Mr Dalzell had said that anything she found was hers, automatically.”

She gets driven around from place to place by another employee with a van, cleaning up after all kinds of people, who we never see or know who they are – but clearly they are not so much the short holiday crowd, more like overnight partying groups. One day she finds something left behind that creates a significant dilemma. Perhaps it was only a matter of time, but from this moment on the story captivates and builds tension as we wonder what choices she will make. Brilliant.

Mrs Dallesandro

Mrs Dallesandro Dance Move Wendy E

Photo on Pexels.com

Mrs Dallesandro opens as she leaves the hairdresser, giving a wave and observing her reflection as she leaves. She has been married twenty-three years, knows what to expect from her predictable life, is well maintained and under no illusion regarding her husband’s various dalliances with much younger women.

Mrs Dallesandro wouldn’t call them affairs or relationships, since that would elevate them to a status they didn’t warrant. She has never once felt threatened by them.

She is on a mission to go to a sunbed clinic, an activity that she perceives as a minor transgression, that ultimately will give her something she does not get elsewhere. She recalls an episode in her youth with a shopkeeper’s son and we wonder if that had an impact on the way she is now, the choices she subsequently made.

It is an evocative story of the shallowness of a life half lived, of the things a person might occupy themselves with when life has hollowed them out, the strange lengths one might go, to find a substitute for human connection. It reminded me a little of Forbidden Notebook by Alba des Céspedes, another woman living a half-life, who discovers an interior version of herself at odds with how she acts, when she begins to keep an intimate journal.

Golem

In this story jealousy and resentments between sisters surface alongside familial expectations and judgments. A birthday party creates the scene for family dysfunction to play itself out, imbued with the symbolism and pointedness of the gift, with the observations of what people wear, how trivial objects trigger emotions, how the laid-back and the intense personalities function side by side in the great mix of extended family. How human connection blossoms in surprising ways despite the circumstances.

His Daughter

A story of family loss, of grief, of obsession and activity. Just as the family are sitting down to dinner, Curtis pops outside for a minute. He does not come back. Ever. Posters go up all over town, they keep the mother busy. Time passes and signs appear of life changing, reforming, resisting, resenting, of repeat patterns that overtake the old reality. A provocative profound observation of life and death.

Dance Move

In the titular story, a mother takes a pole dancing lesson and at home tries to push her daughter to enrol in ballet. She watches her daughter and friends have fun dirty dancing with a critical eye and is quick to apportion blame.

We learn of an event from her past relating to her brother, an accident, her parents. The reader takes in the present and the past and will make their own connections between them, forced to use their own imagination to ponder any cause and effect on relationships.

Family Dynamics, Human Connection, Cause and Effect in How Lives are Lived

Short stories Dance Move Wendy Erskine

Coastal pathway, County Down, Northern Ireland

It’s not easy to make any overall assumptions or impressions about the collection, as each story took me to a different place through their characters and circumstance, that pulled me in quickly and left me pondering one thing or other.

Perhaps as I describe above, it is that setting up of a dynamic, a situation and the observation of how people react or respond, the reader being given a little or no insight into a person’s past that makes us wonder why people decide to act the way they do.

Further Reading

Leo Robson in The guardian, describes the collection as ‘pleasurable stories of magical thinking and unlived lives go straight to the emotional core’, you can read more of their observations here.

The China Factory by Mary Costello

It’s week three of Reading Ireland Month and today I’m sharing thoughts on a book of short stories by Irish author Mary Costello, The China Factory.

Threads of Inspiration

Irish Literature Reading Ireland MonthI’ve heard many say good things about her debut novel Academy Street and when her most recent novel The River Capture was published, a self-confessed homage to James Joyce’s Ulysses, I decided I would start at the beginning with Costello’s short stories.

I will read The River Capture later, as April is the One Dublin, One Book initiative and their chosen read for 2022 is Nora by Nuala O’Connor another book with a James Joyce connection. It is a bold reimagining of the life of James Joyce’s wife and muse, Nora, the model for his character Molly Bloom in Ulysses.

The Dublin City Libraries initiative encourages people to read a book connected with the capital city during the month of April every year.

Capturing a Voice

The China Factory Mary Costello

Photo by cottonbro Pexels.com

The 12 stories that make up The China Factory create a strong sense of authorial voice. Highly observant, sensitive characters, steeped in melancholy. They are practiced at holding back, trying not to make a ripple in the external world, until unforseen events pitch them into interactions, all the while controlling that emotional seepage.

In the opening story, The China Factory, a young woman works a summer job in a china factory, catching a ride with a quiet man named Gus, who she is distantly related to. She works at the sponger’s station, wiping off lines the moulds leave on clay cups.

I smiled when I passed the other girls those first days, and longed to speak, but feared that words would betray the yearning for friendship that I felt inside.

For a while she becomes closer to the girls, listening to their gossip, they quiz her about Gus, the freak, sharing an overheard story of his childhood that disturbs her. When a wayward man appears with a gun, Gus will surprise them all, and years later the impact of that summer job, his actions and her guilt will continue to haunt her.

dreamy woman with crossed legs sitting near window

Photo by L.SummerPexels.com

In Things I See a woman lies in bed, hyper aware of her husbands movements downstairs, she relays scenes in her mind of being close to him, but even in her imagination she holds back. She fears not growing old, but of growing different.

There is something severe and imperious in Don’s bearing that makes me resist.

She works full time and her husband cares for their six year old child. Her sister Lucy who is visiting, seems more at ease in the family than she does. The things she sees, hears, picks up on, imagines, occupy her mind, creating a distance, a corner from which she has entrapped herself. A witness. Stifled. Knowing she will not change anything, though her indecision will imprint itself on her face and in her demeanour.

And I think this is how things are, and this is how they will remain, and with every new night and every new wind I know that am cornered too, and I will remain, because I can not unlove him.

Drudgery, Dignity and Denial

The stories examine aspects of everyday life and highlight the hidden selves, the thoughts beneath the actions, the things that people hide from each other, from themselves, the cover stories and meaningless conversations that patch over the cracks that might reveal the reality.

In The Patio Man, a gardener knows nothing about his employer, a young frail woman observes him from the window, she struggles to articulate what she requires from him, until the moment she must ask him to drive her to the hospital. Still nothing is ever said, just small talk that takes the mind elsewhere, far from the catastrophic event occurring in the present.

The collection opens with an epigram from Rilke’s poem Autumn:

And night by night, down into solitude,

the heavy earth falls far from every star.

We are all falling. This hand’s falling too –

all have this falling-sickness none withstands.

which sets the tone and theme of falling – into and out of love, of relationships, to one’s death, in and out of the kaleidoscope of emotions, whether expressed or suppressed, no one is immune to the falling-sickness.

While the stories capture that voice particular to the author, that melancholy can wear on the reader, repeated time and again as it does, manifesting in the many losses and unfortunate events each story portrays, the quiet outer acceptance of discordant inner turmoil.

That said, I am looking forward to engaging with a longer story, hoping for the chance of redemption a novel might bring.

Mary Costello, Author

Academy Street The China Factory River CaptureMary Costello is an Irish short story writer and novelist from Galway now living in Dublin.

Her collection of short stories, The China Factory ( 2012), was nominated for the Guardian First Book Award.

Her second book and first novel, Academy Street, was shortlisted for the International Dublin Literary Award, the Costa First Novel Prize and the EU Prize for Literature in 2014. The novel went on to win the Irish Novel of the Year Award as well as the Irish Book of the Year. Her second novel The River Capture was published in 2019.

Everything Inside by Edwidge Danticat (2019)

Everything Inside is a collection of short stories by Haitian author Edwidge Danticat.

Little Haiti in Miami, Florida

Edwidge Danticat Literary Fiction Short StoriesHaving left Haiti when she was twelve years to live in America, it’s not surprising that her stories involve a cast of characters with connections to her home country and a neighbourhood in Miami Dade County, Florida referred to as ‘Little Haiti’ after a Haitian pro-democracy activist wrote to a Miami newspaper referring to his new home as “Little Port-au-Prince” which was shortened and known thereafter as ‘Little Haiti’.

Many Haitians fled their country in the sixties and seventies, to escape the brutal dictatorship of François “Papa Doc” Duvalier.

The stories concern those who left, those who stayed, those who visited one place or another for a short time, those who belong, those who are trying to find their place, those who have found success by honest means and those who resorted to taking advantage of the vulnerable.

The Immigrant Dilemma, Stay or Return?

When the dictatorship in Haiti ended, so did a lot of marriages. This tension and divide is also explored within the stories.

There was a hard line between those who wanted to stay in America and others who wanted to go back and rebuild the country.

Exploring the connections that bind people together and the events that force them apart, they could be tales of any number of immigrant individuals or families. The clash of cultures shifts and evolves as immigrants find themselves seen as the other, if they stay too long and get too used to life elsewhere.

Character Driven Narratives

Everything Inside Hope Edwidge Danticat short stories Haiti

Photo by Sudipta Mondal on Pexels.com

There are eight contemplative, character driven stories that are slightly melancholic, that all represent some change in the status quo, but that each provide the prospect of hope.

This is the third book I’ve read by Edwidge Danticat and I enjoy the way she fuses the characters of her origin country with present day life in America and the intersection of the two.

It maps the slow beginnings of a divide between the generations, grandparents who have never met their grandchildren, business people trying to entice successful Haitians back to their motherland and the increasing disconnect between the two, as their worlds grow further apart. And the vulnerability of women who put their trust in another.

The stories were published over a twelve year period, so pick up on historical events that create turning points in her stories, the earthquake of 2010, the actions of foreign aid workers, and the elevated perception of North America.

Her debut novel Breath, Eyes, Memory (1994) a story of four generations of women was excellent, as was the gripping memoir Brother, I’m Dying (2007) which focuses on the relationship between her father and her Uncle Joseph.

Further Reading

NY Times : Haitians May Leave Their Country, but It Never Leaves Them by Aminatta Forna

Review NPR: Coming to terms with loss and grief in ‘Everything Inside’ by Michael Schaub

N.B. This book was an ARC (Advance Reader Copy) kindly provided by the publisher via Netgalley.

Anything is Possible by Elizabeth Strout

The inhabitants of Amgash appear to have invaded the imagination of Elizabeth Strout, not satisfied with being mere peripheral characters in her excellent novel My Name is Lucy Barton.

That book, which was a novel to us, is a memoir to them, one that a few of the characters we encounter in this set of stories will buy and read, one of them even attending a book signing near Chicago and meeting her again many, many years post their shared childhoods.

The characters vary in their kindnesses and quirks, in the opening story Pete, Lucy’s brother, resents his neighbour Tommy’s visits, carried out with heartfelt intention and yet perceived as a kind of torture, so much of what occurs between people is misunderstood due to the lack of communication or misreading of intentions.

In a voice without belligerence, even with a touch of apology to it, he said, “Look Tommy. I’d like it if you didn’t keep coming over here.” Pete’s lips were pale and cracked, and he wet them with his tongue, looking at the ground. For a moment Tommy was not sure  he heard right, but as he started to say “I only-” Pete looked at him fleetingly and said, “You do it to torture me, and I think enough time has gone by now.”

We find out what happened to the pretty Nicely girls, whose mother left the home after a brief affair that went wrong and lived a quiet life of regret nearby for years afterwards. Through Patty, we meet Lucy’s niece Lila, who has never met her Aunt but shares strong opinions of her with Patty, her school guidance counsellor.

Patty said, “That’s a nice name Lila Lane.” The girl said, I was supposed to be named for my aunt, but at the last minute my mom said, Fuck her.”

Patty took the papers and bounced their edges against the desk.

The girl sat up straight, and spoke with suddenness. “She’s a bitch. She thinks she’s better than any of us. I never even met her.”

Dottie runs a Bed and Breakfast and the steady churn of customers keeps her busy and entertained with company. Sometimes she meets the wealthy who wish to confide in her, it turns out they can be lonely too.

The next morning at breakfast Shelley did not acknowledge Dottie. Not even a thank you for the whole wheat toast.  Dottie was very surprised;  her eyes watered with the  sudden sting of this. But then she understood. There was an old African proverb Dottie had read one day that said, “After a man eats, he becomes shy.” And Dottie thought of that now with Shelley. Shelley was like the man in the proverb, having satisfied her needs, she was ashamed.  She had confided more than she wanted to, and now Dottie was somehow to blame.

In a later story though we become aware of a change, often there’ll be just a passing reference to the character who inhabited the previous story, one that informs us of what followed on, and gives a kind of quiet closure, in this respect it reminds me a lot of Yoko Ogawa’s stories in her collection Revenge, there is that thread that connects the stories, it creates a little frisson of excitement when you spot it.

It is such a pleasure to spend time within the pages of Strout’s imaginary characters, who move from references into fully formed characters with such ease, this collection had me wondering if one of these characters might push in on her and demand a novel too. Tt wouldn’t surprise me – who is in control here, the characters or the author? I have a feeling her characters have a strong will of their own, and that this book was written to try to keep a few of them quiet, so she could move on to the next story that’s no doubt already brewing.

Anything is Possible recently won The Story Prize (for an outstanding work of short fiction) and a cash award of US$20,000. The judges praised the book for its “subtle power,” and described Strout as:

“a specialist in the reticence of people, and her characters are compelling because of the complexity of their internal lives, and the clarity with which that complexity is depicted.”

Today the long list for the Women’s Prize for Fiction will be announced (at midnight), it will be interesting to see if this collection will be nominated, I certainly hope that it will be.

Further Reading:

My Review: My Name is Lucy Barton

My Review: The Burgess Boys

Buy a copy of one of Elizabeth Strout’s books via BookDepository

Granta 141: Canada – Mangilaluk’s Highway by Nadim Roberts

Granta 141 Canada

The first Granta journal of 2018, issue number 141 is focused on Canadian literature, whether it’s fiction, memoir, reportage, poetry or photography, each issue combines something of each of those categories, with new writing/work by known and little-known talent, around a common theme.

As guest editor and author of Do Not Say We Have Nothing, Madeleine Thien shares in the opening introduction, (and fellow guest-editor Catherine Leroux, writing in French), their only parameter for submissions was ‘What is being imagined here, now?’

Canada being a land with sixty unique Indigenous language dialects and more than two hundred languages reported as a mother tongue or home language, it was a wide-ranging brief.

Language becomes its own landscape in this issue of Granta. Language falls apart, twists, reformulates, shatters and revives itself. Animal and self, unfinished history, land and waterways, colonisation and dispossession, settlement and refuge – all these nouns are part of the truth of this place.

Apart from Leroux’s introduction, all the work is either in English or has been translated from English, however all work in translation is available to read on Granta.com in the original French.

It features writers such as Margaret Atwood, Lisa Moore (her novel February reviewed here), Alexander McLeod, Krista Foss, Naomi Fontaine, Kim Fu, Anosh Irani, Paul Seesequasis, Anakana SchofieldJohanna Skibsrud,  and many more…

I’m reviewing here the first story and may share other’s with you as I select randomly from the journal over the coming months.

Mangilaluk’s Highway

The opening story is a mix of reportage and a retelling of the story of Mangilaluk Bernard Andreason, who when he was 11 years old, slipped out of the Inuvik residential boarding school he’d been sent to, along with two friends Jack and Dennis, to avoid being punished for stealing a pack of cigarettes, and spotting newly hung power lines, decided to follow them home to Tuktoyaktuk.

Nadim Roberts writes about Bernard’s journey in the present, interspersed with narrative reports on his own visit to Tuk in June 2017, forty-five years after Dennis, Jack and Bernard began walking that 140 kilometre stretch home. Robert’s by contrast, completes the journey from Inuvik to Tuk in thirty minutes by plane.

He tells of successive attempts by the government to build a road across the Arctic Circle, to facilitate oil and gas exploration and a stretch of highway that would connect Inuvik to Tuk.

 From the plane I could see occasional glimpses of a new, near-finished road. This was the long awaited Inuvik-Tul all-season highway that would open in a few months.

Chief Mangilaluk

We learn that Tuk was a town founded by survivors from Kitigaaryuit, an Inuit settlement, that in 1902, after contact with whalers was cursed with a measles epidemic which drastically decimated their population. One young man, Mangilaluk, departed and went looking for a new place to live. His choice, a site on the edge of a harbour, would become what is now known as Tuk. He became chief and is still talked of today. Some believed he was a shaman who could shape shift into a polar bear.

In July 1961, two decades after he died, Mangilaluk’s granddaughter Alice Felix, was eight months pregnant. While home alone one evening, she heard a knock on the door. She wasn’t sure if she was awake or dreaming when the door swung open. A three-metre-tall polar bear stood in the doorway. It walked up to her, put its snowshoe-sized paw on her pregnant belly, and began to speak: ‘If it’s a boy, you name it after me.’

The story reminded me immediately of Doris Pilkington Garimara’s Rabbit Proof Fence, a tale of indigenous Aboriginal children removed from their parents (following an Australian government edict in 1931, black aboriginal children and children of mixed marriages were gathered up by whites and taken to settlements to be assimilated) and put in  a boarding school. The three girls in this true story followed a fence built to keep rabbits out of farming land, knowing that it passed close to their home.

Before 1955, fewer than 15 per cent of school-aged Inuit were enrolled in residential schools. Most children still lived on the land with their families, learning traditional skills and knowledge.

By 1964, more than 75 per cent of Inuit children attended residential schools. Their values, language and customs were supplanted overnight by a culture that saw itself as benevolent and superior, and saw the Inuit as primitive beings in need of sophistication.

Nadim Roberts interweaves Bernard’s story, his grandfather’s story and the current issues facing indigenous and local people in the region, in an evocative portrayal of one boy/man’s courage against the odds to make something better of his chance at survival.

Nadim Roberts Source: Author Provided

It’s an excellent piece of writing and combination of narrative and reportage, bringing attention to this one man’s story and the plight of both his people and the environment in which they live.

You can read Nadim’s story for free at Granta, just click on the link below:

Mangilaluk’s Highway by Nadim Roberts

Nadim Roberts is a journalist from Vancouver whose work has been published in Walrus, Maisonneuve and the Globe and Mail.

Further examples of his work can be viewed on his website NadimRoberts.com

Have you read any recommended works by any of the authors mentioned or others featured in Granta 141?

Foster by Claire Keegan

Foster‘Early on a Sunday, after first Mass at Clonegal, my father, instead of taking me home, drives deep into Wexford towards the coast where my mother’s people came from.’

She wears light, worn clothing and brings nothing with her. The girl is left with the Kinsella family, the father returns to her mother, soon to give birth again. There is no goodbye or word of when he might return. This is Ireland. Remember Nora Webster and all that is unspoken?

So begins Claire Keegan’s long, short story Foster, a vivid telling of the period following a girl being fostered into a family in rural Ireland. In the stranger’s home she finds an atmosphere unlike that which she is used to, one she enjoys and becomes used to, though always there is the presence of that feeling that it might soon all be taken from her.

‘When I follow the woman back inside, I want her to say something, to put my mind at ease. Instead, she clears the table, picks up the sharp knife and stands in the light under the window, washing the blade under the running tap.’

Seen and heard from the perspective of the girl, we learn the circumstances of both families that led to this situation. They fall into a regular routine, life settles in this new family and nothing appears to happen to destroy the ease with which the girl has come to know.

There is a strange atmosphere throughout the book, it is the anticipation of something, we, like the girl, are wondering and waiting for it to happen. For she seems like the pawn on the chess board, her parents on one side having handed her over, the foster parents on the other having received her. Each move, every event that is outside the daily routine, ignites in the girl heightened powers of observation, developing an acute awareness of even the most subtle changes in those around her.

‘Kinsella looks at me and smiles a hard kind of a smile then looks over to the window ledge where a sparrow has come down to perch and readjust her wings. The little bird seems uneasy – as though she can scent the cat, who sometimes sits there. Kinsella’s eyes are not quite still in his head. It’s as though there’s a big piece of trouble stretching itself out in the back of his mind. He toes the leg of a chair and looks over at me.’

Author, Claire Keegan

Author, Claire Keegan

A touching and yet eerie telling of a story that begs to be read and reread, the writing is exquisite in its depiction and ability to create a taut atmosphere without significant plot, it showcases an author with an immense talent for the short story and makes the reader want more.

Claire Keegan is an Irish writer highly regarded for her award-winning short stories, she has published two collections Antarctica (1999) and Walk the Blue Fields (2007) which I have read excellent reviews of.

Have you read any of Claire Keegan’s work?

Women in Translation #WITMonth

During August many I will be reading novels by women that have been translated from a language other than English. It’s an initiative created by Meytal Radzinski at Biblibio, Life in Letters and can be followed on twitter using the hashtag #WITMonth.

WITMonth15

Literature in translation represents less than 5% of published works in the English language, compared to nearly 50% for example in France and of works translated, approximately 30% is attributed to women.

I have gathered together a stack of books I already own that are works of translation and it is from this pile that I will be reading this month. It coincides with my interest in reading what I call cross cultural fiction, or literature from another perspective than that which we have grown up and/or been educated around, which in my case was very Anglo-focused.

WIT Month

If you have a favourite book by a woman, that has been translated, please tell us about it in the comments below so I can add it to my list for next year.

So far in 2015, I have read and reviewed the following books by women that have been translated: (click on the title to read the review)

Stone in a Landslide by Maria Barbal (Spain) translated Laura McGloughlin, Paul Mitchell (Catalan)

Beside the Sea by Véronique Olmi (France) translated Adriana Hunter (French)

Tales From The Heart, True Stories From My Childhood, by Maryse Condé (Guadeloupe) translated Richard Philcox (French)

Ru by Kim Thuy (Vietnamese-Canadian) (read in French, available in English)

The Wall by Marlen Haushofer (Austria) translated Shaun Whiteside (German)

Victoire: My Mother’s Mother by Maryse Condé (Guadeloupe) translated by Richard Philcox (French)

Happy Reading All.

Art in Nature, Tove Jansson #TOVE100

Coming out of any intense, dramatic period of living can make it hard to choose appropriate reading material.

Recently I found it difficult to sustain reading as it all seemed too far removed from life’s demands that I be very present and attentive to the needs of those around me.

It made me reflect on what and who can I read I turn to during these kinds of periods. Short stories and/or non-fiction. Tove Jansson and The Dalai Lama.

TOVE 100 © Moomin Characters™

TOVE 100
© Moomin Characters™

I chose Tove Jansson (translated by Thomas Teal), because even her stories feel like they haven’t strayed too far from the reality within which they were inspired. I find immeasurable comfort in reading the words of this talented artist, the short form allowing a brief respite without requiring an ongoing commitment of a novel, when concentration spans are short.

Art in NatureArt in Nature is an intriguing collection of character studies, characters who happen to be creative, eccentric, obsessive, all curiously flawed in some way and Tove Jansson observes them in a situation until the cracks appear. They are a slice of life short narrative and any one of them could easily have morphed into a longer story such as her novel The True Deceiver I recently reviewed here.

The first story Art in Nature is about a caretaker watching over an exhibition of work in open air.

“He slept in the sauna down below the great lawn where the sculptures were set out among the trees.”

The day has its rhythm and characteristics and the evenings belong to the caretaker, the quiet contemplative time when he is alone among the unmoving silent works, still, post creation. He observes everything, every inclination, every watcher, he categorizes them and becomes attached to how things are.

“Almost all the feet moved respectfully. If they were with a guide, they’d stand still for a while, all turned in the same direction, and then they’d change direction all at the same time to look at something else. The lonely feet were uncertain in the beginning, then they’d move slowly at an angle, stop, stand with legs crossed, turn around, and sometimes they’d lift one foot and scratch with it because there were lots of mosquitos.”

Until one evening when a couple overstays, middle-aged adults breaking the rules, having a domestic argument. He intervenes, listens to them argue, provokes them with his own thoughts on the mystery of what art is.

Tove Jansson's Atelier © Moomin Characters™

Tove Jansson’s Atelier
© Moomin Characters™

The Cartoonist is a mysterious, insightful look into the daily work of an illustrator, a job that Tove Jansson’s mother did and one she dabbled in herself, making me wonder how much of this was inspired by the environment and circumstance of her mother.

A famous newspaper cartoonist has quit suddenly after 10 years and a new artist is required to assume his role without a break in the cartoon strip, without his fans knowing. The new artist slips easily into the role but becomes plagued with needing to know why his predecessor quit.

The Doll’s House is brilliant and shocking and quite different from anything else of Jansson’s I have read. Like The True Deceiver, it shows her deftness at spotting signs and cracks in character that over time can grow from barely visible flaw into raging psychological dysfunction when neither checked or dissipated.

Two recently retired men who have lived together and shared the same respect for the beautiful objects that surround them, are adjusting to the new routine of no longer having demanding day jobs. Alexander is a craftsman and Eric a retired banker.

“Alexander was an upholsterer of the old school. He was exceptionally skilled, and he took a craftsman’s natural pride in his work. He discussed commissions only with those customers who had taste and a feel for the beauty of materials and workmanship. Not wishing to show his contempt, he referred all the others to his employees.”

In the beginning they have difficulty adjusting to this new way of life, discovering that in such close proximity their interests aren’t as fine-tuned or in harmony as they had appeared when their time was absorbed by outside demands. Eric begins to take on more of the domestic role and Alexander begins a project to build a miniature house. He seeks the help of an electrician called Boy, who becomes his trusted helper.

“Boy came back almost every evening. He often brought little table lamps, sconces, or a chandelier that he’d found in some hobby shop or toy store. He came straight from work in his jeans and trailed street dirt over the rugs, but Alexander didn’t seem to notice – he just admired what Boy had brought him and listened gravely to his suggestions about improvements to the house.”

Just rereading these two quotes, makes me realise what clever insights Tove Jansson’s places into the text, the clues into character are there from the beginning and the simple daily events that follow turn these insights into something raw and dangerous.

Another excellent collection of stories from the Finnish artist and writer who would have been 100 years old next month.

Absolutely gripping!

Check out her books and events at TOVE100.com

Tove Jansson with her brother Per Olov © Moomin Characters™

Tove Jansson with her brother Per Olov
© Moomin Characters™

 

Scattered Dreams by Karin Crilly

On March 4th I sent an email to Karin Crilly about a competition being run on The Good Life France. I saw this competition mentioned on twitter  @lifefrance and thought of Karin as I knew she was writing a memoir about her year in Aix-en-Provence and I thought it would be a good idea for her to send something out into the world.

The Good Life France is an independent online magazine that celebrates life in France and attracts a number of writers and contributors who write on a wide range of subjects, keeping visitors and residents informed about France and all things French. The competition was to celebrate the 2nd anniversary since their inception and they invited contributions of work up to 1000 words on France or French related.

Good Life

Karin replied and said she would be very interested in entering the competition and asked if I would like to read the extract she had chosen, from the first chapter of her book.

Unbeknown to us both at the time, it was the beginning of the two of us working together. I read her work, made some suggestions and she polished her already excellent prose into a shape resembling 1000 words of an evocative experience in Paris that did indeed wow the judges, moving some of them to tears yet uplifting them at the same time.

Earlier this week, to our great joy, we learned that Karin had won the competition, ahead of more than 100 other entries and her story Scattered Dreams in Paris has now been published on The Good Life France.

You can read the story here by clicking on the title.

Winner of 2014 Writing Competition The Good Life France!

Scattered Dreams in Paris by Karin Crilly

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Congratulations Karin and  Bonne Continuation!

Update: Karin’s memoir has now been published, you can find out more by reading my review here: The Blue Satin NightGown by Karin Crilly.

Daphne’s Dilemma – Part II

Click here To Read Daphne’s Dilemma – Part I first

Annie was my first horse. No thoroughbred, she was what some might call an ‘old nag’, not tall enough to be called a horse, just an unexceptional, somewhat lazy pony.

Chocolate brown and rotund, she liked to spend her days grazing in the paddock getting fatter and fatter. She was slow and patient and a good pony for my sister and I to ride on, though she did have a couple of stubborn habits. Sometimes she would turn her head when we put our foot in the stirrup and try to nip us on the backside.

She also had a habit of pulling her head down quickly to eat grass if we paused for a few seconds. Knowing this, we kept a firm grip on the reins to prevent her from eating, to which she would retaliate by throwing her head forward with a sudden jerk, flinging the reins out of our hands. Sliding down her neck to rest behind her ears, the reins then became impossible to reach without dismounting. We had to climb off, lead her alongside a log to give us extra height so our feet could reach the stirrup, or find a sheep track on a steep part of the hillside so we could jump back on, hoping she didn’t move while we attempted such daredevil tactics.

Annie had been pregnant and due to give birth. We had stopped riding her and Dad had put her in a different paddock from where she was usually kept. Every day she would come up to the fence so she could see the other horses in the adjoining paddocks, until that day she stopped coming.

“That’s strange” Dad had said, “I haven’t seen Annie. Perhaps she has had her foal and moved away from the fence-line to be nearer water.” Steep limestone cliffs lay beyond the trees where the soil was damp from underground water springs. It is a dangerous area, my father later agreed, but animals have good instincts he’d said.

Limestone CliffsImages of water, slippery rock and a pregnant horse left me with a sick feeling in my stomach and that racing heart. A heavy black cloud descended as we waited for Dad to return from his search, one we were forbidden to participate in. He returned alone. He had found Annie lying bloated and very dead at the foot of one of the cliffs. She had been about to give birth, he said.

I wished I had gone searching for her the day before, I wished we could have anticipated the risk, I wished so hard that we could rewind those days and she would be back up at the fence-line neighing to the other horses. I did not mind that she was bad-tempered, ate too much and tried to bite us, I just wanted her back and to remove forever that terrible helpless feeling in the pit of my stomach.

*

I walk up to the cottage when I see the distant figures of cow, man and dog disappear out of sight behind the trees between the airstrip and the shepherd’s cottage. When I arrive, there is Daphne, fat as ever but no calf. Dad leads her to the steel gate that opens into the main paddock in front of the house. Opening the gate right back on its hinges, he sandwiches her into the space between the gate and the fence. There is no chance of her bolting.

Now that she is standing still, I can see a tiny pair of hooves emerging from the much swollen, pink, fleshy area beneath her tail. I am told she is having difficulty and seems to have given up pushing. Dad rolls up his sleeves just like he would on a lambing beat, to lend a helping hand. Literally. He puts his hand inside that swollen, pink, fleshy area and tries to get a grip further up the protruding legs to assist the calf to come out. The legs emerge a little further but nothing more.

“It’s a big calf alright” he says as he tries again, “but she doesn’t wanna budge.” I walk to the corner where the gate meets the fence to check out Daphne’s face. She has an angry look, I struggle to find any glimmer of recognition in those big frowning, brown eyes.

She is flicking her tail down the other end, back and forth like a fly swat. It is easy to see she is not impressed with her captivity or the interference with her private cow parts. She will get used to it though, this is to become a familiar setting, to be locked in a tight holding area while my father sits on his small wooden stool in front of her hind leg to commence with the ritual morning teat pulling,  ‘milking the house-cow’ as we say.

After a few more attempts at hand assisted birth, Dad comes up with the idea to tie a rope around the calf’s ankles and pull it out. He knows he must be careful not to pull too quickly, as this could endanger Daphne’s reproductive equipment. He must be careful in case those contracting muscles suddenly give way, that could land him and the calf on the ground with a heavy thump, another scenario he wishes to avoid. He pulls as carefully and as strongly as he dares, but still nothing more than the front legs emerge. Daphne is beginning to protest. She starts to bellow loudly and tries to sit down. She has had enough.

“Get up you old bitch” Dad bellows back, thumping his hand on her rump. I cast him my own angry look but keep silent. I know she has to stay standing and the calf has to get out, we could lose them both if she gives up.

“Come on Daphne, you can do it” I say under my breath, just like I did two years ago while leading her around the obstacle course at the agricultural calf club day at school.

Finally Dad announces that he is going to get the tractor. The tractor! What is he going to do with the tractor?

He comes back with his old Massey Ferguson tractor and parks it in front of Daphne’s rear end. He ties the rope to the tractor, puts it in its lowest gear and very slowly inches it forward until the head of the calf emerges, followed by a loud bellow from Daphne.

Leaving the tractor running in neutral, he pulls on the hand brake, jumps out of the seat and returns to the calf just in time to catch it as it makes its first tumble into the outside world.

The calf is covered in a light, greasy film and as Dad moves the tractor away, I close the gate to let Daphne move from her confined position. She immediately turns around, puts her head down, sniffs her new-born calf and begins licking it.

The calf puts its front legs forward and tries to lift itself off the ground. The first attempt is unsuccessful; he is a little unsteady on his feet. But with the second attempt he manages to stand and begins to butt at his mother, searching for that universal elixir of life, ‘mother’s milk’.

The End

Daphne's Calf

Daphne’s Calf