December 10, 2023 by Claire 'Word by Word'

Redemption Ground, Essays and Adventures by Lorna Goodison

A mix of memoir, poetry, life adventure and epiphanies, I loved this collection by Jamaican writer Lorna Goodison.

Bonding With the Irish Over Tea & Poetry

essays memoir creative nonfiction Jamaican literature

The opening essay ‘The Song of the Banana Man’ and ‘The Fiddler of Dooney’ totally sets the scene for the rest of the book. It is an anecdotal story of the author and her friend, excited to be in London, overhearing two ‘bobbies’ (policemen) talk about a cafe they were just passing, in a way that lured them inside.

‘Whassis then, a new tea ‘ole?’

Their schooling in Kingston, Jamaica had been heavy on all things British and European, so entering this establishment was something related to that indirect familiarity. They encounter three boys from Ireland, who ask if they are from the West Indies and they begin to banter, drinking toasts to the colonial experience, singing songs and reciting poetry.

When I play on my fiddle in Dooney,
folk dance like a wave of the sea;

The poems they chose were about ordinary people, sure of themselves, of what they did, grounding words shared by these young people, whose paths have crossed, starting out on their own journeys. The exchange lasts while they’re having their tea and comes to a natural end, upon which they part ways. The author is at the beginning of her life journey, but the lines recited by them all have staying power.

And I was not sure where I belonged or what my own purpose was in life back then…. But listening to those three Irish men recite ‘The Fiddler of Dooney’ that afternoon, maybe I’d thought yes, that’s what I’d like to be, someone whose artistry makes people dance like a wave of the sea.

A Working Class Teen Dares to Do Better

In, A Taste of Honey, she recounts the experience of seeing a movie in 1963, adapted from the play created by Shelagh Delaney (who was 18 years old when she wrote it) that moves her, that is a moment of epiphany. Being one of nine children, she relished the opportunity to go and see the film one Saturday afternoon alone.

Shelagh Delaney went to a play that she found boring, pretentious and condescending, and said to herself I can do better than that, and went home and wrote A Taste of Honey.

The film would win a BAFTA award.

A Taste of Honey showed working-class women from a working-class woman’s point of view, had a gay man as a central and sympathetic figure, and a black character who was neither idealised nor a racial stereotype. – extract from The Guardian by Dennis Barker

Goodison reflects on why she was so moved by this film, how it gave her some of her life and writing purpose and inspiration.

Shelagh was pronounced ‘ineducable’, but was able to produce work that affected me so deeply that I ended up sitting alone in a cinema after everyone else had filed out, trying hard to compose myself enough to go outside and face a world where most people would not understand why a simple thing like a Saturday afternoon matinee could make me weep as if a close friend or relative had died.

The Daffodil Drama

Writing poetry from a young age, in ‘Some poems that made me’ we read more of this early education and a different take on Wordsworth’s ‘I Wandered Lonely as a Cloud’, aka ‘The Daffodils’ poem, after she researches his childhood and life and decides to give the poet a break. See my review Lucy by Jamaica Kincaid for another reference to the daffodil drama.

Over the years I have said quite a lot about this poem, as have other writers throughout the British Commonwealth who have come to regard it as the ultimate anthem to British colonial oppression.

She will encounter may poets and poems until she arrives at the one voice that cause her to stop reading everyone else and just read his poems. In the work of Derek Walcott, who would become a friend and mentor, she found poem as a source of hope and consolation; poem as a lifeboat, anchor and safe harbour.

As she begins to think of her own place in the world, she seeks out women poets, finding nourishment in the work of Gwendolyn Brooks and other African-American fiction writers, while still searching for poetry by Caribbean women, ultimately ending up writing the poems she wanted to read and finding the right language to express them.

I learnt early in my life as a writer that if I wanted to write about my people I had to learn to listen carefully to family stories then imagine, and constantly reimagine those stories…All writer’s do this, but Caribbean writers face formidable or particular challenges because of the ways in which slavery, and then colonialism, erased or distorted so much of our lives that we have to learn to writer ourselves into the story in any way we can.

Tributes to the Mothers & Imagination

We read ‘Guinea Woman’ the poem she wrote trying to imagine a woman she had never met, her great grandmother, an elegy for her mother Doris ‘After the Green Gown of My Mother Gone Down’, and another poem entitled ‘Bedspread’ inspired by news of the home of Winnie Mandela being raided by police, where they seize personal effects including a bedspread, taken because it was in the colours of the African National Congress.

The collection takes the reader to different countries and places on her journeying, sharing both fun and pivotal moments, stories of redemption, of good souls that come to set the indebted free, of her own life crisis in New York, that preceded a change in direction, acting on a promise to herself.

A Musical Accompaniment

Like my reading experience of Bernice McFadden’s excellent The Book of Harlan, whenever Lorna Goodison mentions music, like in the vignette ‘A Part for Tarquin’, I look it up and listen while reading. This one is about her friend Bernard dragging her along to a non-party that she doesn’t wish to attend, and ends with them listening into the night to the pianist Wynton Kelly playing the Miles Davis sextet Some Day My Prince Will Come.

That was the night I began to really appreciate the genius of the Jamaican-American pianist Wynton Kelly, about whom Miles himself was supposed to have said, ‘Wynton is the light for the cigarette; without him there is no smoking.’ That night I realised that if hope has a sound it would be Wynton Kelly’s piano-playing. His hope notes were like sunbeams on the morning waves coming in at Bluefields beach.

Loved it all.

Author, Poet, Essayist, Lorna Goodison

Caribbean poet Lorna Goodison was born in Kingston, Jamaica in 1947. A painter before she turned her focus to poetry, Goodison was educated at the Jamaica School of Art and the School of the Art Students League in New York. She was appointed poet laureate of Jamaica from 2017 – 2020. In 2018, she received a Windham–Campbell Literature Prize, and in 2019, she was awarded the Queen’s Gold Medal for Poetry.

Her numerous poetry collections include Collected Poems (2017), Supplying Salt and Light (2013), Goldengrove: New and Selected Poems (2006), Controlling the Silver (2005), Traveling Mercies (2001), Heartease (1988), and Tamarind Season (1980).

She is the author of the short story collections By Love Possessed (2011), Fool-fool Rose is Leaving Labour-in-Vain Savannah (2005), and Baby Mother and the King of Swords (1990), and the memoir From Harvey River: A Memoir of My Mother and Her People (2007), which won the British Columbia National Award for Canadian Non-Fiction.

In 2019, she published Redemption Ground: Essays and Adventures.

Professor of English and of Afroamerican & African Studies at the University of Michigan, Goodison divides her time between Toronto and the north coast of Jamaica.

Goodison’s image-rich and socially- and historically-engaged poems often inhabit the lives and landscapes of her Jamaican homeland. “I suspect that I might always write about Jamaica,” Goodison stated in an interview with Mosaic: Literary Arts of the Diaspora. Goodison also discussed the humor in her work, noting, “Jamaicans are very comical people, and laughter is a way of coping with life’s displeasures. Also, when you make something of it [a hard situation], it says that you are in control. There are incidences when we have no control; all we can do is make some sort of a gesture. Sometimes, the world can throw things at you that are so cruel and so devastating that you are in no position to have any kind of real response but to make a gesture. And I think that sometimes laughter is a gesture saying that you have not completely annihilated me; you have not robbed me of my ability to respond as a human being.”

Noting that Goodison often “complements her careful observation of the physical world and her fine eye for detail with a tense, lean, elliptical style” in a review of Supplying Salt and Light, Jim Hannan observed, “At their best, Lorna Goodison’s poems observe the unsavory in history and society even as they guide us firmly toward sources of redemption. With compassion and empathy, Goodison writes about human failure and triumph in large and small measures.”

November 30, 2023 by Claire 'Word by Word'

Seeing For Ourselves and Even Stranger Possibilities by Suhaiymah Manzoor-Khan

Essays, Prose and a Play on Seeing

I first came across the writer Suhaiymah Manzoor-Khan in 2021, she wrote the opening essay ‘I Am Not An Answer, I Am The Question’ in Cut From The Same Cloth? – Muslim Women on Life in Britain edited by Sabeena Akhtar. Her essay was about the understanding she came to while a student at the University of Cambridge where she encountered a tool for attempting to ‘unlearn’: questioning.

I realised that most feminist and anti-racist politics I had engaged with up until that point were shallowly asking the wrong questions. Most of the questions being asked were not my questions at all. So much of my educational and consciousness-raising work had been the work of answering questions posed by others.

Her book Seeing For Ourselves and Even Stranger Possibilities is an extension to the understanding she shared in that initial essay.

It is interesting to read the opening pages where she is grappling with her purpose for writing and how to begin this book, having just finished reading Annie Ernaux’s nobel lecture, where she reaches back sixty years to a diary entry and finds her opening line (her purpose for writing), in the words ‘j’écrirai pour venger ma race’ (I will write to avenge my people).

Manzoor-Khan writes about ‘the gaze of the other’ and questions whether she has anything to add to a complex and much discussed subject and finds out she does when she turns the topic on its head.

Ernaux was writing from the perspective of a higher educated French working class woman in the closing years of a writing career, while Manzoor-Khan writes from the perspective of a higher educated British Muslim woman at the beginning of hers.

Troubled by such doubts, I started to consider why being a subject rather than an object was the furthest horizon I could dream of. What lay beyond ‘seeing with my own eyes’? What if ‘seeing for ourselves’ wasn’t actually the best way to see? What could transcend the desire to be see-er instead of seen? What if I closed my eyes and did not prioritise seeing at all?

Looking into these stranger possibilities, she contemplates the how to, and finds no easy route than to go forth and try. What results is a combination of prose, poetry and a short play interspersed throughout the text; looking at the question from different angles and so too, using different genres.

Need, Want, Seeing, Overcoming

The book is structured into seven parts:

the need - how I am found
the want - how I find myself
becoming a sight - the portal of objecthood
striving to see - seeking subjecthood is a circle
escaping the cycle - even stranger possibilities
grief is a type of ghaib - love is a type of sight
a note on endings - the impossibility of concluding

The need is about clarifying intention and the want is to bear witness to an existence. This latter section opens with a poignant vignette on hoarding nineteen white IKEA boxes in the author’s room that cause her shame. On further reflection, she discovers their ‘why’, they are evidence of a life.

I am afraid to let on about this in case it becomes obvious how afraid I am to go unseen. In case it becomes obvious how powerful it is to destroy a people’s history. How catastrophic it is to leave them believing they are suspended. To eliminate their past, present and knowledge.

The Writer and The Book in Conversation

Throughout the text are acts, scenes from a short play. It is how the book opens, Act 1, a conversation between the writer and the book.

the writer: You’re not what I expected you to be.

the book: What did you expect?

the writer: You were supposed to be about seeing and being seen
About the different gazes upon us
And how to see ourselves without them

the book looks smirkingly at the writer, knowing more than her (as always).

The way these brief interludes are positioned lightens the tone of the book, giving it a different vibe, featuring characters such as the writer, the book, her head, her heart, her fear, her eyes, her soul.

Because of their brevity, the voices of those characters speak more loudly and succinctly than the more existential meanderings of the author on changing her perspective of the gaze, from ‘others’ on her to (even stranger possibilities) just the ‘one’. The many different forms that address her subject, allow the reader to consider, reflect and attempt to understand the perspective being shared.

It is a philosophical read, of short easy-reading vignettes,some that challenge more than others, of poetry and the interspersed acts and scenes of the play featuring the writer, the book, her eyes, her fear, her head, her soul. In another scene, a group of onlookers struggle with the question of being seen, of invisibility, of too much visibility, of how we are perceived by others, by ourselves, by the Divine Presence…

It is a companionable read, though not easy to review, as the author reminds us, this is a book of questions, and it is also a journey, it is not a conclusion or a set of answers, it is observations, reflections, it invites participation, it does not exist in isolation.

It puts into word the frustrations and injustice of invisibility and challenges that which is seen (the blind scrutiny) in its place.

Perhaps rather than the head, the intellect, the eyes, the judgments, we ought to perceive with the soul, if so, what might that look like?

Rather than striving to be seen, approved or understood by gazes that shrink me, all I have to do is that which brings me closer to my Maker, who sees the full context of me. Everything else is either a means to this or a diversion from it.

The book is available from its UK publisher Hajar Press, and as an ebook here.

Suhaiymah Manzoor-Khan, Author

Suhaiymah Manzoor-Khan is a poet and writer whose work disrupts assumptions about history, race, violence and knowledge.

She is the author of Tangled in Terror and the poetry collection Postcolonial Banter; a co-author of A FLY Girl’s Guide to University; and a contributor to the anthologies Cut from the Same Cloth? and I Refuse to Condemn.

Her writing has also featured in The Guardian and Al Jazeera, and her poetry has been viewed millions of times online. She is a co-founder of the Nejma Collective, a group of Muslims working in solidarity with people in prison. She is based in Leeds and is currently writing for theatre.

May 17, 2023 by Claire 'Word by Word'

New Zealand Book Awards 2023 winners #theockhams

Back in February I posted on the long longlist of 44 books in four categories for the New Zealand Book Awards 2023, also known as “the ockhams”. The shortlist whittled that down to 16 titles and now we have a set of winners in each of those four categories and a handful of ‘Best First Book’ prizes.

Fiction Prize

No surprise that the winning novel that has captivated not just the nation (winning The People’s Choice), but also the twitterverse, narrated by Tama the magpie, @TamaMagpie, Catherine Chidgey’s The Axeman’s Carnival won the $64,000 Jann Medlicott Acorn Prize for Fiction.

I’m very much looking forward to reading this, and hoping that since Europa Editions UK published her excellent novel Remote Sympathy in 2021, it won’t be long before we see this novel available in Europe and the rest of the English reading world.

Catherine Chidgey Tama the magpie

Chidgey’s masterful writing explores the diversifying of rural life, the predicament of childlessness, the ageing champ, and domestic violence. She provides a perspicacious take on the invidious nature of social media and a refreshingly complex demonstration of feminist principle.

“The unforgettable Tama – taken in and raised by Marnie on the Te Waipounamu high country farm she shares with champion axeman husband Rob – constantly entertains with his take on the foibles and dramas of his human companions. Catherine Chidgey’s writing is masterful, and the underlying sense of dread as the story unfolds is shot through with humour and humanity.

“The Axeman’s Carnival is unique: poetic, profound and a powerfully compelling read from start to finish.”

Poetry Prize

I was particularly intrigued by acclaimed Māori poet and scholar, Alice Te Punga Somerville’s poetry collection, Always Italicise, How To Write While Colonised and was pleased to see it win this category.

‘Always italicise foreign words’, a friend of the poet was cautioned. Alice Te Punga Somerville does exactly that. With humour and rage, regret and compassion, she ponders ‘how to write while colonised’ – penning poetry in English as a Māori writer; tracing connections between Aotearoa, New Zealand and the greater Pacific region, Indigenous and colonial worlds; reflecting on being the only Māori person in a workplace; and how – and why – to do the mahi anyway.

Alice Te Punga Somerville Always Italicise

“Readers are challenged but crucially invited in to accept that challenge and reach a new understanding of what it is to be a Māori woman scholar, mother and wife in 2022 encountering and navigating uncomfortable and hostile spaces.

“Always Italicise stood out amongst a very strong field for its finely crafted, poetically fluent and witty explorations of racism, colonisation, class, language and relationships. It’s a fine collection, establishing and marking a new place to stand.”

General Non-Fiction & Illustrated Non-Fiction

Broadcaster, music critic and author Nick Bollinger won the Booksellers Aotearoa New Zealand Award for Illustrated Non-Fiction for Jumping Sundays: The Rise and Fall of the Counterculture in Aotearoa New Zealand.

Drawing on archival research and rich personal narratives, Nick Bollinger has written a compelling account of an epoch-making period, linking international trends to the local context in a purposeful-yet-playful way.

“A joy to read and to hold, Jumping Sundays is a fantastic example of scholarship, creativity and craft.”

Historian and lawyer Ned Fletcher won the General Non-Fiction Award for his work, The English Text of the Treaty of Waitangi, shedding new light on New Zealand’s founding document’s implications, contributing fresh thinking to what remains a very live conversation for those that call Aotearoa New Zealand home. The treaty was made between the British Crown and about 540 Māori rangatira (chiefs) on February 6, 1840.

Best First Books

Home Theatre by Anthony Lapwood, a collection of interlinked short stories won the Hubert Church Prize for Fiction; Khadro Mohamed’s We’re All Made of Lightning takes the reader to distant lands, Egypt and Somalia, in heightened sensory language as she grieves for her homeland, winner of the Jessie MacKay Prize for Poetry; the Judith Binney Illustrated non-fiction, first book award went to Christall Lowe’s Kai ,which offers whānau stories and recipes that provide wider insight into te ao Māori, creating a homage to food that is grounded in tradition yet modern, the new Edmonds!

Finally, the E.H. McCormick Prize for General Non-fiction and the book I am currently reading, went to Noelle McCarthy for Grand, Becoming My Mother’s Daughter. This book was running neck-a-neck with The Axeman’s Carnival for The People’s Choice, up until the last few days, when Chidgey’s book surged ahead.

An exquisite debut, it masterfully weaves together the threads of Noelle McCarthy’s life, and her relationship with her mother, in a memoir that connects with truths that unite us all. Poignant and poetic language renders scenes with honesty and colour. Intimate, but highly accessible, the fragility and turbulence of the mother-daughter relationship is at times brutally detailed. Despite this, Grand is an uplifting memoir, delicate and self-aware, and a credit to McCarthy’s generosity and literary deftness.

NZ Book Awards

A Special Mention

Non fiction NZ art assessment 50 years as an artist One that didn’t win, but that was Number 4 in The People’s Choice and one I have heard a lot about and sighted on a recent visit to London, is Robin White: Something Is Happening Here.

Described as more than an exhibition turned art book. It features stunning reproductions, historical essays and the insights of two dozen contributors that do justice to the institution that is Robin White. As iconic screenprints flow seamlessly into large format barkcloth, White’s border-crossing practice is temporally divided with the savvy use of typographic spreads. Space, too, is given to the voices of her Kiribati, Fijian and Tongan co-collaborators.

More recently in her life, collaboration with others has become important, a way of working in the space between cultures, enriching and liberating from the confines of self.

Strikingly elegant yet comprehensive, excellence is what’s happening here.

Check out Robin White’s Artist Profile here.

February 13, 2023 by Claire 'Word by Word'

Ockham New Zealand Book Awards 2023 #theockhams

Longlist Announced

The annual New Zealand book awards have announced their longlist, 44 books in four categories (fiction, general nonfiction, poetry, illustrated nonfiction) from 191 nominations (20% increase on 2022), showing how much more dynamic the industry has become in recent years. Read the entire list of nominees for each category here.

This year there were more debut authors than recently (a third of longlisters), which bodes well for the future, according to Nicola Legat, Chair of the New Zealand Book Awards Trust who discusses the longlist here on Radio NZ’s Nights With Karyn Hay.

The Jann Medlicott Prize for Fiction

The 10 novels below will compete for a place on the shortlist of 4, featuring established names like Catherine Chidgey, alongside popular newcomers like Coco Solid who was on the NZ bestsellers list for many weeks, a young urban Aucklander and performance poet, part of a rising generation of Pacifica writers increasingly prominent in New Zealand’s literature scene.

It’s good to see historical fiction starting to become more present and a notable crime thriller, highly praised by Val McDermid.

Jann Medlicott Acorn Prize for Fiction NZ

Better the Blood (Crime Thriller) by Michael Bennett – an exploration of Maori history, the crimes of colonisation and their impact on current lives, through the eyes of single mother and policewoman Hana Westerman, who investigates a serial killer seemingly keen to take revenge for the historic murder of a rangatira (leader). Described here as ‘the stunning new crime novel that’s a Trojan horse for exploring the hurt of colonisation’.

Chevalier & Gawayn: The Ballad of the Dreamer (Speculative/Science fiction/Fantasy) by Phillip Mann – published just weeks before his death, it is describes as a fable for our times. Serious, whimsical, funny, powerful and sexy, Chevalier & Gawayn is a thrilling mix of adventure and adversity and the need to heed the past.

Down from Upland (Domestic Fiction) by Murdoch Stephens – described as a character-driven “slice of life” novel, featuring millenials raising a teenager, set in Kelburn, so doses of Wellington high schools, civil servants & cringe culture.

Home Theatre (Short Stories) by Anthony Lapwood – a genre-bending collection, spanning the fantastical and the keenly real, introducing an ensemble of remarkable characters – and the fateful building that connects them all. Repertory Apartments – where scenes of tenderness and trouble, music and magic, the uncanny and the macabre play out on intimate stages.

How to Loiter in a Turf War (Popular Fiction) by Coco Solid – a lucid, genre-bending cinematic work of fiction from one of the country’s most versatile performance artists. A day in the life of three friends beefing with their own city. With gentrification closing in and racial tensions sweltering, the girls must cling to their friendship like a life raft, determined not to let their neighbourhood drift out to sea. Fast, ferocious, crack-up funny and unforgettably true. Recommended to listen to, narrated by the artist themselves.

Kāwai: For Such a Time as This (Historical Fiction) by Monty Soutar – A young Māori man, compelled to learn the stories of his ancestors, returns to his family marae to speak to his elderly grand-uncle, the keeper of the stories. Set in mid 18th century through to first encounters with Europeans, it delves into an exploration of the culture, first in a series.

Mary’s Boy, Jean-Jacques and other stories (short stories) by Vincent O’Sullivan – a sequel to the tale of Dr Frankenstein’s creature + new stories that traverse other time periods and minds – stories described as wry, humane, unsparing, essential.

Mrs Jewell and the Wreck of the General Grant (Historical Fiction) by Cristina Sanders – Set in 1866, the story behind the enduring mystery of one of New Zealand’s early shipwrecks, told from the perspective of the one woman survivor. Fourteen men make it ashore and one woman – Mary Jewell. Stuck on a freezing and exposed island, they must work out how to survive. Described as a gripping page turner.

The Axeman’s Carnival (Bird Narrated Literary fiction) by Catherine Chidgey – Narrated by Tama the magpie (who tweets @TamaMagpie) “Chidgey fuses the sensibility of our cinema of unease – of life on a struggling back-blocks farm with a dour farmer – with the liberating and alienating madness of fame, all of it seen by the novel’s hero, the magpie Tama. Tama does all the voices – orchardists, tourists, fairground commentators, daffy activists, and the unappeasable axeman – and he does them justice. The Axeman’s Carnival is a compulsive read and flat-out brilliant” says author Elisabeth Knox.

The Fish (Absurdist Literary Fiction) by Lloyd Jones – described by Claire Mabey (books editor, The SpinOff) as ‘a brave reckoning with the dark sides of family, memory and the self’. Set in 1960’s NZ, it is a novel of family bonds, strained and strengthened by tragedy, an allegorical tale of absence and return. Who or what the fish is, seems like a mystery to many readers, might be a marmite book, due to the ‘slippery nature of the storytelling’.

General Non-Fiction Award

A big increase in submissions for here with a lot of memoir, Noelle McCarthy’s Grand, filmmaker Gaelene Preston’s Take, Fiona Kidman’s essays So Far, For Now, Kate Camp’s You Probably Think this Song is About You covering a wide range of subjects, creative non-fiction becoming much more prevalent.

This award remains somewhat controversial, given the wide range of sub-genres it includes, pitted against each other: creative nonfiction, memoir, history and academic texts. For this reason, an additional four titles make the longlist.

Mary and Peter Biggs Award for Poetry

Poetry in NZ is on fire at the moment says Nicola Legat, so many strong voices coming through, on decolonisation, gender issues, it is the poets who seem to be addressing many of these subjects.

Check out Initial Thoughts, Thrills, Surprises, Hidden Gems and Predictions from Claire Mabey and Louise Wallace at The SpinOff.

They predict Echidna by Essa May Manapouri to win.

ONZBA 2023 Longlist_Poetry

Booksellers Aotearoa New Zealand Award for Illustrated Non-Fiction

With incredibly strong representation, this longlist features seven different publishers and you might say adds another 10 to the general non-fiction category. Books with a visual dimension continue to be popular and there are some interesting and intriguing titles here.

Te Motonui Epa by Rachel Buchanan tells the strange but true story of the theft of five wooden panels carved in the late 1700s by Taranaki tūpuna and their connection to the 11 day kidnapping of Graziella, daughter of the collector George Ortiz, who put the Motunui epa up for auction to pay back money he borrowed for the ransom. Epic and fascinating!

I Am Autistic by Chanelle Moriah, is described as ‘a first of its kind: smashing through stereotypes and presenting a clear, interactive tool for those eager to either learn about themselves, or people around them’.

Something Is Happening Here looks at 50 years of the art of Robin White, including insights from art critics and interviews from many others. Including more than 150 of her artworks, from early watercolour and drawings through to the exquisite recent collaborations with Pasifika artists, as well as photographs from throughout her career.

Jumping Sundays, The Rise and Fall of the Counterculture of Aotearoa New Zealand by music historian Nick Bollinger, is a vivid account of the transformation of NZ life brought about by the 1960-70s counter-culture from a bi-cultural perspective – its goals and impact, the festivals and gatherings, of radicals and bohemians resisting the authority of that era.

Illustrated Nonfiction Ockhams 2023

Shortlist Announcement

The shortlist of 16 titles will be announced on 8 March and the winners announced in May, the award ceremony will be the first event of the Auckland Writer’s Festival which runs from 16-21 May, 2023.

April 5, 2020 by Claire 'Word by Word'

Sunday Morning Haiku

Spring Morning I

Sun rays pass through boughs

Petals wave back with longing

The lantern waiting.

Spring Morning II

Small branches in leaf

Bow to and fro in union

A family of trees.

Haiku of Life

A haiku is a form of poetry that generally consists of three lines, where the first and last contain five syllables and the middle line is made up of seven.

The subject is usually the natural world, a topic that tends to awaken people to their sense of oneness with nature and the divine.

Every morning at the moment I am reading a chapter of Courageous Dreaming by Alberto Villoldo and this morning I read Chapter Six, Courage As Action, which ends with this exercise to create your own haiku.

He suggests to:

Observe the trees, the grass, the birds and the insects, then write a few poems. Let go of any judgments such as I can’t do this or I have no talent for writing. Just do it.

At the beginning of each chapter, he shares a thought-provoking quote, I shall end with that. I hope you feel inspired to write a Haiku for yourself too.

Courage doesn’t always roar. Sometimes

courage is the quiet voice at the end of

the day saying, “I will try again tomorrow.”

– MARY ANNE RADMACHER

May 16, 2019 by Claire 'Word by Word'

The Delicacy and Strength of Lace by Leslie Marmon Silko & James Wright

Letters Between Poets

Exquisite, a beautiful, too brief collection of letters between two poets, written over a period of 18 months, bringing something special to each others lives at a time when they both needed it, she knowingly, he, not realising he was living his last months of life throughout this correspondence which comes to such an abrupt end.

“I am overwhelmed sometimes and feel a great deal of wonder at words, just simple words and how deeply we can touch each other with them, though I know that most of the time language is the most abused of all human abilities or traits.”

As you may know, if you follow my reviews, I recently read Leslie Marmon Silko’s The Turquoise Ledge: A Memoir which I loved, followed by her well known novel Ceremony which was exceptional and set me off looking for more of her work.

As I mentioned in my review of the memoir, my original purpose in reading Silko, was not by reputation. I had never heard of her. I was looking for a work of creative non-fiction with a nature writing slant, something that could evoke the landscape and the culture of Tuscon, Arizona. If this book I had imagined existed, it would be the ideal birthday present for a special friend. And it certainly did exist, I discovered The Turquoise Ledge; as Silko and those who understand the way of the shamans will appreciate, it was as if I dreamed it into being!

My friend is also a writer and her most prolific and preferred writing practice is the letter; yes, that disappearing art of epistolary literature arising from the hand-written form. When I saw there was a slim collection of letters between Leslie Marmon Silko and a poet named James Wright (1927 – 1980), (frequently referred to as one of America’s finest contemporary poets), I knew it must accompany the memoir.

James Wright, poet

The correspondence is written when Silko is 31 years old and Wright is around 51. They had planned to meet in the Spring of 1980, mentioned in letters of Oct/Nov of the previous year, not knowing he would be gone before then.

They discuss her novel, his poetry, language, his travels, her adventures with animals, their speaking engagements, their mutual challenges and experiences as university professors, and soon begin to share more personal feelings, as she acknowledges the tough time she is having and he shares his own experience, expressing empathy.

“I realize many wonderful things about language – “realize” in the sense of feeling or understanding intuitively: I realize such things most often when I am greatly concerned with another person’s feelings. I think such realization is one gift which human beings may give each other. I’m not much good at analysis or scholarly efforts with language, probably because I don’t value them as much as I value understanding, which is informed by that which is deeply felt before it is examined.”

Having already read about the snakes, lizards, parrots and numerous other animal life that live in close proximity to her, it was natural for me to see that in her letters, she sometimes shared an anecdote about one of these non-human characters who feature often in her memoir. In one she writes an entertaining piece about her mean rooster.

There are all kinds of other rooster stories that one is apt to hear. I am glad I have this rooster because I never quite believed roosters so consistently were as the stories tell us they are. On these hot Tucson days, he scratches a little nest in the damp dirt under the Mexican lime tree by the front door. It is imperative for him that the kittens and the black cat show him respect, even deference, by detouring or half-circling the rooster as they approach the water dish which is also under the lime tree. If they fail to do this, then he jumps up and stamps his feet, moving sideways until they cringe. This done, he goes back to his mud nest.

Silko opens up to Wright quite early on, letting him know how grateful she is to have this correspondence, a distraction from recent events that occupy her mind, he is more reserved initially, until she shares her grief openly and he responds in kind, taking their letters to another level, a kind of healing balm to the harsh reality of life.

This is one of the most moving, insightful and entertaining collections of letters I’ve ever read, born of a mutual respect & admiration, a sharing of poetry, storytelling & increasingly personal heartache, soothed by the knowledge that the other too carries their pain & grief of current situations that are outside their control.

This correspondence came at a time in Silko’s life when she couldn’t talk or share much with those closest to her, James Wright, her (senior) intellectual contemporary and brief confidant filled that void and they’ve left us this beautiful literary gift.

Leslie Marmon Silko is a poet, essaysit and novelist. James Wright won the Pulitzer Prize in 1972 for his “Collected Poems.” Above the River: The Complete Poems appeared more than a decade after his death.

They met only twice. First, briefly, in 1975, at a writers conference in Michigan. Their correspondence began three years later, after Wright wrote to Silko praising her book “Ceremony.” The letters begin formally, and then each writer gradually opens to the other, venturing to share his or her life, work and struggles.

The “New York Times” wrote something of Wright that applies to both writers– of qualities that this exchange of letters makes evident.

“Our age desperately needs his vision of brotherly love, his transcendent sense of nature, the clarity of his courageous voice.”

Not having read his poetry, I read some of his works online and this one poem resonated well with their correspondence. Click on the link below to read:

A Blessing by James Wright

Buy a Copy of The Delicacy and Strength of Lace via Book Depository

December 16, 2018 by Claire 'Word by Word'

A Thousand Mornings by Mary Oliver

I loved this slim collection of poems, many of which reminded me of something, or awakened something in me, it’s as if they don’t just exist on their own merit, but are pathways of invitation.

Just the title A Thousand Mornings suggests how many, many mornings Mary Oliver has passed in taking walks in nature observing creatures large and small, her shortest poem two lines about an ant; of watching the tides, there are at least three poems about the sea, the one mentioned on the back cover of the book, reminds me of a lesson whose symbol is “chop wood”, that sometimes we need to stop over thinking and tend to the ordinary and mundane.

Her title also reminds me of the benefit of writing morning pages, three pages of longhand, stream of consciousness writing, ideally practiced first thing in the morning, advocated by Julia Cameron in The Artist’s Way, as a way of awakening one’s creativity, overcoming fear or blocks.

I GO DOWN TO THE SHORE

I go down to the shore in the morning
and depending on the hour the waves
are rolling in or moving out,
and I say, oh, I am miserable,
what shall-
what should I do? And the sea says
in its lovely voice:
Excuse me, I have work to do.

***

There is a poem called If I Were on ways to dance and the joy in life it brings, which can be read superficially, but which could be and most certainly is also about writing poetry, as I am reading another book of Mary Oliver’s called Rules for the Dance, A Handbook for Reading and Writing Metrical Verse, the title of which is clearly inspired by a stanza from Alexander Pope’s brilliant, poetic essay An Essay on Criticism a controversial work that discussed and compared styles of poetry and criticism, alluding to poets and critics past and present.

‘True ease in writing comes from art, not chance,
As those move easiest who have learned to dance.’ Alexander Pope

IF I WERE

There are lots of ways to dance and
to spin, sometimes it just starts my
feet first then my entire body, I am
spinning no one can see it but it is
happening. I am so glad to be alive,
I am so glad to be loving and loved.
Even if I were close to the finish,
even if I were at my final breath, I
would be here to take a stand, bereft
of such astonishments, but for them.

If I were a Sufi for sure I would be
one of the spinning kind.

***

THREE THINGS TO REMEMBER

As long as you’re dancing, you can
break the rules.
Sometimes breaking the rules is just
extending the rules.

Sometimes there are no rules.

***

There are mornings in India hinted at in After I Fall Down the Stairs at the Golden Temple and the closing poem of the collection Varanasi, which is in itself something of a response, a balm to the cry nestled within her poem A Thousand Mornings.

And finally one of my favourites:

I HAVE DECIDED

I have decided to find myself a home
in the mountains, somewhere high up
where one learns to live peacefully in
the cold and the silence. It’s said that
in such a place certain revelations may
be discovered. That what the spirit
reaches for may be eventually felt, if not
exactly understood. Slowly, no doubt. I’m
not talking about a vacation.

Of course, at the same time I mean to
stay exactly where I am.

Are you following me?

***

Click Here to Buy Mary Oliver’s A Thousand Mornings via Blackwells (free shipping)

February 10, 2015 by Claire 'Word by Word'

Triple Choice Tuesday: Word by Word

Today on Kim Forrester’s blog, Reading Matters, I share three books that have been significant in my reading life so far. To find out what those three books were and why they mattered to me, click on the link below:

Triple Choice Tuesday: Word by Word.

January 25, 2015 by Claire 'Word by Word'

The Poet Slave of Cuba, a biography of Juan Francisco Manzano by Margarita Engle

Juan Francisco Manzano was born into the household of a wealthy slave-owner in Cuba in 1797.

We know details about the early years of his life thanks to a collection of his autobiographical notes being smuggled out of Cuba to England, where they were published by abolitionists who hoped to raise support for their cause.

He spent most of his childhood close to a woman who insisted he call her Mama, despite the presence of his own mother Maria del Pilar.

Imagine

how he must feel in that other home

where he learns the words

of verses, plays, sermons, sonnets

now he’s a parrot, not a poodle

he listens, listens, listens

repeats every sound he hears

from every book in his godmother’s library

Though he wasn’t formally educated, he had a gift for language and poetry and despite the severe punishments he endured for continuing to express joy and suffering through his words.

The other day he recited words so completely new

that I understood the verse

was his own

not borrowed, memorised,

begged from the godmother’s books

Soaring

he said

Spirit

he whispered

Imprisoned

he murmured

and then he went on

I only caught a few fragments

of his rhyme of delight,

something about a golden beak

something about singing

and wishes

and hope

The woman who kept him initially allowed his mother and any unborn children to buy their freedom and promised Juan freedom on her death. It was a promise rescinded by those still living after the woman’s death, though his mother continued to try to purchase his freedom without result.

Don’t cry, my other mother, the real one, whispers

this is the end

of your sadness

now you are free!

But I am not

it’s a trick

one swift trip

to the house

of my godparents

and then to La Marquesa

instead of the long-promised

freedom.

The Marquesa is a bitter, cruel woman who even when inflicting the most grotesque punishment on Juan, still finds reason to blame him for her own suffering.

Some people can never be satisfied.

The poet-boy for instance.

Nothing is ever enough for him.

I have to tell the overseers to teach

the same lessons

over and over

locking his ankles in the stocks

tying him to the cross like Jesus.

Or tying him to a ladder laid out on the ground

face down, mouth down

so he cannot speak

except to count his own lashes out loud.

And even when this is done nine days in a row

still he bleeds and weeps,

trying to show me

that he has won

he has triumphed once again

he has proven that he can still

make me sad.

Evil child.

To find out what happens, read this wonderful story of poems, a beautiful collection and tribute to a life of an exceptional poet.

Juan Francisco Manzano didn’t stop producing spontaneous poems until very late in his life, after being arrested for trying to stir up a slave rebellion through his poetry and spending a year in prison. That experience silenced his voice forever.

His work is astonishing, bold, thought-provoking, intelligent and lengthy. Once you begin reading it you can’t stop and I can see why both his work and his story haunted Margarita Engle for so long. That she has been able to condense his experience and thoughts into this humble volume is a gift to readers young and old.

To read the English translation of some of Juan Francisco’s original work, click on this link or the image below:

Poems by a Slave in the Island of Cuba, Recently Liberated;
Translated from the Spanish, by R. R. Madden, M.D.
With the History of the Early Life of the Negro Poet, Written by Himself

Margarita Engle is a Cuban-American poet who has published a number of books for young readers in free verse and prose poetry. She chooses interesting subjects that make me want to read everything she has written, they are an introduction to explore further the subjects she introduces. The titles alone are seductive.

The artwork in all her books is fantastic, this work illustrated beautifully by Sean Qualls.

I have read and reviewed The Wild Book, based on the life of the author’s grandmother who struggled with dyslexia, and she has other tempting titles such as:

The Surrender Tree: Poems of Cuba’s Struggle for Freedom

The Firefly Letters: A Suffragette’s Journey to Cuba

The Lightning Dreamer: Cuba’s Greatest Abolitionist

Tropical Secrets: Holocaust Refugees in Cuba

Hurricane Dancers: The First Caribbean Pirate Shipwreck

December 30, 2014 by Claire 'Word by Word'

Outstanding Read of the Year 2014

Prayers For The Stolen by Jennifer Clement

This book had a huge impact on me at the time of reading, a fictional account of a girl named Ladydi growing up in a part of Mexico where it is dangerous to be a girl, so the mother’s disguise them as boys, from the moment of their birth.

An insightful read, about a tragic issue, told with empathy and humour and helping to raise awareness of the plight of so many women and girls unable to speak out for themselves. A must read.

And in no particular order, My Top Reads for 2014!

Top Fiction

1.Eugene Onegin by Alexander Pushkin (translated from Russian by James E. Falen)

The epic book length poem Eugene Onegin was my surprise read of the year and pure delight. I avoided reading it for years and years thinking it would be inaccessible. It was hilarious and a riveting read.

I read it two chapters at a time in a read along and was thoroughly entertained by that cad Eugene Onegin and bemused by that reader of far too many romantic novels Tatiana, and broken-hearted at the fate of the poet. Absolutely brilliant and I would quite like to read another translation after some of the comparisons other readers made as we read, what turns out to be not quite the same version. More Pushkin definitely.

2. Nada by Carmen Laforet (translated from Spanish by Edith Grossman)

Nada was being passed around friends all exclaiming its wonder, a book written by the author when she was 23 years old and based on her own similar experience as a young woman moving to Barcelona to study. It takes place in the shadowy aftermath of a traumatic civil war, its effect hanging over her family. Andrea, now an orphan, arrives to stay with relatives, however her stay is not as she’d imagined it, the family are full of eccentricities and Andrea finds more refuge in the gloomy streets and with her new friends than in the oppressive atmosphere of the apartment among her strange relatives. A feverish, coming of age classic.

3. We That Are Left by Juliet Greenwood

A title I was waiting for, having loved Eden’s Garden and this promised to be just as good, set in World War One and featuring a cast of women characters who are changed by the war in ways that will continue long after.

From Cornwall to Wales to France, we follow Elin as her husband leaves for the war and she must assume responsibility for the family estate and is propelled into a dangerous mission to rescue her friend in the thick of fighting. It concerns the changes thrust upon women during the war and their refusal to go back to the more submissive role that was expected of them before the war. They prove they are just as capable of handling a crisis and if necessary will manage on their own. Brilliant, thrilling and unputdownable.

4.The True Deceiver by Tove Jansson (translated from Swedish by Thomas Teal)

The True Deceiver is the first novel I have read by Tove Jansson, having read three collections of her short stories (The Summer Book, A Winter Book and Art in Nature) all of which I enjoyed, so this was an interesting departure to stay with the same characters throughout and it is quite a thrilling read, clearly inspired in part by her own experience, facing up to the artist struggle.

It is the perfect winter read, set in the snow bound winter months, while they await the thaw. Anna is an aging artist who lives alone and is content for it to be that way, her contact with the outside world through the many letters from her fans. But someone in the village has other plans and slowly makes herself indispensable to the older woman, preying on her vulnerabilities. And the true deceiver? That is the question that reading the novel reveals.

4. My Brilliant Friend by Elena Ferrante (translated from Italian by Ann Goldstein)

If you haven’t yet succumbed to #FerranteFever keep an eye out for this book and the two that follow it, The Story of a New Name and Those Who Leave & Those Who Stay. They narrate a friendship between Elena and Lila, set in an impoverished neighbourhood of Naples, one tries to escape her place in society via a university education and a marriage that will elevate her status while the other uses her intelligence in a relentless, fearless and often ruthless quest to survive. The books are compelling and may be semi-autobiographical, however the author remains an enigma, using a pseudonym and not ready to own up to his/her identity – believing that if a book has any merit, it will find its audience.

5. The Dead Lake by Hamid Ismialov (translated from Russian by Andrew Bromfield)

This is why I wait until the end of the year before creating my list, because who knows what special book gems we might discover before the final curtain call. The Dead Lake is part of the Peirene Press coming-of-age series published in 2014 and tells the story of Yerzhan, a boy growing up at a remote railway siding in Kazakhstan, an area where atomic weapon testing is carried out.

There are only two communities where he lives and he adores the neighbour’s daughter and it is to impress her that he walks into that lake at 12-years-old and stops growing. It is a stunning and unforgettable novella and an insightful glimpse into a nomadic culture, that we are privileged to be able to read thanks to the passionate endeavours of our friends at Peirene Press.

6. The Bees by Laline Paull

The Bees is an extraordinary feat of the imagination, narrated from the point of view of Flora 717 a sanitation worker bee. It is about life in an orchard hive and the threats both internal and external to the hive. Totally convincing, the Hive is like a cult and each bee knows its place, its role and responds by instinct and receives energy from the Hive Mind, the Queen and the collective conscience of the Hive. Flora is different and as we discover why, we begin to fear for her life. A stunning, original work, I was enthralled but the story and love that the author was inspired by a Bronze Age Minoan palace in translating a real beehive into a fictional landscape.

Top Non-Fiction

1. Ex Libris: Confessions of a Common Reader by Anne Fadiman

This was the very first book of the year I read and a special read for booklovers. It contains 18 bookish essays from the bibliophile Anne Fadiman, written over a period of four years, in which she talks about how she became so book obsessed and shares many often hilarious anecdotes. It was also recommended and gifted to me by the talented blogger and world-wide reader VishyThe Knight.

2. Arctic Dreams by Barry Lopez

First published in 1986 and winner of the National Book Award for non-fiction in the US, Artic Dreams is a compilation of poetic nature essays written by a compassionate, scientific, nature loving mind, as he observes those creatures whose natural habitat is the arctic, whether they are polar bears, seals or Arctic people. Some of my best recommendations, as was the case with this book, come from Valorie at Books Can Save a Life.

3. Testament of Youth by Vera Brittain

I planned to read this right from the beginning of 2014 when it was republished as an anniversary edition to commemorate the beginning of World War one. Vera Brittain was an intellect and despite it being seen as a waster of time by many ion the provinces where she came from she set of for Oxford to compete with the boys, whom most of her friends were.

One by one, her friends, her brother, her fiance went off to fight and not able to concentrate on something that seemed meaningless in the face of war, she volunteered as a nurse. Testament of Youth is taken from her journals and is an insightful, at times heartbreaking insight into a lost youth, and an attempt to understand humanity and to prevent us from repeating the same mistakes. A brilliant book, about to be released as a feature film.

4. H is for Hawk by Wendy Macdonald

There haven’t been so many non fiction titles that called out to me this year, but this one did immediately and I pushed it to the top of the pile to read and was riveted by Helen Macdonald’s grief stricken, obsessive encounter with Mebel, he Goshawk she raises, spurning human company and comfort in the aftermath of her father’s death. Great to see it then win the Samuel Johnson prize.

5. Brown Girl Dreaming by Jacqueline Woodson

What a delightful memoir in free verse from a well-known children’s writer, writing of her childhood spent between South Carolina and Brooklyn, NY tales of family members, a new brother, her passion for words, being Jehovah Witness and making a great friend. Reminds me of the equally talented Margarita Engle and her collection of novels in verse.

Voila!

So what was your outstanding read(s) for 2014?