We know details about the early years of his life thanks to a collection of his autobiographical notes being smuggled out of Cuba to England, where they were published by abolitionists who hoped to raise support for their cause.
He spent most of his childhood close to a woman who insisted he call her Mama, despite the presence of his own mother Maria del Pilar.
how he must feel in that other home
where he learns the words
of verses, plays, sermons, sonnets
now he’s a parrot, not a poodle
he listens, listens, listens
repeats every sound he hears
from every book in his godmother’s library
Though he wasn’t formally educated, he had a gift for language and poetry and despite the severe punishments he endured for continuing to express joy and suffering through his words.
The other day he recited words so completely new
that I understood the verse
was his own
not borrowed, memorised,
begged from the godmother’s books
and then he went on
I only caught a few fragments
of his rhyme of delight,
something about a golden beak
something about singing
The woman who kept him initially allowed his mother and any unborn children to buy their freedom and promised Juan freedom on her death. It was a promise rescinded by those still living after the woman’s death, though his mother continued to try to purchase his freedom without result.
Don’t cry, my other mother, the real one, whispers
this is the end
of your sadness
now you are free!
But I am not
it’s a trick
one swift trip
to the house
of my godparents
and then to La Marquesa
instead of the long-promised
The Marquesa is a bitter, cruel woman who even when inflicting the most grotesque punishment on Juan, still finds reason to blame him for her own suffering.
Some people can never be satisfied.
The poet-boy for instance.
Nothing is ever enough for him.
the same lessons
over and over
locking his ankles in the stocks
tying him to the cross like Jesus.
Or tying him to a ladder laid out on the ground
face down, mouth down
so he cannot speak
except to count his own lashes out loud.
And even when this is done nine days in a row
still he bleeds and weeps,
trying to show me
that he has won
he has triumphed once again
he has proven that he can still
make me sad.
To find out what happens, read this wonderful story of poems, a beautiful collection and tribute to a life of an exceptional poet.
Juan Francisco Manzano didn’t stop producing spontaneous poems until very late in his life, after being arrested for trying to stir up a slave rebellion through his poetry and spending a year in prison. That experience silenced his voice forever.
His work is astonishing, bold, thought-provoking, intelligent and lengthy. Once you begin reading it you can’t stop and I can see why both his work and his story haunted Margarita Engle for so long. That she has been able to condense his experience and thoughts into this humble volume is a gift to readers young and old.
To read the English translation of some of Juan Francisco’s original work, click on this link or the image below:
Margarita Engle is a Cuban-American poet who has published a number of books for young readers in free verse and prose poetry. She chooses interesting subjects that make me want to read everything she has written, they are an introduction to explore further the subjects she introduces. The titles alone are seductive.
The artwork in all her books is fantastic, this work illustrated beautifully by Sean Qualls.
I have read and reviewed The Wild Book, based on the life of the author’s grandmother who struggled with dyslexia, and she has other tempting titles such as:
The Surrender Tree: Poems of Cuba’s Struggle for Freedom
The Firefly Letters: A Suffragette’s Journey to Cuba
The Lightning Dreamer: Cuba’s Greatest Abolitionist
Tropical Secrets: Holocaust Refugees in Cuba
Hurricane Dancers: The First Caribbean Pirate Shipwreck