The Man Booker Prize Longlist 2016 #FinestFiction

Thirteen novels make up the Booker Dozen longlist, a list with a lot of new names that few predicted. Six are by women, seven by men, with five American writers, six British, one Canadian and one South African.

The biggest name is probably two-time winner J.M.Coetzee and there are the familiar names of Deborah Levy (shortlisted in 2012 for Swimming Home), Elizabeth Strout and AL Kennedy, as well as four debut authors.

Booker Longlist

Chair of the 2016 judges, Amanda Foreman, commented:

‘This is a very exciting year. The range of books is broad and the quality extremely high. Each novel provoked intense discussion and, at times, passionate debate, challenging our expectations of what a novel is and can be…From the historical to the contemporary, the satirical to the polemical, the novels in this list come from both established writers and new voices. The writing is uniformly fresh, energetic and important. It is a longlist to be relished.’

The Longlist – click on the title to find a Goodreads summary of the book

Paul Beatty (US) – The Sellout 

J.M. Coetzee (South African-Australian) – The Schooldays of Jesus 

A.L. Kennedy (UK) – Serious Sweet

Deborah Levy (UK) – Hot Milk 

Graeme Macrae Burnet (UK) – His Bloody Project

Ian McGuire (UK) – The North Water 

David Means (US) – Hystopia

Wyl Menmuir (UK) – The Many 

Ottessa Moshfegh (US) – Eileen

Virginia Reeves (US) – Work Like Any Other 

Elizabeth Strout (US) – My Name Is Lucy Barton

David Szalay (Canada-UK) – All That Man Is 

Madeleine Thien (Canada) – Do Not Say We Have Nothing 

WIT logoI’m focusing on reading Women In Translation #WITMonth during August, so I won’t be reading too many on this list, though I have dipped into Madeleine Thien’s Do Not Say We Have Nothing, the book that appeals to me the most – a story of musicians, composers, two generations of an extended family, from the Chinese cultural revolution to a new life in modern-day Vancouver.

I’m also keep to read Deborah Levy and can tell you that Elizabeth Strout’s book My Name is Lucy Barton has had many great reviews.

For now, I’m 100 pages into reading last years Man Booker Prize winner by Marlon James, A Brief History of Seven Killings and wow – it’s like entering into another world, a dark, dangerous, impulsive world inside a Jamaican ghetto, via a range of characters and voices.

The Shortlist and Winner Announcements

The shortlist of six books will be announced on Tuesday 13 September and the winner will be announced on Tuesday 25 October.

Click Here to Buy Any Book On the Longlist Via Book Depository

So, have you read any of the books on the list?

August is Women in Translation #WITMonth

1 Summer Chunkster - A Brief History of Seven Killings

One Summer Chunkster

Summer reading used to be beach reads, these days I have one beach read, my one summer chunkster, otherwise I try to participate in #WITMonth, reading women writers in translation, those who originally wrote their books in a language other than English.

I won’t be putting any pressure on myself to achieve any lists or numbers, but a quick scan of my shelves shows me that I already have a few potentially excellent novels to choose from for #WITMonth.

One Summer Chunkster

My summer chunkster isn’t a woman writer, it will be Marlon James Booker Prize winning novel A Brief History of Seven Killingsa novel that explores Jamaican life, culture, politics and the drug trade through a fictionalised telling with a multitude of characters, of the attempted assassination of Bob Marley in the late 70’s in a blend of standard English prose and Jamaican patois.

Women in Translation

A quick look at my shelves tells me that these are the novels I’ll be choosing from in August to read books by women writing in a language other than English. I’ll be reading them in the English translation and starting off with Han Kang’s The Vegetarian.

The Vegetarian by Han Kang (South Korea) tr. Deborah Smith (Korean)

Viewed in South Korea initially as ‘extreme and bizarre’  it has gone on to become a cult bestseller and in English, it was the winner of the Man Booker International Prize 2016 – an allegorical novel about modern-day South Korea told via three narratives surrounding a woman’s decision to become vegetarian; a story of obsession, choice, and our faltering attempts to understand others. I read and was blown away by her Human Acts earlier this year.

Masks by Fumiko Enchi (Japan) tr.  Juliet Winters Carpenter (Japanese)

A subtle and sometimes shocking novel about seduction and infidelity in contemporary Japan and the destructive force of feminine jealousy and resentment with allusions to the masks of the traditional Japanese theatrical Nō plays and the 11th century epic The Tale of Genji.

The Rabbit House by Laura Alcoba (Argentina) tr. Polly McLean (French)

A short memoir set in 1975 Buenos Aires, Argentina when Laura is seven years old and the brutal military regime has just taken over. Her father is imprisoned and she and her mother go into hiding in ‘the rabbit house’ where the resistance movement is involved in clandestine activity that puts their lives in constant danger.

The Bridge of Beyond by Simone Schwarz-Bart (French-Guadeloupean) tr.Barbara Bray (French)

Set on the French Antillean island of Guadeloupe, a story of mothers and daughters, spiritual values and the grim legacy of slavery, a reminder of the Creole oral tradition.

Crossing the Mangrove by Maryse Condé (Guadeloupean) tr. Richard Philcox (French)

More from Guadeloupe, following the death of a handsome outsider, villagers reveal clues that will uncover the mystery of this man’s death, a story imbued with the nuances of Caribbean culture.

A Season in Rihata by Maryse Condé (Guadeloupean) tr. Richard Philcox (French)

Condé’s second novel set in a sleepy backwater fictitious African state, a family struggle amid the backdrop of political upheaval, a community torn between progress and tradition, subject to the whims of a dictatorship.

The Door by Magda Szabó (Hungary) tr. Len Rix (Hungarian)

A young writer employs an elderly woman as housekeeper, a woman everyone knows, though no one knows anything about, nor have they ever crossed her threshold. An event will provoke her to unveil glimpses of her past, shedding light on her peculiar behaviour as the relationship between the two evolves. This recent New Yorker article makes comparisons with Elena Ferrante’s My Brilliant FriendThe Hungarian Despair of Magda Szabó’s “The Door”

The Looking Glass Sisters by Gøhril Gabrielsen (Norway) tr. John Irons (Norwegian)

A Peirene Press novella from the Chance Encounters series and another intense relationship between two women; sisters who live an isolated life, one who nurses the other and keeps house. Until one day, a man arrives… ‘raw, dark and wonderfully different from anything else’

The Fox Was Ever the Hunter by Herta Müller (Romania) tr. Philipp Boehm (Romanian)

An early masterpiece set in Ceaușescu’s Romania by Herta Müller, winner of the 2009 Nobel Prize for Literature. A young school teacher returns home to find her fox fur rug has had its tail cut off. Then a foreleg. Signs she is being tracked by secret police – a portrayal of the corruption of the soul under totalitarianism.

I would love to hear any recommendations you have, that I might add to the list, anything you’ve read and absolutely loved, or are anticipating reading soon that you’ve heard good things about, let me know in the comments below. And if you’ve made a list, feel free to provide a link to it in the comments as well.

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To buy any of these titles, click on the Book Depository link below, for which I receive a small commission to put towards buying more books:

Buy a Book in Translation or A Summer Chunkster!

Barkskins by Annie Proulx

Annie Proulx’s second novel The Shipping News (1993) won both the Pulitzer Prize for Fiction and the National Book Award for fiction. Her short story Brokeback Mountain from the collection Close Range was made into a powerful film, directed by Ang Lee.

She is now 80 years old and has just published the novel Barkskins, a historical family saga that follows the descendants of two Frenchmen who arrive in the King’s newly claimed territory of New France (an area that today is made up of parts of Canada, the US and two islands that remain under French control).

BarkskinsProulx hasn’t published a novel since 2002 and has spent the last ten years researching, studying, writing about and travelling to visit trees and forests of the world. Her novel has at its heart, the theme of deforestation and uses the two families to illustrate her thinking, that there is no greater protector or more harmonious dweller of a lands natural resources than those who are native to the area.

One of the characters Rene Sel, marries a native Indian woman, the other Charles Duquet, marries the daughter of a Dutch shipping magnate and from then on their destinies and the generations that follow, will navigate different paths, one family struggling to survive and to retain their identity and ways, the other creating a family empire, intent on finding a renewable resource to ensure the business continues to grow and expand.

Again Duquet saw the great weakness of the trade – surplus or scarcity. Beaver might disappear from over trapping or disease or for no discernible reason. Or the Indians took too many. He now regarded tales of immense profits in the fur trade as fables. He wanted great and permanent wealth, wealth for a hundred years. He wanted a fortune to pass on to his sons. He wanted his name on buildings. He was surprised to discover in himself a wish for children, a wish to establish a family name. The name Duquet would change from a curse to an honor.

Rene and his children learn from his Mi’kmaq wife, their mother Mari, who was a repository of answers to their many questions, for her people had ‘examined the world with boundless imagination for many generations’ already.

Over the months and years he learned from her. His relationship to Mari became a marriage of intelligences as well as bodies. They stood opposed on the nature of the forest. To Mari it was a living entity, as vital as the waterways, filled with the gifts of medicine, food, shelter, tool material, which everyone discovered and remembered. One lived with it in harmony and gratitude. She believed the interminable chopping of every tree for the foolish purpose of “clearing the land” was bad.

Parts of the novel are riveting and in particular, Proulx inhabits in an engaging manner, the characters of Charles Duquet and one of his descendants Lavinia Duke, who becomes the head of the family empire and is as ruthless as the men who became before her. It is she who Proulx sends to New Zealand in search of the enchanted kauri forests.

Yes. They have trees. Especially do they have certain ‘kauri’ trees, which experts describe as the most perfect trees on the earth, truly enormous trees that rise high with all the branches clustered conveniently at the top. The wood of these trees is without blemish, light, odourless, of a delightful golden colour, easy to carve and work, strong and long-wearing.

However, at just over 700 pages and spanning 300 years and multiple generations, it is a challenge to keep the characters in mind and as a result some make more of an impression than others, which both quickens and inevitably often slows the pace of reading, a necessary compromise perhaps when illustrating such a significant era of history through the narrative form of fiction.

It is a book of a writer’s indulgence, this is Proulx doing what pleases her; a trained historian spending her time indulging a subject that fascinates and rouses her interest which is also a major concern to her. Her book is a wake-up call, even if its lessons sadly, have been learned much too late.

“Nobody can visit the big trees again; the huge forests do not exist. The understorey has gone, and the smaller plants and animals – the ecosystem has been damaged. Change is right with us, and you can get frightened.” Annie Proulx – The Observer, 5 June 2016

I reviewed this book for Bookbrowse and also wrote an article Beyond the Book on the territory of New France, where it is currently Editor’s Pick and available to read by clicking on the link below:

Read Claire’s Review and Article at Bookbrowse

To buy a copy of the book via Book Depository, click on the link below:

Buy Barkskins by Annie Proulx

Note: This book was an ARC (Advance Reader Copy) kindly provided by the publisher via NetGalley.

 

 

The Good Muslim (Bangladesh #2) by Tahmima Anam

In A Golden Age, the first novel in Tahmima Anam’s Bangladesh trilogy, the focus is on Rehana, the mother of Maya and Sohail and most of the book takes place from March to December 1971, during the Bangladesh War of Independence. It shows how families, neighbours, ordinary citizens coped with war, how they got involved and the effect it had on them all.

Now, in The Good Muslim it is some years after the war and Maya has just returned to Dhaka, to the family home and over the course of the novel we discover her reasons for leaving, her disenchantment with how the war has affected her brother, who is not the same person as he was before. Looking for inner peace and more of an understanding of life, he becomes religious and inaccessible to her, any attempt to influence him, futile. She resists his path and throws herself into a more active, immersive role.

It is the same family, but Rehana is more of a background figure, the home has been taken over by women wearing the burka, there are sermons on the roof and Sohail’s son Zaid runs around the place looking and acting more like the son of a servant boy (there is one scene where Maya takes him shopping for sandals and though his neglect is obvious, she is insulted when the shoeseller assumes he is the child of a house servant).

Once she had given everything for her children. Now she was in retreat from them, passively accepting whatever it was they chose to do: turning to God, running away, refusing to send their children to school. There was nothing of the struggle in her any more.

17th century Mughal fort, Dhaka, Bangladesh

They are living in the newly independent Bangladesh, under a Dictatorship, the shadow of war hasn’t left them. There are men living among them who the population wants tried for war crimes. Then there are the young women shamed by having been made one of the spoils of war, viciously raped, many of them pregnant and unwanted, put on flights to Pakistan, banished, out of sight, out of mind.

Bangabandhu had promised to take care of the women; he had even given them a name – Birangona, heroines – and asked their husbands and fathers to welcome them home, as they would their sons. But the children, he had said he didn’t want the children of war.

Maya has become a doctor, putting her own personal life on hold, she has seen too much and doesn’t feel capable of fulfilling any other role. She helps many of these women and wonders if she would ever be capable of love.

She had told herself many times that marriage could not be for her. Or children. She saw them coming into the world every day, selfish and lonely and powerful; she watched as they devoured those around them, and then witnessed the slow sapping of their strength as the world showed itself to be far poorer than it had once promised to be.

bangladesh map

It’s a sad picture of post-war trauma and the difficulties people have in returning to family life and love after all that they have experienced.

Though an equally easy and immersive read, it’s not quite as engaging as A Golden Age, which was the novel of action, deep in the daily situation of revolution and war.

This is the novel of aftermath, a much more sombre undertaking and a reminder that even in victory, the consequences of war on families are ever-present in their lifetime.

 

Links:

Book One: A Golden Age

A Golden Age (Bangladesh #1) by Tahmima Anam

A Golden AgeDear Husband,
I lost our children today.

What an opening line. Tahmima Anam’s A Golden Age plunges you right into the twin events that form the basis of Rehana’s character as a parent, fiercely protective and determined to have them near her.

Dear Husband,
Our children are no longer our children.

The death of her husband and her fight to keep her children, when her dead husband’s brother and his childless wife claim they could take better care of them.

The first chapter begins with that day in 1959 when the court gives custody to her brother and sister-in-law, who live in Lahore, (West Pakistan) over 1000 miles and an expensive flight away from Dhaka (East Pakistan).

The novel then jumps forward and is set in 1971, in Dhaka, the year of its war of independence, when East separated from West Pakistan and became Bangladesh (when you look at the area on a map, they are geographically separate, with no common border, India lies between them).

East West Pakistan 1971

In 1971, Rehana’s children, Maya and Sohail are university students and back living with their mother after she discovered a way of becoming financially independent without having to remarry. Despite her efforts to protect them, she is unable to stop them becoming involved in the events of the revolution, her son joining a guerrilla group of freedom fighters and her daughter leaving for Calcutta to write press releases and work in nearby refugee camps.

He’ll never make a good husband, she heard Mrs Chowdhury say. Too much politics.

The comment had stung because it was probably true. Lately the children had little time for anything but the struggle. It had started when Sohail entered the university. Ever since ’48, the Pakistani authorities had ruled the eastern wing of the country like a colony. First they tried to force everyone to speak Urdu instead of Bengali. They took the jute money from Bengal and spent it on factories in Karachi and Islamabad. One general after another made promises they had no intention of keeping. The Dhaka university students had been involved in the protests from the very beginning, so it was no surprise Sohail had got caught up, Maya too. Even Rehana could see the logic: what sense did it make to have a country in two halves, posed on either side of India like a pair of horns?

Rather than lose her children again, Rehana supports them and their cause, finding herself on the opposite side of a conflict to her disapproving family who live in West Pakistan.

As she recited the pickle recipe to herself, Rehana wondered what her sisters would make of her at this very moment. Guerillas at Shona. Sewing kathas on the rooftop. Her daughter at rifle practice. The thought of their shocked faces made her want to laugh.She imagined the letter she would write. Dear sisters, she would say. Our countries are at war; yours and mine. We are on different sides now. I am making pickles for the war effort. You see how much I belong here and not to you.

Anam follows the lives of one family and their close neighbours, illustrating how the historical events of that year affected people and changed them. It is loosely based on a similar story told to the author by her grandmother who had been a young widow for ten years already, when the war arrived.

When I first sat down to write A Golden Age, I imagined a war novel on an epic scale. I imagined battle scenes, political rallies, and the grand sweep of history. But after having interviewed more than a hundred survivors of the Bangladesh War for Independence, I realised it was the very small details that always stayed in my mind- the guerilla fighters who exchanged shirts before they went into battle, the women who sewed their best silk saris into blankets for the refugees. I realised I wanted to write a novel about how ordinary people are transformed by war, and once I discovered this, I turned to the story of my maternal grandmother, Mushela Islam, and how she became a revolutionary.

It’s a fabulous and compelling novel of a family disrupted by war, thrown into the dangers of standing up for what they believe is right, influenced by love, betrayed by jealousies and of a young generation’s desire to be part of the establishment of independence for the country they love.

It is also the first novel in the Bangladesh trilogy, the story continues in the books I will be reading next The Good Muslim and the recently published The Bones of Grace.

Tahmima Anam was born in Dhaka, Bangladesh, but grew up in Paris, Bangkok and New York. She earned a Ph.D. in Social Anthropology from Harvard University and a Master’s degree in Creative Writing from Royal Holloway in London. A Golden Age won the Commonwealth Writers’ Prize for Best First Book and was the first of a planned trilogy she hoped would teach people about her native country and the vicious power of war.

In 2013 she was included in the Granta list of 20 best young writers and her follow-up novel The Good Muslim was nominated for the 2011 Man Asian Literary Prize.

A Whole Life by Robert Seethaler tr. Charlotte Collins

A Whole LifeDumped with an uncaring relative after his mother dies of consumption Andreas Eggers connects with the mountain more than with the family that barely tolerate him and when he is strong enough to resist the thrashings, will leave and make his own way as a labourer eventually earning sufficient to buy a plot of land up the mountain where he can build a cabin.

He arrived in the village as a small boy in the summer of 1902, brought by horse-drawn carriage from a town far beyond the mountains. When he was lifted out he stood there, speechless, eyes wide, gazing up in astonishment at the shimmering white peaks. He must have been about four-years-old at the time, perhaps a little younger or older. No one knew exactly, and no one was interested, least of all the farmer Hubert Kranzstocker, who reluctantly took receipt of little Egger and gave the carriage driver the measly tip of two groschen and a crust of hard bread.

A Whole Life is a melancholic yet soothing narrative of days and events that affect the life of Eggers, few of its turning points are initiated by himself – only when it becomes a matter of survival or principal. He is somewhat at the mercy of the mountain, the elements and whatever it is that confronts him. It is a gentle, unassuming novella of an unremarkable life, touchingly evocative yet unsentimental, a tribute to small wonders that make up a relatively uneventful life.

His early life stems from the moment of being left in the place of the family, his later life from having carried a dying man down the mountain, causing him to stop in at the inn, where the briefest touch of a woman becomes the catalyst for the next significant turning point in his life.

‘Another one?’ the young woman asked, and Egger nodded. She brought a fresh glass, and as she leaned forward to put it on the table she touched his upper arm with the fold of her blouse. The touch was barely perceptible, yet it left a subtle pain that seemed to sink deeper into his flesh with every passing second. He looked at her, and she smiled.
All his life Andreas Egger would look back on this moment, again and again; that brief smile that afternoon in front of the quietly crackling guesthouse stove.

Apart from a brief period at war and a longer spell as a prisoner of war in a Russian camp, his life is spent living off and around the mountain, a landscape he is at one with, in awe and wary of. It is all that he knows.

Seethaler describes Eggers, his life and environment in thoughtful, elegiac prose creating a man as much in harmony with his surroundings as is possible. He stands for those who observe change and the approach of the modern world from a distance, who accept who they are and where they have been placed and have only the occasional fleeting desire to move, but will do so when it is necessary.

He thought of the fact that, apart from trips to the Bitterman & Sons cable cars and chair lifts in the surrounding area, he had only left the neighbourhood on one single occasion: to go to war. He thought about how once, along this very road, back then little more than a deeply rutted track across the fields, he had come to the valley for the first time on the box of a horse-drawn carriage. And at that moment he was overcome with a longing so searing and profound he thought his heart would melt. Without looking back he got up and ran.

I loved this book, it reminded me a little of Julio Llamazares set in the Spanish Pyrenees The Yellow Rain, another novella with a strong connection to the village/environment, a kind of wistful resistance, imploring the reader to understand what it means to be human and so strongly connected to a place.

No surprise this novella became a bestseller in Germany and Austria and was shortlisted for the Man Booker International 2016, we are fortunate to have had it translated so beautifully by Charlotte Collins into English.

In his life he too, like all people, had harboured ideas and dreams. Some he had fulfilled for himself; some had been granted to him. Many things had remained out of reach, or barely had he reached them than they were torn from his hands again. But he was still here. And in the mornings after the first snowmelt, when he walked across the dew-soaked meadow outside his hut and lay down on one of the flat rocks scattered there, the cool stone at his back and the first warm rays of sun on his face, he felt that many things had not gone so badly after all.

Robert SeethalerBorn in Vienna, Austria, Robert Seethaler is an actor (most recently in Paulo Sorrentino’s Youth) and writer, he grew up in Germany and now lives in Berlin.  A Whole Life is his fifth novel and the first to be translated into English.

Charlotte Collins studied English at Cambridge University. She worked as an actor and radio journalist in both Germany and the UK before becoming a literary translator, and has also translated Robert Seethaler’s novel The Tobacconist.

Further Links: 

Irish Times ReviewOne man endures, one day at a time by Eileen Battersby

To Buy This Book Now, Click Below

A Whole Life by Robert Seethaler