Savage Girl by Jean Zimmerman

Nevada Mine

Drilling in a Nevada Silver Mine

Set in 1875, Savage Girl begins when the wealthy socialite Delegate family are on a tour of the American West, having travelled to Nevada by private train to visit family mining concerns.

The son, Hugo, a 22-year-old anatomy student at Harvard, who keeps taking time out from his studies due to undiagnosed mental health issues, visits a back alley sideshow attraction with his mother entitled ‘Savage Girl’, allegedly a wild, mute 18-year-old girl raised by wolves. It is a popular attraction, attracting many of the mining community and the Delegate family are interested in her, for much more than entertainment purposes.

They have something of an obsession with the feral child phenomena and the nature versus nurture debate and enter into negotiations with the keeper of the girl in their hope of bringing her to into their family, to civilise her and prove a philosophical point.

The Coming Out Season

The Coming Out Season

They succeed in bringing her back to New York, dressing her and teaching her all that is necessary to make her debut into high society. While the parents are pleased with her progress, their son Hugo isn’t so certain.

Torn between what might be a growing love for his savage sister and a wary suspicion of her, he isn’t sure whether to admire her achievements or to be afraid of her influence, as there is a trail of violent murder that follows in her wake. Only Hugo seems to be aware that these unexplained deaths all have one thing in common, they are men that had recently had contact with their protégé.

Savage Girl (2)Hugo knows she has a night life that his parents aren’t aware of and begins to follow her to try to discover where she goes and what she does. He is equally  afraid, given his own history of instability and wonders if it may be himself who is responsible and though he cannot prove it, it is to hear his confession and description of what he found at the scene of the murder of one of his friends, that opens the first pages of the novel. It is Hugo who narrates this story of how the savage girl came into their lives and all the events that followed.

The novel follows ‘Savage Girl’s’ progress, Hugo’s paranoia and reasoning within the context of Manhattan’s Gilded Age (late 1800’s) where only those who know the rules, befriend the right people and come from socially acceptable families will make it.

It is an intriguing story, wrapped around a puzzling, violent mystery containing a dark, barely legible heartbeat of early feminist activism and that nature versus nurture debate. As historical fiction goes, it has all the elements, pure, entertaining escapism.

 

Note: This book was an ARC (Advance Reader Copy) kindly provided by the publisher.

The Museum of Extraordinary Things by Alice Hoffman

Alice Hoffman

Alice Hoffman

Alice Hoffman is a prolific and engaging storyteller known for the occasional touch of magical realism and an ability to transport her reader into the worlds she creates.

She wrote one of my favourite books Blackbird House, referred to by some as a collection of short stories, the connecting thread running through each story being an old Massachusetts house, the narrative tracing the lives of its various occupants over a span of 200 years. The house bears witness to change through each family’s loved ones and the lives they live inside Blackbird House.

Since that haunting book I have kept an eye out for her work and when I read the premise of this new novel, The Museum of Extraordinary Things, I was more than intrigued. It is set in 1917 New York, when things of a freakish nature fascinated and amusement parks were becoming bigger and bolder in their scope, trying to outdo each other with what they offered the public.

Museum of Extraordinary Things

Professor Sardie is an eccentric French scientist and magician, who came to America seeking his fortune and when we meet him, he has opened a museum of extraordinary living oddities in a room connected to his home on Coney Island, New York. He lives there with his daughter Coralie and Maureen, the woman he has hired to take care of his daughter, herself an extraordinary being, a loving and devoted carer and the victim of disfiguring burns over her face and body.

In addition to the museum, he is constantly thinking up new exhibits and working on bizarre projects in the basement cellar, a den that no one but he has access to.

The story has a dual narrative, firstly from the point of view of his daughter Coralie who becomes part of her father’s exhibit alongside performers including the Wolfman, the Butterfly Girl, and a one-hundred-year-old turtle. She has been trained since a small girl to withstand extreme cold and secretly swims along the Hudson River to build up her strength.

The second narrative is from the perspective of a young Russian-Ukrainian immigrant, Eddie Cohen, who has drifted away from his father and the Lower East Side Orthodox community where they lived, having fled persecution in their homeland. Leaving his job as a tailor’s apprentice, he first works for a psychic investigator finding missing people and then attaches himself to a photographer leading eventually to work for a newspaper. He too has a fascination with the Hudson River and it is here that Coralie will catch her first glimpse of the young man, she will become fascinated by.

“A motherless boy is hardened in many ways yet will often search for a place to deposit his loyalty and devotion. Eddie had found this in the city he saw as one great and tormented beauty, one ready to embrace him when all others turned away.”

Dreamland Circus, Coney Island, New York  1917

Dreamland Circus, Coney Island, New York 1917

Hoffman writes the story of the lives of these two characters and others, eventually bringing them together, while sharing two significant tragic events in New York’s history in 1911. During one of these events a young woman goes missing and it is this mystery that will ultimately bring the young couple together.

The city and the river are themselves like characters, struggling to live in harmony, with the knowledge that one will eventually encroach on the other and destroy its peaceful surrounding. For now the river is like a refuge and the city a menace that threatens to overthrow its flanks, bringing dark elements to its shores.

Wolf Hudson

The Museum of Extraordinary Things brings New York City and the conditions of 1911 alive. The river, the streets and the changing landscape between them are sketched using all the senses as we step into the lives of characters living on the edge of society trying to survive. We observe those for whom it comes naturally to exploit the weak while witnessing the compassionate few who will risk everything including life itself to do the opposite.

It is a riveting read, transporting us to an era when fantasy and the imagination were sought as a literal means of escape and we look behind the scenes of an extraordinary, freakish world. Spellbinding!

Note: This book was an Advance Reader Copy(ARC) provided by the publisher via NetGalley.

Episode 2: We are not living in France!

The leaves are starting to fall outside La Loubiere, the 16th century château where we are spending this last weekend of the autumn school holidays and with the kitchen door open early while everyone sleeps, I listen to the mesmerising sound of the wind in the trees and think about the change of the seasons. It does not seem so long ago that spring was here, when the bulbs that had lain dormant for the winter were poking their green stems through the surface.

Now we wait for the period of stillness and hibernation, something we know very well, because in a sense we too have been in a kind of perennial hibernation, waiting for our daughter’s voice to emerge in the classroom and speak for the first time in school.

Now our spring has come and just like the association of supportive parents Ouvrir La Voix, she has finally opened her voice after more than five years of silence. She now speaks to almost all her classmates and we have one hurdle left, level 10 in the book that has become my bible – to speak to a teacher or adult in school.

It is hard to believe it has been five years. It is hard to believe that for the first three years we didn’t know what we were dealing with, that it even had a name. Perhaps if we had lived in America or Great Britain, we may have discovered those words earlier – or maybe this condition would not have even manifested.

Here in the south of France, selective mutism is unknown and with our daughter in a French school where interventions to assist children are commonplace and often successful, we were happy to follow the advice and recommendations of the school psychologist (every school has one), an orthophoniste (speech therapist), a psychiatrist and our doctor, all of whom were willing to help and in the case of our doctor, advised and reassured us that it was just a matter of time.

Three years on, having made zero progress, it was all to change late one evening after a telephone call with my Uncle, when he mentioned that he had been speaking with a friend in Los Angeles whose daughter had the same thing as ours.

“What thing?” I said.

“You know” he said, “the not speaking in school thing.”

“It has a name?” I almost shout. “Call her back now and ask her what it is.”

He did and through his friend then passed on those two words selective mutism, or mutism selectif in French, two words that not one of those health professionals had known of or discovered to suggest to us.  We weren’t looking for a label, we were searching for a solution and we’d been looking in the wrong place.  Our programme of intervention was about to take a different path, one used successfully by parents in the know, only we would not have the same support, as to take this route was effectively to reject the existing system.

But to tell this story properly, it is necessary to go back even further, to understand events that lead up to this moment and because despite trying to change the title of this episode and make it shorter, my creative daughter who has already finished the artwork, is telling me to write this second part now and include her picture. So here’s the bit about not living in France!

We are not living in France!

*

When I was six months pregnant we came to France for a 2 week holiday from London. We were toying with the idea of moving here, at least I was, for my husband it would be a return.

My body was changing and the world around was about to change significantly. One afternoon I returned to the hotel in Marseille to rest and as I passed the reception, I noticed all the employees looking at the television, watching what looked like the demolition of a couple of council buildings. I thought it strange that all the staff were watching TV in the middle of the afternoon, so when I got to the room I too turned on the television. I couldn’t understand the words spoken in rapid French, but I could read the subtext. It wasn’t a couple of council buildings at all; it was the twin towers of the World Trade Centre in New York.

During that holiday, we looked at a couple of apartments and houses, I sat through long-winded appointments with real estate agents, tried to understand menus and the rapid-fire French coming from that TV, all on a roller coaster of emotions and hormones, understanding little beyond Bonjour and Au Revoir, two basic expressions I thought I could pronounce, but listening carefully, I realised I’d been giving their syllables way too much emphasis, goodbye sounded more like ‘of waa’ than the expression I’d learnt to say.

I became disillusioned with the idea of living in France, I had long ago discarded that child-like submission of accepting things the way they are, being secondary to decision-making. Making decisions and understanding what leads to them is not something one gives up and neither was I interested in putting it on hold while coming to terms with a new language. I freaked out. No way was I coming to live here, a new language, a new city, a new baby, all things where I would be required to start again from the beginning. Absolutely no way I told myself.

Returning to London, the queues were horrendous, airport security was tight and there was no other subject being discussed other than the events that had occurred in New York. And they were beginning to have a trickle-down effect. I was concerned because I worked in the travel industry which was sure to be impacted and sure enough, within two weeks of our return, I was advised that my job was no longer required at a time when I knew I had no chance of finding another, not with a very obvious baby protruding from my mid-section.

Next up: Episode 3: The Benefits of Contra-Indicated Essential Oils!

Click below to read Previous Episodes of A Silent Education: Our Quiet Challenge in Provence

Introduction

Episode 1 The Benefits of Insomnia