literature

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Red Dust Road by Jackie Kay

I discovered Red Dust Road after reading a feature about Jackie Kay in the Guardian’s A Life in Writing series coinciding with the release of her short story collection Reality Reality. Upon reading the interview I learned that she had also recently published a memoir focusing on the story of her adoption by a Scottish couple and her subsequent attempt to find her Scottish birth mother and Nigerian birth father. I ordered both books, keen to discover this writer’s work, particularly as she is also a renowned poet and I am drawn to writers who already have poetry resonating within their voice, and I couldn’t wait to jump into the memoir, more for personal reasons, since I have been on a similar journey myself.

While her brother Maxie said he couldn’t remember not knowing he was adopted, for Jackie, the realisation was one she remembered clearly after watching a cowboy and Indian film and feeling sad because the Indians had lost again and she wanted them to win. After observing that the Indians had her colouring which was not the same as her mother, she asked why. The revelation that followed came as a shock, she cried and worried that ‘not real’ meant her mother was somehow going to disappear or dissolve. But she had been gifted with a loving and sensitive mother, an honest, straightforward and intelligent woman, who clearly loved both her children unconditionally as Jackie Kay displays in her warm, appreciative depiction of the characters involved in this remarkable and exhilarating story.

My Friend’s Wedding in Lagos

‘Betrothed’, she told me ‘your father met your mother in the Highlands of Scotland and they fell in love. He was from Nigeria – look, here it is in the atlas – and she was from the Highlands – look, here’s where she was from, Nairn. They were madly in love and they made you, but he was betrothed and had to return to Nigeria to marry a woman he maybe had never met. They do that there, you know. Hard, Jackie, must have been hard’.

In no rush to piece together the puzzle, but knowing that she will, Jackie finds occasion with her work to be in certain places where she can do a little investigative work, she visits Nairn, where he birth mother grew up and Milton Keynes where she lives now; Aberdeen where her father was at university and Nigeria, that supposed foreign land of her ancestors that she had no connection to in her daily life, but has dreamed of and imagined and experiences a kind of coming home when she visits the ancestral village of her father.

Recounting her visit to the village and in particular meeting one of the family members, left pools of liquids in my newly prescribed reading glasses, tears of joy and recognition as acknowledgement is realised. I don’t want to say too much, because there is too much good in reading this for the first time and not knowing what will occur, but this is a wonderful story, narrated without sentimentality, putting the reader right in her shoes, almost experiencing it first-hand.

Hanging Out in Lagos, Nigeria

Like so many adoption stories and as depicted so well in Mike Leigh’s ‘Secrets and Lies’, there remains much mystery and secrecy around so many of the stories. For those who have buried that episode in their lives somewhere deep, there is a reluctance to risk the turbulence they perceive it may cause, and even when acknowledged by the parent adoptees are often kept from the rest of the family. This can be one of the greatest risks of pursuing genetic ties, the risk of rejection as an adult with full consciousness, unlike that of a baby; although much research suggests that a baby does indeed have awareness of the separation.

Many doctors and psychologists now understand that bonding doesn’t begin at birth, but is a continuum of physiological, psychological, and spiritual events which begin in utero and continue throughout the postnatal bonding period. When this natural evolution is interrupted by a postnatal separation from the biological mother, the resultant experience of abandonment and loss is indelibly imprinted upon the unconscious minds of these children, causing that which I call the “primal wound”. Nancy Verrier, The Primal Wound, Understanding the Adopted Child

The balcony from where the children sang to me

I laughed when she talked about the experience of being called Oyibo (white person) in the village, causing quite a sensation with her paler skin. She mentions returning to Lagos which she describes as more cosmopolitan and where one is unlikely to hear that word.

I have to say that I too know that word, from my visit to Lagos in 1999, when I visited for marriage of a very dear friend. In the quarter where I was staying, I was a bit of an anomaly and not only did the children come to stand outside the house in case they caught a glimpse of the Oyibo, they even had a song they sung, which my friend laughed at, remembering she too used to sing it as a child, something about ‘white man, eat more pepper (the very hot pepper soup for breakfast), make your face go redder’, I guess it’s true, we do have an unusual capacity to change the colour of our face when eating something very hot or becoming embarrassed!

There are so many extracts I could paste and talk about from Red Dust Road, the reaction of her own son, the discovery of names, the reading through old archives, visiting buildings from another past, the importance of the imagination and the importance of a true friend, but I would prefer that you read the book and enjoy your own journey and reactions to this wonderfully humane and important story that we are privileged to share.

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Below, I share a few photos from my visit to Lagos, Nigeria in 1999, an unforgettable experience it was indeed.

Preparing for the Native Ceremony, bride wearing her family ensemble

View from a rear window

Bride with her brother, wearing an outfit from the husband’s family

The theatrical Native ceremony in full swing

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Titanic Revisited Part II

There are so many untold tales and now 100 years on from the Titanic tragedy, stories continue to be retold and others narrated for the first time, linked to the events that unfolded in the wake of the tragedy. Not only do we read accounts of those who were on the boat, but the event is used in fiction, a convenient device for eliminating a character such as the loss of the cousin and heir in Julian Fellowes Downton Abbey series, this event triggering the inheritance crisis that is at the centre of this drama. I read that if all the characters from fictional novels were indeed on the Titanic, it would more than triple the number of passengers she carried and sink it for sure.

Christopher Ward’s ‘And the Band Played On’ relates what happened after the sinking, the confusion and sometimes fictitious messages portrayed by the media, the arrival of the rescue ship SS Carpathia and the subsequent sailing and controversy surrounding the decisions made on-board the Mackay-Bennett, commissioned to return to the site to retrieve bodies. The author is the grandson of Jock Hume and Mary Costin; Jock was on the Titanic and his fiancé Mary awaited his return, three months pregnant with their first and only child.

The Daily Mirror assured its readers that all 2,209 passengers and crew on board the Titanic had been saved  and that ‘the hapless giant’ was being towed safely to New York.

Jock Hume was a 21-year-old Scottish violinist who had made many sailings across the Atlantic; it is believed he lied about his age as he first went to sea in 1905, when he was 14 years old. On the Titanic’s embarkation list, his age is given as 28. He stood on deck with the other members of the band and they played music until it was no longer possible, the band knowing that their act of altruism would likely be the death of them. It is a memory that many survivors recalled, those who were fortunate enough to be waiting in a lifeboat, watching the tragedy unfold before them to tunes that would forever haunt them.

Jock Hume & fiancé Mary Costin

When it was no longer possible to stand, they strapped their instruments to their chests and jumped into the freezing cold waters together. None of the band members survived, however two of their bodies were recovered, Band Master Wallace Hartley (his violin case still strapped to him) and Jock Hume. Hours after the Titanic sank, White Star Line commissioned the Mackay-Bennett to recover the bodies of victims. Of the 209 bodies they brought back, 150 were laid to rest at three Halifax cemeteries. Jock Hume was buried in the Fairview cemetery, a site where visitors still pay their respects today.

The book shares little of the lives of Jock and Mary and focuses more on Jock’s father Andrew Hume, who was also a violinist. He paints an ugly picture of Andrew Hume as a difficult father, a fraudulent businessman and profiteer of his son’s death who rejected Mary and made disturbing accusations against her and the unborn child.

Ward recounts the trial of Jock’s 18-year-old sister Kate who pulled a prank on her father and stepmother in the form of a letter informing them of enemy involvement in her sister’s death during WWI; this escalated into a national outrage and the risk of contravening a newly passed Defence of the Realm Act (DORA) which gave the government wide-ranging powers for the duration of the First World War. Anyone charged under the Act would face a military trial by court martial with a maximum sentence of death by hanging or firing squad.

Heroic Musicians of the Titanic

The account of well researched historical facts following the sinking of the Titanic, lend the story a credibility that kept me interested throughout the book. What left me somewhat bemused was the sense of judgement against the Grandfather Andrew Hume. True, he appears to have been less than the perfect father, but he was a successful and motivated businessman and musician, even if exaggeration and a few lies did assist him (doesn’t that continue today?). However, between these pages, there is little room for compassion for the man, we only see him in the most negative light, which I find a little sad in a story portrayed by his great-grandson. To lose a wife, a son and be subject to the murderous revenge of his daughter surely deserves an ounce of compassion, no matter how unscrupulous he was as a person.

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Man Booker Prize Longlist

Originally known as the Booker, it used to have just one criterion – that the prize would be for ‘the best novel in the opinion of the judges’. That remains one of the criteria and we know there have been some off years, it is a unique award, not what you would call popular fiction, it is what the organisers refer to as quality fiction to attract ‘the intelligent general audience’ – sounds a little book snobbish to me, but then  judging book prizes is subjective and often sparks a great debate and sometimes even bad behaviour.

The aim of today’s prize is said to be to promote the finest in literary fiction by rewarding the best novel of the year written by a citizen of the United Kingdom, the Commonwealth or the Republic of Ireland.

Last year’s winner was Julian Barne’s Sense of an Ending, which I admit that I have not read yet, Barnes’ being a novelist I’ve started and stopped a couple of times, but will persevere and read before too long.

As an aside, I saw recently that the 2002 winner Yann Martel’s Life of Pi is being made into a film, directed by Ang Lee and today the film trailer has come out and it looks promising indeed.

And so, the Man Booker long list, announced by the judges today, from 147 submitted, the 12 novels are:

Nicola Barker, The Yips

Ned Beauman, The Teleportation Accident

André Brink, Philida

Tan Twan Eng, The Garden of Evening Mists

Michael Frayn, Skios

Rachel Joyce, The Unlikely Pilgrimage of Harold Fry

Deborah Levy, Swimming Home

Hilary Mantel, Bring Up the Bodies

Alison Moore, The Lighthouse

Will Self, Umbrella

Jeet Thayil, Narcopolis

Sam Thompson, Communion Town

Life of Pi

Six novels will be shortlisted and announced on 11 September and the winner on 16 October 2012.

So have you read any on the list yet, any predictions for the shortlist?

Happy Reading!

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Titanic Revisited Part I

The significance of the Titanic continues to intrigue, or I should say has begun to intrigue me more since a visit to Belfast, Northern Ireland, the city in which it was built, a city which itself grew on the back of the growing shipyards and connected industries associated with it. Between 1851 and 1901 the city’s population increased from 87,000 to 350,000 and was the fastest growing city in the British Empire during that time.

Abandoned shipyards

From the top floor of the apartment in the Titanic Quarter where we stayed, I looked down on a vast, empty space, a maze of square and rectangular footprints of buildings and thoroughfares, once a labyrinth of busyness, that filled with the more than 30,000 men and women who would cross the bridge and walk or cycle down Dee St to work.

I contemplate that wasteland with its perpendicular lines; the skyline still dominated by two tall, bright yellow Harland & Wolff gantry cranes, a symbol which continues to salute the past, and I try to imagine the hive of activity that it once was.

Turning the last pages of Walter Lord’s ‘A Night to Remember’ I read in the end chapter Facts About the Titanic that she was launched at the Belfast shipyards of Harland and Wolff on 31 May 1911. The date rings a bell and I look in my diary and see that my daughter and I arrived in Belfast on 31 May 2012, exactly 101 years on from that auspicious date.

Julian Fellowes, creator of the series Downton Abbey and the film Titanic asks in the foreword why this tragedy still haunts us, as it does and certainly the opening of the significant Titanic Belfast museum is a testament to that. He suggests:

Maybe it is because the ship seemed, even then, to represent that proud, pre-war world in miniature, from the industrialists and peeresses and millionaires and Broadway producers who sat around the vast staterooms in first class, to the Irish and German and Scandinavian immigrants packed into third, carrying with them all they possessed, on their way to a new life in America….And as they headed for destruction, so did the larger world they represented, which would soon hit its own iceberg in the shape of the First World War.

Ist Class cabin on board Titanic

Walter Lord’s book is really just that, a factual account of what happened interspersed with the comments to create a narrative of various passengers and crew throughout the two to three-hour ordeal, from the moment of impact when the ship sideswiped an iceberg, until the Carpathia arrived in dock at New York and the truth about how few survived from the more than 2,200 who had been on board when she set out was revealed. He shares the reflections of many people from all classes, providing an overview of the atmosphere and a brief introduction to the individuals thrown together in this catastrophe.

One of the significant complexities which the Titanic represented, was the separation of the classes, the architectural blueprints clearly show the delineation between 1st, 2nd and 3rd class and the museum today exhibits perfect replicas of the rooms they inhabited, complete with holograms of talking passengers. This distinction also carried through to influence the evacuation of passengers, with 1st class women and children given priority, no children from 1st or 2nd class were lost, while 53 children in 3rd class were lost (23 saved).

Titanic Belfast Museum

Even as the Mackay-Bennett returned to the scene to retrieve bodies, similar principles were applied. There were too many bodies to cope with, so many were buried at sea, arbitrary measures were used to try to decide which bodies should be kept, those with tattoos were identified was 3rd class citizens and given a prompt sea burial. At the time it wasn’t criticized, but the sinking of the Titanic could be said to have been a turning point in this respect, it was the end of the Edwardian era, just before the outbreak of World War I and many things would change in the period that followed from a social perspective.

Looking at that period from 1900 to 1912, I noted that there were many exciting and exhilarating firsts, the Wright brothers first flight in 1903, the NY subway opening in 1904, the first European country to give women the vote in 1906 (Finland), and the first electric washing machine released in 1907. Ford introduced the Model T in 1908 and electricity was becoming more widespread.

Titanic Quarter

By contrast, in the years that followed the Titanic, personal income tax was introduced in the US in 1913, World War I started in 1914 which propelled women into roles they had never considered before and equality between the classes and the sexes began its long path towards some kind of rebalance.

Now that I have the context of the ‘Night to Remember’, I have started to read ‘And the band Played On’ an account written by Christopher Ward, grandson of the 21 year-old violinist Jock Hume, who together with the other band members of the Titanic, kept playing until the ship disappeared.

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Summer Reads

I’m not one for compiling lists of what I am going to read ahead of time, because I value too much the freedom and spontaneity of a vast sea of choices each time I finish a book, and often the reading experience will lead me on to the next thing.

Like reading Barbara Kingsolver’s ‘Prodigal Summer’ straight after ‘The Namesake’. How could I know that after listening to the group discussing the book I would have a conversation with a local poet about the beauty of sentences and Jhumpa Lahiri’s essay and that she would tell me I must read Kingsolver’s book.  It was sitting on the shelf unread and thus I abandoned all other reading ideas and jumped straight into it.

100 years on, Titanic Belfast Museum

But I do love looking at the lists, always feeding into the mental TBR list, noting books I might wish to read or to keep an eye out for.

I could say I have intentions for summer, like the two Titanic inspired books I bought on a recent visit to Titanic Belfast, the excellent museum opened in March this year.

‘A Night to Remember’ and ‘And the Band Played On’ also seem appropriate companions to Charlotte Rogan’s ‘The Lifeboat’ which I have on kindle.

To help you decide, I wanted to share this excellent flowchart designed by Teach.com to encourage students to find a book of their choice, there are 101 books shown, inviting readers to consider fiction versus non-fiction, classic or contemporary and many other options.  I keep coming across it and there’s something appealing about viewing images of covers rather than just a list of titles, so enjoy and I hope you find something for your own summer read!

 

So do you plan your reads or are you open to the spontaneous?
Summer Reading Flowchart

Via Teach.com and USC Rossier Online

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The Crossing

This is the second in the ‘The Border Trilogy’ series after ‘All The Pretty Horses’, that book being my first read of a Cormac McCarthy novel which turned me into a fan. The first book follows two young boys on their way toward Mexico to find work where they endure numerous perilous adventures including prison, first love, betrayal and death. Quite possibly the least bleak of McCarthy’s work, which may account in part for why I enjoyed it so much, but even his more downbeat work has much that I admire linguistically.

In ‘The Crossing’ we meet 16 year-old Billy who doesn’t intend to set out on an adventure, it happens almost by accident, he feels the need to put things right; three times he does so, each effort requiring him to cross the border into Mexico on a personal mission.

The first trip he attempts to return an injured, pregnant wolf he has trapped. Rather than kill her, he tries to return her to the mountains where she came from. The second journey with his brother Boyd is an attempt to retrieve stolen horses and the final crossing Billy makes alone to find his missing brother and bring him home.

To read McCarthy is to take a long, sometimes grim journey; a voyage that traverses rough terrain and encounters more evil than good ,while observing the character moulding experiences of its young male protagonist. But worthwhile for the linguistic pleasure of his descriptions and dialogue (some of it in Spanish).

What does the corrido say?

Quijada shook his head. The corrido tells all and it tells nothing. I heard the tale of the güerito years ago. Before your brother was even born.

You don’t think it tells about him?

Yes, it tells about him. It tells what it wishes to tell. It tells what makes the story run. The corrido is the poor man’s history. It does not owe its allegiance to the truths of history but to the truths of men.  It tells the tale of that solitary man who is all men. It believes that where two men meet one of two things can occur and nothing else.  In the one case a lie is born and in the other death.

McCarthy is no optimist, to take a journey into his imagination is tough and if this novel embraces anything, I think it is futility, the shadow that neutralises youthful exuberance and withers righteous intentions, that lingering threat that will keep an older, wiser man within reach of his homestead and away from the troubles that lie in wait of the restless, idealistic man on a dubious if well-intended mission.

But it is in his nature to make that attempt to set things right, not to let things be, to provoke a response and assert his rights, no matter how foolish they appear or dangerous they become.

I really enjoyed taking my time reading this novel, it is written in language I like to be immersed in and is thought-provoking along the entire journey and long after, I don’t need more than that from a good read and leave you with another favourite passage from near the end.

You look like you might have been down here a while, the man said.

I don’t know. What does that look like?

Like you need to get back.

Well. You probably right about that. This is my third trip.  It’s the only time I was ever down here that I got what I come after.  But it sure as hell wasn’t what I wanted.

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The Pearl

I am content as my first foray into the work of John Steinbeck reveals that he too loves a fable, and like the best of them, lets the story speak for itself.

His short novel ‘The Pearl’ is based on a Mexican folk tale about Kino and Juana, a young couple who live a basic existence, their joy of a first baby threatened when it suffers the sting of a scorpion.

Kino is a pearl diver and on the day he most needs a miracle, the discovery of a large pearl appears at first to be the answer to the couple’s prayer. However, its discovery disturbs the community’s tranquil equilibrium, it seems too much to embrace and while it is in their possession, it wreaks only havoc.

There is a sense of inevitability with this kind of tale, we know the pearl is symbolic, and we recognise that desperate grasping, clutch of desire, laced with fear and stalked by paranoia, the fleeting hope it inspires is stifled by the more pervasive greed and jealousy which quickly degenerate into suspicion and violence.

Despite the inevitability, I read with the wilful hope of an optimist, always searching for some altruistic sign, an indication of man’s humanity, the charitable gesture of an honest person. Steinbeck leads us along on this journey, as we develop our own understanding bathing in his glorious prose.

Now Kino’s people had sung of everything that happened or existed. They had made songs to the fishes, to the sea on anger and to the sea in calm, to the light and the dark and the sun and the moon, and the songs were all in Kino and in his people – every song that had ever been made, even the ones that had been forgotten. And as he filled his basket the song was in Kino…

Taking the pearl from its natural habitat changes its symbolism, for in nature it is pure, lustrous, a thing of splendour and inspiration, it represents the transformation of something irritable (the grain of sand) into something of divine beauty (the pearl). But removing it from the sea will corrupt everything that sees, hears of, imagines or touches it; it becomes representative of greed and avarice, the longer it stays in their possession, the greater its destructive power. But will returning it to nature undo its curse?

In addition to this enjoyable story, the book opens with a foreword which reads like a letter from Steinbeck’s wife Elaine. She shares something of the joy of his writing life, his impulsive and creative attempts to construct the perfect writing environment (including building a writing room in the back seat of his Ford Station Wagon) all of which for me, created an almost familiar context from which to begin reading the great man’s work.

Onward to his next oeuvre, Tortilla Flat awaits.

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Orange Prize Winner!

As I pack my bag for a short visit to Northern Ireland tomorrow, I hesitate about only taking the kindle, having been caught out before on a 5 hour TGV train ride and a flat battery. But with the announcement that Madeline Miller has won the 2012 Orange Prize for Fiction with her debut novel ‘The Song of Achilles’, my decision is made, it has been tempting me all day and I have picked it up a few times, willing it to share its secret. So into the bag it goes.

While the international women’s writing prize will continue to be celebrated, this will be the last year that it is sponsored by the telecommunications company Orange, so we shall wait and see what name and new look next year’s prize will emerge with.

The shortlisted novels can be viewed here and my review of Ann Patchett’s ‘State of Wonder’.

So what can we expect to find within the covers of Madeline Miller’s ‘The Song of Achilles’? According to the blurb:

Greece in the age of Heroes.

Patroclus, an awkward young prince, has been exiled to Phthia to live in the shadow of King Peleus and his strong, beautiful son, Achilles. By all rights their paths should never cross, but Achilles takes the shamed prince as his friend, and as they grow into young men skilled in the arts of war and medicine, their bond blossoms into something far deeper — despite the displeasure of Achilles’s mother Thetis, a cruel sea goddess. But then word comes that Helen of Sparta has been kidnapped. Torn between love and fear for his friend, Patroclus journeys with Achilles to Troy, little knowing that the years that follow will test everything they hold dear.

Inspiration indeed in this year of the Olympics!

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Wild Horses and Flash Fiction

Its National Flash Fiction Day today in the United Kingdom, celebrating the short, short form of fiction, the art of telling a story in less than 1,000 words and more often only 150 words.

David Gaffney shares his experience of writing and being published in the form and offers these tips:

  1. Start in the middle
  2. Don’t use too many characters
  3. Make sure the ending isn’t at the end
  4. Sweat your title
  5. Make your last line ring like a bell
  6. Write long, then go short

He goes on to explain each tip, click here to reveal his words of wisdom.

And here is my attempt to tell a story in 150 words, word by word.

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The Muster

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I ride bareback with just a halter and lead into the midst of the herd, gently coaxing them out from under the trees. My mount quivers beneath me; fear pervades the damp atmosphere and I exhale deeply to expel it.

The sound of a gunshot spooks the stallion and the horses move. Bright sunlight extinguishes shadows as they bolt, branches cracking beneath the drum of hooves.

My father is in position. The herd veers to the right. At the river bank there is a two metre drop into the water and we do not hesitate. I grip hard with my knees and feel muscle ripple beneath me bracing itself for the jump. Something knocks my shoulder and I cry out as we plunge head first into the torrent.

“Wake up son, we’re mustering that herd of wild horses today” my father says as I open my eyes.

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In the Springtime of the Year

I seem to have been reading through the seasons this year, starting with Edith Wharton’s winter read ‘Ethan Frome’ then Susan Hill’s ‘In the Springtime of the Year’ and finally Wharton’s ‘Summer’. I don’t know yet what will appear for the one season that is missing but I am open to suggestions, is there a title that comes to mind for Autumn, the Fall? I am sure one must exist.

‘In the Springtime of the Year’ is a metaphor for existence, growth and renewal; after one dreamy year of marriage in which no one else but her husband seems to exist for the young bride, 19-year-old Ruth has become a widow, after Ben is killed in a freak accident. The pages carry us through Ruth’s grief, the calm, dormant stillness where she is frozen in her grief, unable to cry or speak, or be comforted by anyone. She doesn’t understand why they don’t understand this. While her husband’s family pour out their grief vociferously, they judge her silence as showing no feeling. Slowly her awareness returns and rises to the surface, she begins to see beyond her own immovable pain, to appreciate anew all that is around her, she is able to revisit the scene without suffering.

Susan Hill deftly captures each nuance of the young girl’s slow changing movement through her phases of grief, until like the branches of the tree that must eventually bud no matter how harsh the winter, she transforms and begins to emit a different vibe. She is witness to what she was and sees it anew; she develops an understanding for how others may have perceived her. She is able to make amends.

Rambling along in its quiet way, poetic line by line, Ruth’s perceptions change so subtly that when there is an actual event, it seems all the more dramatic for its contrast with the inner world we have been languishing within.

I first read of Susan Hill in a profile interview in Mslexia Magazine in January 2011, she had just published ‘A Kind Man’ and while visiting Daunt Books in London that same month, I spotted the slim hardback, which thanks to the lovely G and an approaching birthday came home with me along with Jenny Erpenbeck’s ‘Visitation’. Since ‘A Kind Man’ I have equally enjoyed ‘The Beacon’ and ‘The Woman in Black’ and recognise that it is her style of writing that appeals so much.  This book was originally published in 1974 and has been rereleased in this Vintage edition.

All the books are situated similarly, in a small, poor village in rural England where not much happens except that we become witness to the inner transformation of characters after an event.  I would not suggest you read this however, if you’re looking for action, pace or plot, this is an inner journey. And it’s perfect as it is.