The first book I read by Han Kang was Human Acts and it remains my favourite, a deeply affecting novel. Her novel The Vegetarian won the Booker International Prize 2016 and she has written another book translated into English, that I have not read The White Book (a lyrical, disquieting exploration of personal grief, written through the prism of the color white).
Of Language and Loss
In a classroom in Seoul, a young woman watches her Greek language teacher at the blackboard. She tries to speak but has lost her voice. Her teacher finds himself drawn to the silent woman, as day by day he is losing his sight.
The novel goes back in time, slowly uncovering their stories, occasionally revisiting the present, when they are in class, until finally near the end, there is a scene where they properly interact.
Greek Lessons was enjoyable, but it took me a while to figure out which characters (unnamed) were controlling the narrative at any one time, and that didn’t really become clear until quite a way into the book, when the Korean man who teaches Greek and who had lived in Germany for some time, began to interact with the mature woman student in his class, due to a minor accident and his need for help.
Yearning for the Unattainable
Both these characters are dealing with issues, the woman has just lost custody of her 6 year old child, due to an imbalance in power and wealth between the two parents. She was mute as a child and had a special relationship with language, which has lead to her unique desire to learn to read and write in Greek. She dwells in silence, sits and stares, or pounds the streets at night, walking off the frustration she is unable to express with words.
The Greek teacher is slowly losing his sight, a condition inherited from his father. He is aware that he needs to prepare himself for a future without sight.
He recalls a lost, unrequited love and the mistakes he made. His narrative is addressed to this woman who he knew from a young age. There are letters that recount his memories, as well as the discomfort of living in another culture and his desire to return to Korea without his parents. It took me a while to realise this was a different woman.
Ultimately I was a little disappointed, because it lacked the emotive drive that I had encountered before from Han Kang. There were flashes of it, but about halfway, I lost interest and stopped reading for a while. I am glad I persevered as I enjoyed the last 30% when the characters finally have a more intimate encounter and are brought out of themselves, but I was hoping for more, much earlier on.
Reading Print Improves Comprehension

I did wonder too if it might have been better for me to read the printed version, when the narrator is unclear, I can flick back and forth and take notes in a way that isn’t as easily done reading an ebook.
This perspective is supported by a recent study from the University of Valencia that found print reading could boost skills by six to eight times more than digital reading. I tend to agree that digital reading habits do not pay off nearly as much as print reading.
I picked it up now after reading that it was one of Tony’s Top 10 Reads of 2023 at Tony’s Reading List. He reads a ton of Japanese and Korean fiction, so this is a highly regarded accolade from him. I would recommend reading his review here for a more succinct account of the book. I see he read a library print version.
He finds echoes of The Vegetarian ‘with a protagonist turning her back on the world, unable to conform’ and ‘the poetic nature of The White Book, often slowing the reader down so they can reflect on what’s being said’ describing the reading experience as:
a slow-burning tale of wounded souls. Poignant and evocative, Greek Lessons has the writer making us feel her creations’ sadness, their every ache.
In a review for The Guardian, 11 Apr 2023, Em Strang acknowledged that the book wasn’t about characters or plot, so asked what was driving the craft, identifying a courageous risk the writer took.
One answer is that it’s language itself, and the dissolution of language, which is why in parts the narrative seems to almost dissolve.
If you’re interested in reading Greek Lessons, I do recommend reading the print version.
Author, Han Kang
Han Kang was born in 1970 in South Korea. A recipient of the Yi Sang Literary Award, the Today’s Young Artist Award, and the Manhae Prize for Literature, she is the author of The Vegetarian, winner of the International Booker Prize; Human Acts; and The White Book.
Further Reading
The Guardian Article: Greek Lessons by Han Kang review – loss forges an intimate connection by Em Strang, 11 Apr, 2023
The Guardian Article: Reading print improves comprehension far more than looking at digital text, say researchers by Ella Creamer, 15 Dec 2023
N.B. This book was an ARC (Advance Reader Copy) kindly provided by the publisher via NetGalley.

I can see why you might be disappointed – I found this a little too elusive and, yes, lacking the emotional impact of her previous work.
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I did wonder too, why I hadn’t seen any reviews in the usual places. The premise held potential, but the delivery didn’t quite reach it.
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Hmmm, interesting. The only one of hers I’ve read is The Vegetarian and I recall having to read it twice to feel like I had a grasp of that one, so I think I’ll need an extra cup of coffee for this one! Though I do agree that reading on a screen makes it harder to resolve even brief moments of narrative confusion, so that was probably contributing too. I see bell hooks in your sidebar…oooooo
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You’re exactly right there Marcie about print vs ebook, especially when the narrative is more experimental.
Reading bell hooks in conversation in ebook form however is very straightforward. Do you have any favourites of her many books? I really enjoyed her Live Trilogy.
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I also love novels with multiple voices/perspectives, so I read a lot of those but, when you’re just getting to know everyone at the beginning, I do a lot of page-flipping there too.
I’m not sure I’ve read the last two parts of her Live Trilogy (unless they were published under different titles before, maybe). Because I started with Talking Back and Ain’t I a Woman and Black Looks, I feel like I should say one of those is a favourite, especially the first one, because that’s what led me to continue reading her, but Wounds of Passion I’ve returned to and I also liked Bone Black and All about Love. Will def have a look for this Conversation volume (a series I enjoy even when I’m unacquainted with the subject).
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Sorry this one didn’t grab you as much as her other work, but I suspect you were right in thinking it might have been down to ereading. Han’s fiction is very much an experience rather than a story, and a nice paper version certainly enhances that!
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I do think that had an impact, when the saw the photo of your library book, I could viscerally imagine how different my reading experience would have been, because, when there’s a lack of clarity, it’s so much easier to go back, or to look at the structure/framework and then continue reading. I seriously neglected all the eBooks I had in 2023, so it was a bit of a shock going back to that method for this book.
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I loathe ebooks and avoid them wherever possible (and I got a breezy email from a publicist this morning sending me a PDF “I’d asked for” – believe me, I don’t ask for glorified emails…).
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Sometimes I’ll read an ebook galley, if it’s something I’m interested in, but not sure enough to go ahead and buy it or request it, preferring to read without any obligation, given I’m such a mood reader. Sounds like you got a generic email about that pdf 😉
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I have enjoyed in different ways the three Han Kang books In have read, though they are never exactly beach reads (I don’t do beach reading. Why did I say that?). I don’t e-read at all, so perhaps it will count in my favour when I try this one.
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Yes, stick to the print version and you’ll be better served Margaret. I think this may be an older novel that’s more recently been translated, written before Human Acts and The White Book.
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I didn’t even see the ‘In’ 🙂
I get that often, I’m terrible at proof-reading my comments, especially when writing them via my phone when I’m not able to see the entire comment.
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‘I’, not ‘in’. Proofreading? Must try harder.
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Great review, Claire. I remain on the fence about Greek Lessons, but I loved two of her earlier books – The Vegetarian and The White Book. I haven’t yet read Human Acts so must remedy that.
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Thank you Radz, I do want to read The White Book eventually, I am interested in the development of her writing and for me Human Acts was a real stand out, a deeply affecting novel, that has stayed with me.
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