Women’s Prize for Fiction Longlist 2022

And another welcome tradition on International Women’s Day is the announcement of the longlist for the Women’s Prize for Fiction, which though it generally doesn’t influence my reading intentions, I do enjoy seeing what’s made the list, the familiar and the unfamiliar and becoming acquainted with them, whether read or not.

It looks like a real mix this year, with familiar names of authors I’ve read before, like Louise Erdrich, Elif Shafak and Ruth Ozeki and the titles that have been appearing often in reviews and then the lesser known surprises!

16 novels fiction Remote Sympathy

The only book I have read from the list, and likely to be one of the lesser known is New Zealand author Catherine Chidgey’s excellent historical fiction novel Remote Sympathy (reviewed here), published by Europa Editions.

This 4 minute video below gives very brief mini descriptions of the sixteen novels chosen:

Or if you prefer to read about them; the sixteen longlisted books are as follows:

Build Your House Around My Body by Violet Kupersmith –  (Debut historical fiction, set in Vietnam)(US/Philadelphia, lived in Vietnam for 2 years, her mother’s family fled Vietnam in 1975)

Build Your House Around My BodyTwo Vietnamese women go missing decades apart. Both are fearless, both are lost. And both will have their revenge. The fates of both women are linked, bound together by past generations, ghosts and ancestors, by the history of possessed bodies and possessed lands. This heart-pounding fever dream of a novel hurtles through the ghostly secrets of Vietnamese history creating an immersive, playful, unforgettable debut.

Careless by Kirsty Capes – (debut contemporary fiction) (UK) (inspired from being inside the care system)

Care LessSometimes it’s easy to fall between the cracks… At 3.04 p.m. on a hot, sticky day in June, Bess finds out she’s pregnant. She could tell her social worker Henry, but he’s useless. She should tell her foster mother, Lisa, but she won’t understand. She really ought to tell Boy, but she hasn’t spoken to him in weeks. Bess knows more than anyone that love doesn’t come without conditions. But this isn’t a love story…

A new narrative of the care experience by a writer who grew up in foster care herself. Already snapped up by the makers of BBC One’s Call The Midwife.

Creatures of Passage by Morowa Yejidé – (Fantasy/Paranormal) (US/Washington DC)

Creatures of PassageNephthys is a taxi driver in DC, ferrying ill-fated passengers in a haunted car, with a ghost in the trunk. Endless rides and alcohol help her manage grief over the death of her twin brother, Osiris.

Unknown to Nephthys, her estranged great-nephew, ten-year-old Dash, is drawn to the banks of the same river, where he talks with a mysterious “River Man.” When Dash arrives at Nephthys’s door bearing a cryptic note, she must face the family she abandoned and what frightens her most.

Threading stories of the living and dead it shows us an unseen Washington filled with otherworldly landscapes, flawed super-humans and reluctant ghosts, bringing together a community intent on saving a boy in order to reclaim themselves.

Flamingo by Rachel Elliott – (UK/Bath) (contemporary fiction)

FlamingoA novel of love, homelessness, and learning to be fearless. In the garden, there were three flamingos, gateways to a time when life was impossibly good. They were mascots, symbols of hope.

A novel about the power of love, welcome and acceptance, a celebration of kindness. Set in 2018 and the 80’s, it’s a song for the broken-hearted and the big-hearted, a book full of wild hope.

Great Circle by Maggie Shipstead – (US/California) (historical fiction)

Great Circle Maggie ShipsteadFrom days as a wild child in prohibition America to wartime London, from the rugged shores of NZ to a lonely iceshelf in Antarctica, Marian Graves is driven by a need for freedom and danger. Determined to live an independent life, she resists her childhood sweetheart, burning her way through a suite of glamorous lovers. An obsession with flight consumes her. As she is about to fulfil her greatest ambition, to circumnavigate the globe, Marian crash lands in a perilous wilderness of ice.

Half a century later, troubled film star Hadley Baxter is drawn to play the enigmatic pilot on screen. It is a role that will lead her to an unexpected discovery, throwing fresh light on the story of the unknowable Marian Graves.

Remote Sympathy by Catherine Chidgey – (Historical fiction set in Germany) (New Zealander who lived some years in Germany)

Buchenwald Weimar WWII novel GermanyMoving away from their Munich apartment isn’t as bad as for Frau Greta Hahn feared. The new villa is  beautiful and life in Buchenwald seems idyllic. But beyond the forest is the looming presence of a work camp. Her husband, SS Dietrich Hahn has been assigned as the camp’s new administrator.

When Frau Hahn’s health leads her into a friendship with one of Buchenwald’s prisoners, Dr Weber, her ignorance about what is going on is challenged. A decade earlier Dr Weber invented an electrotherapy machine to cure disease, until politics interfered with progress. Did it really work? Might it save a life?

A tour de force about the evils of obliviousness, Remote Sympathy compels us to question our continuing and wilful ability to look the other way, in a world in thrall to the idea that everything – even facts and morals – is relative.

Salt Lick by Lulu Allison – (Visual artist/UK/Brighton) (Science fiction/Dystopia)

Salt LickBritain is awash, the sea creeps into the land, brambles and forest swamp derelict towns. Food production has moved overseas and people are forced to move to the cities for work. The countryside is empty. A chorus, the herd voice of feral cows, wander this newly wild land watching over changing times, speaking with love and exasperation.

Jesse and his puppy Mister Maliks roam the woods until his family are forced to leave for London. Lee runs from the terrible restrictions of the White Town where he grew up. Isolde leaves London on foot, walking the abandoned A12 in search of the truth about her mother.

Sorrow and Bliss by Meg Mason – (NZ’er living in Australia) (Contemporary fiction/humour)

Sorrow and BlissEveryone tells Martha she’s clever and beautiful, a brilliant writer loved by her husband Patrick. A gift, her mother once said, not everybody gets. So why is everything broken? Why is Martha – almost 40 – friendless, near jobless and so sad? Why did Patrick leave?

Maybe she is too sensitive, someone who finds it harder to be alive than most. Or maybe – as she has long believed – there is something wrong with her. Something that broke when a little bomb went off in her brain at 17 leaving her changed in a way that no therapist has been able to explain.

Returning to her childhood home to her dysfunctional, bohemian parents, Martha has one last chance to find out whether a life is too broken to fix, or by starting over, to write a better ending for herself.

The Book of Form and Emptiness by Ruth Ozeki – (Japanese American) (literary fiction/magic realism)

The Book of Form and EmptinessAfter the tragic death of his father, 14-year-old Benny begins to hear voices. The voices belong to the things in his house and sound variously pleasant, angry or sad. As his mother develops a hoarding problem, the voices grow louder. When ignoring them doesn’t work, Benny seeks refuge in the silence of a  public library. There he meets a mesmerising street artist with a pet ferret; a homeless philosopher- poet who encourages him to find his own voice; and his very own Book, who narrates Benny’s life and teaches him to listen to the things that truly matter.

Blending unforgettable characters with everything from jazz to climate change to our attachment to material possessions, this is classic Ruth Ozeki – bold, humane and heartbreaking.

The Bread the Devil Knead by Lisa Allen-Agostini – (Trinidad & Tobago) (contemporary feminist fiction)

The Bread the Evil KneadAlethea is turning 40. Fashionable, feisty and fiercely independent, she manages a boutique, but behind closed doors she’s covering up bruises from an abusive partner and seeking solace in an affair. When she witnesses a woman murdered by a jealous lover, the reality of her own future challenges her.

Bringing us her truth in an arresting, unsparing Trinidadian voice, Alethea unravels memories repressed since childhood and begins to understand the person she has become. She must now decide the woman she wants to be. An engrossing, atmospheric novel with a strong feminist message at the heart of a page-turning plot.

The Exhibitionist by Charlotte Mendelson – (British) (Contemporary fiction)

The ExhibitionistThe Hanrahan family gather for a weekend as artist and notorious egoist Ray prepares for a new exhibition of his art – the first in many decades – and one he is sure will burnish his reputation for good.

His three children will be there: beautiful Leah, always her father’s biggest champion; sensitive Patrick, who has finally decided to strike out on his own; and insecure Jess, who has her own momentous decision to make.

And then Lucia, Ray’s steadfast and selfless wife, also an artist, who has always put her roles as wife and mother first. What will happen if she decides to change? For Lucia is hiding secrets of her own, and as the weekend unfolds and the exhibition approaches, she must make a choice.

The Final Revival of Opal & Nev by Dawnie Walton – (US/Florida) (Contemporary fiction)

Opal and NevOpal is a fiercely independent young woman pushing against the grain in her style and attitude, a Black punk artist before her time. Despite her unconventional looks, Opal believes she can be a star. So when the aspiring British singer/songwriter Neville Charles discovers her one night, she takes him up on his offer to make rock music together.

In early 70’s New York City, as she’s finding her niche in a flamboyant creative scene, a rival band signed to her label brandishes a Confederate flag at a promotional concert. Opal’s bold protest and the violence that ensues, set off a chain of events that will not only change the lives of those she loves, but be a reminder that repercussions are harsher for women, especially Black women, who dare to speak their truth.

The Island of Missing Trees by Elif Shafak – (British Turkish living in London) (Contemporary fiction)

The-Island-of-Missing-TreesIn 1974 Cyprus, two teenagers, from opposite sides of a divided land meet at a tavern in the city they both call home. The tavern is the only place that Kostas, Greek/Christian and Defne, Turkish/Muslim, can meet in secret hidden beneath the blackened beams from which hang garlands of garlic, chilli peppers and wild herbs. It is where the best food, music and wine in town is. But there is something else to the place: it makes one forget, even if for just a few hours, the world outside and its sorrows.

In the centre of the tavern, growing through a cavity in the roof, is a fig tree. This tree witnesses their hushed, happy meetings, their silent, surreptitious departures; and it will be there when war breaks out, when the capital is reduced to rubble, when the teenagers vanish and break apart.

Years later in London, 16-year-old Ada has never visited the island where her parents were born. Looking for answers, she seeks to untangle years of secrets, separation and silence. The only connection she has to the land of her ancestors is a Ficus Carica growing in the back garden of their home.

The Paper Palace by Miranda Cowley Heller – (US/New York) (Contemporary fiction)

The Paper PalaceOn a perfect August morning, Elle heads out for a swim in the pond below ‘The Paper Palace’ – her family’s holiday home in Cape Cod. As she dives beneath the water she relives the passionate encounter she had the night before, against the side of the house that knows all her darkest secrets, while her husband and mother chatted to their guests inside.

So begins a story that unfolds over 24 hours and 50 years, as Elle’s shocking betrayal leads her to a life-changing decision – and an ending you won’t be able to stop thinking about.

The Sentence by Louise Erdrich – (Native US/Minnesota) (Contemporary fiction)

The Sentence Louise ErdrichThe Sentence asks what we owe to the living, the dead, the reader and the book. A small bookstore in Minneapolis is haunted by the store’s most annoying customer. Flora dies on All Souls’ Day, but won’t leave the store. Tookie, who has landed a job selling books after years of incarceration that she survived by reading ‘with murderous attention,’ must solve the mystery of this haunting while trying to understand all that occurs during a year of grief, astonishment, isolation and furious reckoning.

The Sentence begins on All Souls’ Day and ends a year later. Its mystery and proliferating ghost stories during the year propel a narrative as rich, emotional and profound as anything Erdrich has written.

This One Sky Day by Leone Ross – (British/Jamaican) (Fantasy/Magic realism)

This One Sky DayDawn breaks across the archipelago of Popisho. The world is stirring awake again, each resident with their own list of things to do: A wedding feast to conjure and cook, an infidelity to investigate, a lost soul to set free. As the sun rises two star-crossed lovers try to find their way back to one another across this single day. When night falls, all have been given a gift, and many are no longer the same.

The sky is pink, and some wonder if it will ever be blue again.

* * * * *

The judging panel will announce the shortlist of six novels, on April 27th. The winner of the 2022 Women’s Prize for Fiction will be announced on Wednesday 15th June.

Saltwater in the Blood by Easkey Britton

International Women’s Day

Journée internationale des droits des femmes 2022 UN

Journée internationale des droits des femmes 2022

My calendar tells me that today is the journée internationale des droits des femme (I like that in French it focuses on the rights on women, somewhat lost in translation in English) so  I’ve been thinking about what to share.

As often is the case when I ask myself an open question, my mind responds by connecting various other things I’ve noted recently together, creating a common thread.

An article about women surfing in Sri Lanka prompted me to choose Easkey Britton’s book Saltwater in the Blood to read for Reading Ireland Month and it’s the perfect choice for International Women’s Day.

Women Surfing in Sri Lanka

A couple of days ago there was a wonderful article in the Guardian, ‘When I surf I feel so strong’: Sri Lankan women’s quiet surfing revolution by Hannah Ellis-Peterson about the desire of Shamali Sanjaya who grew up in a fishing village, to experience riding the waves like her brother and father whom she would sit and watch enviously.

Easkey Britton Saltwater in the Blood Surfing Sri Lanka

Photo by K. Gonzalez-Keola Pexels.com

When a friend knocked on her door one day inviting her to go surfing, she could hold it back no more, that longing – like the title of Irish pro surfer Easkey Britton’s book alludes to – was indicative of saltwater in the blood. She was a natural surfer.

“When I surf, it is such a happy feeling for me,” she said. “I am filled with this energy, I feel so strong. Life is full of all these headaches and problems, but as soon as I get into the water, I forget about it all.”

Not content to keep her passion to herself, she persevered through disapproval and in 2018 set up the Arugam Bay Girls Surf Club, members, ranging from ages 13 to 43. Despite having broken through many local taboos amid accusations of trying to change the culture, many women still face a backlash from their families and communities; however their perseverance has also brought a new lease of life and healing to others.

Book Review and An Obsession With the Sea

I bought this book because I am a sea creature, a lover of the sea, its secrets and legends. I grew up on the wild west coast of New Zealand, near the volcanic rock and black sand beaches of Port Waikato and loved nothing more than going out past the breakers into the big swell of the huge waves there, being lifted up and down and eventually body surfing the wave back in. I loved it.

The coastline is notoriously wild and unfriendly, waves break against rugged cliffs, and the sea in some parts is slowly reclaiming the black sand dunes and dwellings that humans built.

There is something mesmerising about the sea and Easkey Britton’s story shares her physical and intellectual pursuit of it, her mindful practice in relation to it, eventually learning how to awaken to the more feminine element of her psyche in her relation to it with others.

The Irish Coast and Big Wave Surfing

Surfing Natural Cycles Sea Power to Heal Irish Literature

Saltwater in the Blood is an account of her lifelong relationship with the sea, surfing and the rugged coastline of Ireland’s western coast. Complimented by her beautiful illustrations, as on the cover, it is perhaps the nearest thing to experiencing surfing without getting in the water!

She writes about surfing, her connection with the sea and the Irish coast, natural cycles, the ebb and flow of life and learning to let go. 

Right from her early school days, if the tide was out far enough the seafront provided a shortcut to school. Her father surfed and painted and she joined the boys in the water, learning to surf at a young age and becoming a pro champion surfer who toured the world catching waves. 

In the first part of the book she shares how she focused on surfing, following a well trodden path, overcoming fear, learning to read the signs, pushing her physical and mental limits as each level of difficulty was conquered, trying to stay grounded and safe, while riding and being tossed by the waves.

Connect Not Conquer

However, over time, she learned to regard the sea in a different way and began the process of letting go of the need to compete and the heightened awareness that being one of the only girls in the water carried with it. She began the process of moving away from competition towards collaboration (a process that Riane Eisler writes about in Nurturing Our Humanity).

Though she recalls the excitement of learning to tow-surf (pulled behind a jet ski in order to access big waves a paddle surfer can’t get to) and the thrill of surfing the giant waves nearby at Mullaghmore (see Conor Maguire riding a 60-foot Monster Wave), an invitation to travel to far flung places to write about surfing in countries and cultures where it is little known, provides her an opportunity to learn more from what the sea offers, and the unique experience of being in the company of women and their shared relationship to the sea.

Surfing in Iran

One of the most interesting chapters in book for me, was the time she spent in Sistan-Baluchistan in Iran, .

It was a land not known for its surf-exposed coastline. A short stretch of coast, about 60 to 80 kilometres, lies in a narrow swell window between Pakistan and the coast of Oman, exposed for a few months of the year during Indian monsoon season. This was a part of Iran that didn’t feature in any travel guides, let alone surf magazines…At first, it was primarily about the waves, like all surf trips -the discovery of waves that maybe no one else had surfed before. But it soon became something much more.

The first trip was captured in a short film by her travelling companion, French filmmaker Marion Poizeau, an effort that she eventually published on YouTube having failed to find a production or TV company to share it. It went viral – MISSION “SURF EN IRAN”! and was the beginning of their adventure, the second time, the story became about connecting with and teaching a local group of Baluch women to surf.

I wanted to understand the challenges and opportunities of being able to do it and how this compared to our notion of surfing as a pursuit that offers a sense of freedom, flow and escapism and how that was translated in the context of somewhere like Iran.

Surfing in Iran Easkey Britton Irish SurferBefore climbing on the surfboards, they would do what in effect were warm up exercises, but not of the traditional sportsman type, they would play in the waves and get a feel for the swell and the breakers, preparing themselves by sensing the sea’s mood, harmonising with each other.

This change of direction, firstly away from the competitive purpose of surfing and even away from the act of discovery and exploration, towards a meaningful exchange, capable of contributing something meaningful to each others lives, is what I was most impressed by, particularly thinking about that in the context of what today is about, empowering women through sharing knowledge.

It was a breakthrough moment for me personally in terms of how my relationship with surfing and my body truly altered and I realized how much more drawn I was to the connective rather than competitive aspects of surfing and the sea.

Joined by Mona Seraji, a snowboarder and Shahla Yasini, a swimmer and diver, this experience would result in the award winning documentary Into The Sea. Through the eyes of these three women, the viewer experiences the journey from a unique and unusual perspective, full of heart and emotion.

Protect the Ocean

The book ends with a message about looking after the ocean and the responsibility we all have to protect our local water sources.

I also enjoyed that there were so many familiar references to other books I’ve read about the sea or the environment, like Rachel Carson’s The Sea Around Us, botanist Robin Kimmerer’s Braiding Sweetgrass, Anne Morrow Lindbherg’s classic Gift From the Sea and many more.

If you like reading books about the sea and particularly from a woman’s perspective, add this one to your list!

Further Reading

Magic Seaweed’s Hannah Bevan Interviews Easkey Britton On the Power of Saltwater Immersion

Oceanographic Magazine: Living By The Tide  by Easkey Britton on Wild Swimming

SilverKris Article, May 2021: The Rise of Sri Lanka’s First Female Surfers by Zinara Rathnayake (with great photos by Tommy Schultz)

Easkey Britton, Author

Saltwater in the Blood Surfing Lighthouse Cottages

Easkey Britton Working On Her Book at Fanad Lighthouse, one of the ‘Great Lighthouses of Ireland’

Easkey Britton is a world renowned surfer, marine social scientist, activist, writer and artist passionate about the sea. She contributes  her expertise in blue spaces , health and social well-being to national and international research projects.

A life-longer surfer, she channels her passion for surfing and the sea into social change.  Her work is deeply influenced by the ocean and the lessons learned pioneering  women’s big wave surfing in Ireland.

She is the author of 50 Things To Do Beside the Sea, has published numerous peer-reviewed articles and is a regular columnist at Oceanographic Magazine. She lives on the West Coast of Ireland with her partner and their dog Wolfie – however a picture she shared two days ago in a rock pool indicates there are twins on the way!

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