Dublin Literary Award Shortlist 2021

From that longlist of 49 novels here, nominated by libraries from all around the world, today a shortlist of six novels was announced. 

Bernardine Evaristo Valeria Luiselli Colum McCann Ocean Vuong Colson Whitehead

I’ve only read one, On Earth We’re Briefly Gorgeous and unfortunately despite the lyrical language, it wasn’t for me. I did recently read Colson Whitehead’s The Underground Railroad and have heard good things about The Nickel Boys.

I would love to read Lost Children Archive having read her long essay Tell Me How It Ends: An Essay in Forty Questions (a nonfiction narrative of Luiselli’s stay in NY and decision to assist child migrants who travel alone to the US to fill in the 40 question survey they must respond to within 21 days of arrival) in preparation to read her novel. And Girl, Woman, Other is another I’ll get around to eventually.

Colum McCann is an author I have enjoyed in the past, but a 500 page novel wading into the Israeli Palestinian narrative by focusing on two families who lost daughters and develop a friendship, sits uncomfortably, described by Susan Abulharwa as a colonialist misstep in commercial publishing.

Here is what the judges had to say about these six titles:

Lost Children Archive by Valeria Luiselli (Mexico)(nominated by Bibliotecha Vila de Gràcia, Spain)

Lost Children Archive“Two journeys—one of countless migrant children making their way up from Central America and Mexico to the US border, and another of a fragile young family taking a road trip down from New York to the Mexican border—come together in this imaginative, heartfelt, and entirely original novel.

Interweaving works of literature, music, maps, photographs, and other documents with multiple narrative voices, Luiselli has composed a masterpiece that is at once an exhilarating, lyrical road novel and an unsparing meditation on dislocation, remembering, and storytelling. Timely and timeless, Lost Children Archive is an immersive work that transports, unsettles, and ultimately elevates the reader.”

Girl, Woman, Other by Bernardine Evaristo (UK)(nominated by libraries in Germany and Ireland)

Dublin Literary Award Shortlist 2021“A magnificent book fuelled by its own unique energy – one which catapults the novel form into an original, exhilarating direction. Twelve women’s lives are vigorously revealed, each character given an individual chapter of their own. And yet within these chapters Evaristo skilfully weaves all of their worlds together.

The result: an astonishing tapestry of women’s lives – flaws and all – and of the wide-ranging and spirited experiences that have made them who they are. A bravura feat of storytelling by a writer at the top of her game, which vividly celebrates the voices of intergenerational black British women in contemporary times.”

Hurricane Season by Fernanda Melchor (Mexico) translated from Spanish by Sophie Hughes (nominated by libraries in Canada, Mexico and the USA)

Fitzcarraldo Editions Translated Fiction“Fernanda Melchor’s Hurricane Season is a ferocious novel that challenges and astonishes in equal measure. It portrays the most painful margins of a Mexican underworld of poverty and corruption, a universe dominated by a merciless violence that is deeply embedded in the community and in the actions and thoughts of its inhabitants, almost obscuring ant trace of empathy and humanity.

The novel’s hyperrealist language displays striking power, a direct, brutal and incisive energy that transports you headlong into the centre of a hurricane where there seems to be little hope or redemption. Sophie Hughes’ English translation succeeds in transmitting the expressive force and richness of Melchor’s Spanish. It is a novel that does not give you a break and that drags you in its verbal current, so torrential and intense, towards the darkest entrails of humankind, where the shadows live. An extraordinary book.”

Apeirogon by Colum McCann (Ireland) (nominated by South Dublin Libraries, Ireland)

Dublin Literary Award Shortlist“They were so close that, after a while, Rami felt that they could finish each other’s stories”— Exploring Rami Elhanan and Bassam Aramin’s friendship and peace activism after the killings of their young daughters, Colin McCann’s novel Apeirogon, true to its title, ambitiously presents “a countably infinite number of sides” in its expansive exploration of injustice, loss, relationality and resilience.

Its visionary mapping of displacements and returns, as well as its inventive structure of fragments and blank spaces open up alternative narrative pathways for the histories and futures of Palestine and Israel, powerfully suggesting that “Anywhere is reachable. Anything is possible, even the seemingly impossible.”

On Earth Were Briefly Gorgeous by Ocean Vuong (Vietnamese/American)(nominated by libraries in Norway, Sweden, Switzerland & the USA)

On Earth We're Briefly Gorgeous Ocean Vuong“Ocean Vuong’s stunning debut novel, On Earth We’re Briefly Gorgeous is characterised by the same lyricality and powerful use of language he employs in his poetry. The novel takes the form of an extended letter.

A young Vietnamese America man writes to his mother sharing his story and revealing how his story’s inseparably bound to hers. As Vuong’s narrator finds his voice he entertains questions of class and ethnicity, language and sexuality. It’s a captivating and tender story shot through with moments of pure, unsettling humanity. Vuong wants his readers to see that even the most mundane of moments can be briefly gorgeous and transformative.”

The Nickle Boys by Colson Whitehead (American) (nominated by libraries in Belgium and the USA)

The Nickel Boys Colson Whitehead“Colson Whitehead’s emerged as a leading chronicler of African-American experience with The Underground Railroad in 2016. Where The Underground Railroad was expansive in its imagination, The Nickel Boys returns to the traumas of African-American history with a very different literary style. Set in a juvenile institution in Florida – the ‘Nickel Academy’ – in 1960s, Whitehead here writes with a pared-down narrative and prose style, tracing the scars of the past in the lives of the present. The writing is spare, clean, and direct; and the result is a novel that not only casts light on a dark moment of African-American history, but also speaks to stories of institutional abuse everywhere.”

The winner will be announced on 20 May 2021 as part of the opening day programme of the International Literature Festival Dublin.

Have you read any of these or do you plan to?

8 thoughts on “Dublin Literary Award Shortlist 2021

  1. I’ve read Apeirogon, and I think it deserves its place on the shortlist, and I’ve had Girl, Woman, Other on the TBR since the Booker win but haven’t got round to reading it yet.
    I haven’t read the Luiselli but wasn’t super keen on The Story of My Teeth so I’m unlikely to read this one, and the others, hmm, not very keen on any of them either. (I borrowed On Earth from the library but sent it back unread.)

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  2. An interesting shortlist! I’ve read the Ocean Vuong and Bernadine Evaristo and loved both. Girl, Woman, Other was on my top 10 from last year – I hope you enjoy it. I thought about reading the Colum McCann, but that’s a very interesting point about its publication being a ‘colonial misstep’.

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  3. A great shortlist- I’ve read the Ocean Vuong and loved it, also loved Girl, Woman, Other. Hurricane Season is linguistically brilliant, in a fantastic translation, but the subject matter is challenging. My favourite is The Lost Children Archive, which works on so many levels- a road trip, a family story, with the parallel story of children travelling from Central America to the US border. And other literary journeys hovering in the background.

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    • You’re aligned with library readers Mandy, that’s impressive to have already four out of the six. I’m happy to hear Lost Children Archive was your favourite, I’m looking forward to finally getting to that one.

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  4. I’ll definitely look out for Lost Children Archive. It’ll be a good counterpoint to the recently read American Dirt, about which there seems to be so much controversy. I urge you to read The Nickel Boys. It may well have been my top read of 2020.

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  5. Even though I’m missing the mark more than hitting it, with prizelists lately, I’ve read three of these and just picked up my library loan of the Luiselli yesterday. (The Evaristo, the Vuong, and the Whitehead–all accomplished in their own ways.) I have McCann’s novel on my TBR but figure it would take awhile to read, so I’m waiting for the hold list to shorten a little. Although I can see why the Al-Jazeera writer would long for the Palestinian story to be prioritized in his narrative, she leaps from the explanation of the title meaning “infinite number of countable sides” to her belief that the novel reduces the story to “two sides”–I think I’ll have to read it to form my own opinion on that matter. In general, I’m in favour of many-sides-ness!

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