Winter Sisters by Robin Oliveira

I read My Name is Mary Sutter when it first came out and was utterly entranced by Robin Oliveira’s depiction of the character of Mary, a midwife intent on becoming a surgeon in an era where women were totally blocked from pursuing such a thing. She was unable to achieve her ideal through formal channels, so she went to war, the American civil war, and there had the kind of experience few would wish her, unless, like Mary, you were being excluded from pursuing your desired profession and were driven to break through irrational barriers by equally irrational means.

In her research, the author learned that 17 young women became physicians after their nursing experiences in the civil war. While Mary Sutter is fictional, she is a truly inspired character about whom Robin Oliveira had this is say:

“And through it all there was Mary Sutter, whose story I needed to tell as a celebration of women who seize the courage to live on, to thrive, to strive, even, when men conspire to war. Mary, flawed and intelligent, careening between desire and remorse, stumbling forward out of courage and stubbornness, hiding a broken heart, but hoping to redeem something beautiful from a life humbled by regret.”

Her second novel, set in Paris was the excellent I Always Loved You, reviewed here, is about the American painter Mary Cassatt, her life in Paris, struggling to make a name while remaining true to her art, and enduring a life-long fractious relationship with impressionist painter and sculptor Edgar Degas.

When asked what made her return, in this her third historical novel, to the character of Mary Sutter, Robin Oliveira said:

Over the last few years, readers have often asked me to include Mary Sutter in a new book, but I could not think of a single circumstance that would challenge her as much as the obstacles she had faced in the Civil War. Then I learned about the age of consent. I simply couldn’t leave Mary Sutter out of it, for I had finally discovered something of equal importance for her to battle.

So now it is 1869 in Albany, New York, Mary Sutter is now Dr Mary Sutter Stipps, living in Albany, New York, where she practices in a local hospital, despite most of her male colleagues despising her (because she is a woman), she also runs a home practice with her husband William Stipp and a lesser known clinic, where a lantern is illuminated on Thursdays when she opens for ladies of the night, those who are refused treatment elsewhere.

These are the conservative years after the civil war, a period of tumultuous struggle and the emergence of women’s suffrage, meaning any freedoms women attempted to gain were often fiercely opposed and ridiculed. Mary faces opposition at every turn, but refuses to be cowered and will stand up for and insist on justice for what she believes is right and good.

On the evening this story begins, a severe winter blizzard disrupts the city, children are locked in schools for two days, businesses close, the Doctors house their patients overnight, and accidents occur – two days later as people begin to reappear, Mary learns of the deaths of close family friends, the hatmaker Bonnie and her labourer husband David and the unexplained disappearance of their daughters, Emma(10) and Claire(7).

Mary and William search for the girls everywhere, implore the police and their wider networks to help and eventually must accept they’ve gone.

At the graveside, they become acquainted with lumberlord Gerritt Van der Veer, his wife Viola, and their son Jakob. From that day on the lives of the two families become intertwined, as Mary continues her relentless pursuit of the lost girls, leading her to become exposed to the deep manipulations throughout the city and its powerful, by those out to benefit themselves who will do anything to stop those like her, trying to help and heal, without discrimination or judgement.

Book One sets up the story, introducing us to Elisabeth, Mary’s niece, a violin protegé who has been studying in Paris in the company of her grandmother Amelia, who swiftly return on hearing the terrible news, though laden with their own mysterious troubles.

Mary seeks the help of the women she’s met through the clinic, women who hear and see things she and Will would never come across, suspicions begin to arise, as they become aware of a man in hiding, injured on the night the ice cracks on the Hudson River, causing flash flooding across the city.

“I trust her Mother. She’s no opportunist. If she’d wanted money, she would have asked for it then, wouldn’t she have, if she intended to lie? And besides, none of that matters, does it, if we go looking ourselves. The brothels are the single place we haven’t looked. What harm can come from looking? I can’t understand why Captain Mantel refused. Oh damn him.The police know exactly where the brothels are. it would be easy for them.”

By Book Two the story has become riveting, complex, there are elements of the mystery to resolve, a pending court case, perceived betrayals, all set against the legal and societal background of the times they lived in, there are aspects of the law that will shock the reader, we read about the 1800’s and we are reminded of the similar treatment of victims today with regard to police procedure, questioning victims and the law that appears designed to protect the accused more than the victim.

It’s too good a read to give away anything more that happens from Book Two onwards, suffice to say I could not put this down, I was up late finishing it and thought it brilliantly woven together. It’s commentary on the hardships of women and girls, of all ages and from all classes is insightful and outrageous. Women are blocked in so many directions, in particular when they possess talent, controlled, commented on, kept by men in positions of power. Fortunately, there are exceptions, and these characters provide the faint glimmer of hope that gets us through the tough parts.

“He wanted to say, It’s either hide forever or see forever. He wanted to say, You need to choose. He wanted to say, Follow me, I’ll show you…

Every inch toward courage was a decision. Every ten feet on her own would be a triumph. The line between coercion and choice for her was the line between darkness and light. He would never push her, but she needed to choose to climb this hill. If she didn’t, she wouldn’t have the courage to climb onto the witness stand or perhaps even to walk down a street on her own.”

Mary Sutter oversteps the demarcated line of acceptable professions for women, she breaks the mould, though not without challenge and William and Jakob show themselves to be different kind of men, demonstrating the potential of working alongside women, not excluding them.

The price women pay when they overstep that societal and male control, is the story of the Gilded Age, and continues to play out one hundred and fifty years later. Indeed, the changing role of women in society, and what men will accept, remains one of the essential conflicts of our time.

Highly recommended, one of the best historical novels of the year.

Note: This book was an ARC (Advance Reader Copy) kindly provided by the publisher.

16 thoughts on “Winter Sisters by Robin Oliveira

  1. Oh wow – firstly, I love Cassatt’s work and anything with a Paris setting, so will definitely be picking up IALY – thanks for the tip! Oliveira’s two ‘Mary’ novels look great too – more for the TBR list… 😳😂😀📚

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    • I really enjoyed that book and wasn’t aware of Mary Cassat’s art prior to reading, I forced myself to wait until I had finished the book before I went off looking up images of her work and what a joy it was to then discover it and also that of Degas, especially the sculptures and works mentioned in the text.

      I don’t read a lot of historical fiction, but I’ve adored every one of Robin Oliveira’s books and I’m glad to know she’s working on another, one that has her heading to Scotland to do some research. Intriguing.

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      • I enjoy fiction about real people (when done well, of course!). Have you read Susan’s Fletcher’s Let Me Tell You About A Man I Knew? It is about the latter part of Van Gogh’s life and is one of the most beautiful and lyrical books I have ever read – utterly breathtaking. 🙂

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  2. I enjoyed I Always Loved You — Mary Cassatt is my favorite painter — but I haven’t managed to find any more of Oliveira’s work. I think I’d like this pair of historical novels very much. The medical theme also appeals to me; if this is published in the UK, it could be eligible for next year’s Wellcome Book Prize.

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    • Oh I think you’d enjoy both her Mary Sutter novels Rebecca, I hope you come across them, Winter Sisters is published in the US today and I’m sure it’ll be coming out in the UK soon. It’s not necessary to read one before the other, as they’re stand alone novels. I’m not sure if the medical theme is sufficiently strong to make it eligible for the prize, I certainly hope so/

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    • Absolutely not necessary, the author didn’t set out to write a sequel, she was inspired to write the novel after becoming aware of the significant issue that’s at the heart of it and it was once she began writing that she saw how the character of Mary Sutter could play an important part in bringing it to our attention. If anything, I’d almost recommend reading this one first due to its uncanny relation to current events (and to wintry weather, the blizzard and ice flows were based on actual events and had me doing a little extra research, they sounded so incredible), whereas the first Mary Sutter book is more about woman being able to make progress in terms of breaking gender stereotypes; through the horrifying events of war.

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  3. This series sounds great. I especially like the sound of book two. I don’t think that I have read anything that features legal proceedings in that time period. I recently read Kindred by Octavia Butler and really learned a lot about ailments and treatments in the 1800s. I am more appreciative of modern medicine after reading that book lol.

    This sounds like great historical fiction. I will try to get both books since you mention that the character development begins in the first one.

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    • I’ve wanted to read Octavia Butler’s Kindred for a while too, thanks for reminding me of it Diana, I should read it soon, especially since it covers a similar time period.

      Robin Oliveira’s books have all been great reads and I particularly love that she’s such a champion for women who step out of the mould and try and forge their way ahead in roles usually denied them.

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