Crime fiction isn’t my usual choice, but I’ve been reading Italian literature in the past week, and since this is also set in Naples and came from Europa Editions, I decided to take a break from the more literary style and read this novel classified as ‘world noir‘ (a tribute and new imprint dedicated to the best in international crime fiction).
A quick look up tells me that noir fiction has its roots in hard-boiled fiction ( a tough, unsentimental style American of crime writing) where the protagonist is often an outcast, alienated. However, Kim Fay from LA Review of Books, when reading noir, used to preparing herself for ‘bleak cynicism and uncomfortable moral ambiguity’ is pleasantly surprised, referring to De Giovanni’s Pizzofalcone precinct series and empathetic characters as ‘tender noir’:
“Reading the Pizzofalcone Precinct series, by Maurizio de Giovanni, I quickly discovered that I can still be surprised. These books didn’t get to me with an extra dose of soul-sucking fatalism or some harrowing new breed of self-destructive protagonist. Instead, their emotional “gotcha!” came in the unexpected form of tenderness.
Tender noir? Is such a thing possible? Yes — and it adds a richness that many noir novels lack.” Kim Fay, LARB
“The precinct isn’t big, but its crowded; it encompasses a part of the Spanish Quarter and stretches on down to the waterfront. Four different worlds, in other words: the lumpenproletariat, as we used to say in the old days; the white-collar middle class; the businessmen of the upper middle-class; and the aristocracy. Everything except manufacturing, in an area barely three kilometres on a side. One of the oldest police districts in the city, small but strategic.”
All of them have been transferred from their previous workplaces, renegades who are unwelcome where they currently are, involved in some kind of misdemeanour – although in the case of the Sicilican Inspector Lojacono, who becomes the lead investigator of the new murder case, he was both specially requested due to his reputation and passed on without regret, due to allegations of corruption that have tainted and alienated him, since he showed everyone up in his last case by solving it while everyone else was looking in a different direction.
He is new to Naples, he has a teenage daughter he is worried about, a pizza waitress who is eyeing him up and a high-ranking magistrate whom he daydreams inappropriately of.
The wife of a notary is found dead in their apartment with no forced entry and so they set to and investigate, introducing us to various elements of working and non-working Neapolitan life, including an elderly woman who sits at her window all day, every day and is suspicious about the new occupant of an apartment opposite her, a beautiful young woman also never leaves her apartment.
We are also introduced to the obsession of the policemen Giorgio Pisanelli, who collects information about all the recent suicides in the precinct, convinced there is a connection between them and that they are not suicides.
It’s a well-paced, intriguing read, a few short chapters in italics, portraying characters who may be suspects, characters who are trying to hide something, this narrative adding to the mystery and has the reader trying to guess who it might be. I really enjoyed it and even though I didn’t guess the revelation at the end, I appreciated that it wasn’t overly full of twists, neither was it completely obvious.
The author succeeds in portraying Naples both through the eyes of the newcomer and with the familiarity of a local, adding a compelling element of discovery and opening the way for future instalments. The team was well portrayed, interesting but quirky characters, that clearly will continue, since the resolution of this crime should serve to keep the precinct open, these renegades forming into a solid team while navigating the fine edge between the ongoing surety of their positions and a volatile potential to destroy it with one reckless mistake.
Maurizio de Giovanni was born in Naples in 1958 and for many years worked in a bank, though not a natural vocation, his colleagues attest he always had his nose in a book and it was in fact they who entered him in a short story competition in 2005 for ‘giallo novelists’ (a 20th-century Italian mystery, thriller or horror genre of literature and film) that was the catalyst to his becoming a successful crime writer.
That story introduced detective Commissario Ricciardi and spawned a series of books set in 1930 Naples, fascist Italy. His parents were born in 1930’s Naples, their lives and experiences clearly an influence contributing to his passionate for pre-war Naples of the 1930’s and the city today.
The Bastards of Pizzofalcone, originally published in 2013, marked his transition from the noir genre to the police procedural and a move from the 1930’s to contemporary life in Naples. The series featuring Inspector Lojacono continues (there are six books in Italian) and is being made into a television series in 2017.
Note: Thank you to the publisher Europa Edition, for providing a copy of this book.
This sounds very good especially as it features more empathetic characters than in the more traditional noir fiction – it’ll be interesting to see how well this translates to television.
I’ve just seen some wonderful mages of the cast shooting in Naples and they look great (as all things Italian often do!) I hope we get to see the original Italian series. I think it would translate really well, very visual and a writer who really is at home in the environment and chose to set it where he did for interesting reasons which will aid the visual interpretation.
Great review – thanks for bringing this to my attention. Thinking of going to Naples at the end of the year and this would make good holiday reading!
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It would indeed, how fabulous to be going to visit Naples, I hope you put the Pizzofalcone quarter on your itinerary, I’m certainly intrigued by its diversity.I think he is an interesting author for a sense of time and place, within a compelling narrative, perfect for either on holiday or in preparation for.
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Though I’m rather obsessed with Naples, I held off on reading DiGiovanni because the title (I Will Have Vengeance) and the opening paragraph of his first Commissario Ricciardi novel led me to assume I was in for a brutal, bloody slog. But when I finally took the plunge, I felt embarrassed to have passed such ignorant judgment ahead of time. “Tender noir” seems an appropriate term for DiGiovanni’s approach. I plan to read more, and am especially interested to see that he has moved his temporal setting from the 1930’s to contemporary Naples.
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