James Baldwin’s Go Tell It On The Mountain (1953) was his debut novel, a semi-autobiographical story (inspired by his own childhood in Harlem and his troubled relationship with his father), that narrates a day in the life of 14 year old John, who is the son of a fiery Pentecostal preacher Gabriel, and his second wife Elizabeth.
The Initiation
It is a coming-of-age story that depicts a range of thoughts, emotions and actions of this boy, while sharing the back stories of his family, culminating in a frenzied religious experience that appears to have set him on his true path.
The story is told in three parts, and though it follows the events of that one day, the three parts focus on the pasts of different characters connected to John’s family.
Part One, The Seventh Day, is about John, it is his fourteenth birthday and he spends the day thinking about the expectations the family has of him to follow in his father’s footsteps and that he is no longer a child.
He begins to worry that he doesn’t have the same conviction as young Elisha, he feels not only unseen by his father, he feels his wrath and returns it full force in his mind – it enters his dream-life with even greater violence than the looks of disapproval he receives daily.
The opening chapters are full of biblical language, religious fear and fervour, making it quite intense to begin with, though saved by the dialogue that brings us back to the present day.
“His father’s face, always awful, became more awful now; his father’s daily anger was transformed into prophetic wrath. His mother, her eyes raised to heaven, hands arced before her, moving, made real for John that patience, that endurance, that long suffering, which he had read of in the Bible and found so hard to imagine.”
An Act of Resistance
His mother gives him money and he uses it to attend the cinema. He begins to question his faith, and his father, noticing a rising desire for things he ought not to be thinking of:
“Broadway: the way that lead to death was broad, and many could be found thereon; but narrow was the way that lead to life eternal, and few there were who found it. But he did not long for the narrow way, where all his people walked; where the houses did not rise, piercing, as it seemed, the unchanging clouds, but huddled, flat, ignoble, close to the filthy ground, where the streets and the hallways and the rooms were dark, and where the unconquerable odor was of dust, and sweat, and urine, and homemade gin. In the narrow way, the way of the cross, there awaited him only humiliation forever; there awaited him, one day, a house like his father’s house, and a church like his father’s, and a job like his father’s, where he would grow old and black with hunger and toil.”
The Sins of the Father
Part Two, The Prayer’s of the Saints is told in 3 parts entitled Florence’s Prayer, Gabriel’s Prayer and Elizabeth’s Prayer.
This section focuses on the past, on Gabriel’s upbringing and life, his sister Florence, her escape North and marriage, a young woman Gabriel worked with named Esther, whose life would be forever changed by their encounter. We learn of Elizabeth’s past, how she meets Richard and also travels North, their tragic story and her meeting Florence, a turning point in her life.
“And this became Florence’s deep ambition: to walk out one morning through the cabin door, never to return. Her father, whom she scarcely remembered, had departed that way one morning not many months after the birth of Gabriel.”
Everything we read here begins to explain the depth of feeling John has, often driven by events he is not aware of, including his own being, his true identity, that he does not yet know. All that has been withheld from him, the secrets people have kept, impact the lives of everyone in this extended family, often without their knowledge.
In the final part, The Threshing Floor, John has a religious experience with terrifying hallucinations, but it is an event that appears to have propelled him out of childhood and towards his calling.
Love/Hate of Parents, Escaping Reality, Awaiting the Calling
This is the third book written by Baldwin I have read and while quite different from the others, it is equally compelling. The two I have read I have linked to my reviews below, also highly recommended.
It personifies the common experience of a confused adolescent, whose situation is magnified by the love/hate he feels from one or other parent and the guilt he takes on for it, the emotional roller coaster of new exciting friendship, and the desire to escape into another reality.
The stories of the secondary characters are informative and revelatory, as they contributed to my growing understanding of the unease of the young man.
John’s narrative was convincingly portrayed to the point of it feeling like you were in his shoes and in his mind, the relentless worrying, his paranoid and angry emotions that seemed to take over him, until they culminate in his heightened ‘salvation’ experience.
These heights are a reference to the mountain, a symbol of the ascent and descent through he must pass to move closer to his God, to his own salvation, to his becoming a worthy man.
He thought of the mountaintop, where he longed to be, where the sun would cover him like a cloth of gold, would cover his head like a crown of fire, and in his hands he would hold a living rod.
Life Informs Art
In The Fire Next Time, Baldwin’s essay that first appeared in the New Yorker as Letter from a Region of My Mind, talked of his developing self-awareness as he entered adolescence and the choice he made to seek both refuge and revenge by going into the Church.
“Shortly after I joined the church, I became a preacher – a Young Minister – and I remained in the pulpit for more than three years. My youth quickly made me a much bigger drawing card than my father. I pushed this advantage ruthlessly, for it was the most effective means I had found of breaking his hold over me. That was the most frightening time of my life, and quite the most dishonest, and the resulting hysteria lent great passion to my sermons – for a while. I relished the attention and the relative immunity from punishment that my new status gave me, and I relished, above all, the sudden right to privacy.” James Baldwin
Further Reading
If Beale Street Could Talk by James Baldwin
The Fire Next Time by James Baldwin
Thank you to Liz Dexter who blogs at Adventures in running, reading and working from home for the invitation to read this at the time time she was. You can read Liz’s review here.
During the 
Not Without Laughter is a coming-of-age story that introduces us to Sandy Rogers who lives with his grandmother who everyone refers to as Aunt Hager and his mother Annjee, who works as a housekeeper for a rich white family, while his father Jimboy traverses the country pursuing a living as a musician.
Word by Word 