Undiscovered by Gabriela Wiener tr. Julia Sanches

Undiscovered was longlisted for the International Booker Prize 2024. I decided to read it because I did the quiz on their website which asked about 15 or so questions and then told you which book to read. Undiscovered was the result.

I was totally captivated from start to finish. Loved it.

Ancestral Threads

International Booker Prize longlist 2024 Peruvian literature autofiction

Gabriela Wiener is a Peruvian poet, journalist, writer who has lived in Spain for the last 20 years and her books to date (none of which I have read) seem to about body politics. This novel is about a search to unravel and understand her identity as a Peruvian woman now living in Spain, who has ties to both the coloniser and the colonised.

I was very intrigued to read this book for a few reasons, of course because it is written by a woman in translation, so that already interests me, because it is coming from outside the mainstream cultures that traditionally dominate publishing and also because of the interest in identity, in the influence of ancestry, of family mysteries uncovered.

The strangest thing about being alone here in Paris, in an anthropology museum gallery more or less beneath the Eiffel Tower, is the thought that all these statuettes that look like me were wrenched from my country by a man whose last name I inherited.

A Temporary Explorer

Gabriela is both fascinated and repelled by a ‘maybe ancestor’ Charles Wiener, an Austrian-Jew whose parents immigrated to France when he was sixteen. He became a German teacher in a French lycée, would convert to Catholicism and desired French nationality. He published an essay on the “communist empire” of the Incas;

a reign based on social equality and therefore, per his thesis, antithetical to freedom. In his writing he defended the delirious hypotheses that Louis XIV had been inspired by the Incas when he said “L’état, c’est moi.”

That publication resulted in the French government agreeing to send him on an expedition to South America in 1876. The studies he conducted and specimens collected would eventually be displayed in a large scale exhibit at the Paris Exposition Universelle in 1878. He wrote a book Peru and Bolivia.

On his return to France he was naturalised, retired from exploration and became a diplomat. In the less than two years he was in Peru, he fathered a child to a young widow, Maria Rodriguez. Her son, the author’s great-grandfather, Carlos Wiener Rodriguez, was born in May 1877, by which time Charles Wiener, was already in Bolivia. And most likely oblivious to what he had left behind.

We know everything about him and nothing about her. He left us a book, she left us the possibility of imagination.

The Unfaithful Father

In Undiscovered Gabriela explores the writings of her ancestor and has conflicting feelings about him, as she has conflicting feelings about herself, and her own father. The first half of the book takes place while she is on a return trip to Lima for her father’s funeral. He had a second life and family that he lived simultaneously, one she tries to make sense of by meeting his mistress and asking her mother personal questions.

But really she is interrogating those outside of her to understand something within her. She is of a different generation and even within that she lives an unconventional life. Is she how she is because that is how she is, or is there something of the past that runs through her veins which makes it harder to be anything other than that? Even in her unconventionality, she continues to cross her own boundaries and disappoint herself. She seeks to understand why.

The irritation I feel at the cruel, colonial, and racist passages in the book Wiener wrote about my culture gives way to a sudden compassion for his unwittingly anti-academic, self-aggrandizing self.

A Polyamorous Woman

On an existential quest tracing a legacy of abandonment, jealousy and colonial exploitation, she considers the effect on her own struggles with desire, love and race in a polyamorous relationship. At the same time uncovering physical traces of her ancestor and searching for the small boy Juan he brought back to France with him.

Juan isn’t a ceramic piece rescued from the rubble, nor is he made of gold or silver; he isn’t even a shrivelled child mummy destined for a museum far away from the volcanoes. Yet he crosses the pond as the adventurer’s property. Juan is just another of Wiener’s small contributions to the transformation of the European concept of history. He is part of Wiener’s “expedition,” which is not like that of conquistadors or pioneers but like those of other scientific travellers who sought to “reignite the Incan sun, brutally extinguished by the Spanish cross.”

Photo S.Hazelwood Pexels.com

I was totally captivated by this narrative from start to finish. Each sentence and paragraph so carefully constructed, I often went back and reread them, because they often articulated something that asked to be considered.

I had read a few reviews that criticised the attention she gave to herself, but I didn’t feel as if this was done without context. It is a work of autofiction and the author puts herself as much under the spotlight as her ancestor, she is self aware and critical of her own behaviours, she exposes them and puts them on public display to be judged.

Wiener really is a fluid narrator, a chronicler of minor details and excesses, the kind of storyteller who knows when to set aside principles and literary convention for the sake of hooking his readers, who doesn’t think twice before using whatever’s within reach to spice up his adventures, changing the rules of the game in a context where he really shouldn’t be taking it that far. He is also, without a doubt, the creator of the story’s hero: himself. Had he lived in the twenty-first century, he might have been accused of the worst possible crime an author can be accused of today: writing autofiction.

Broken Memories, Finding Reparation

Towards the end she seeks help or healing and her solution is to join a group called ‘Decolonizing My Desire’. She reaches out to a researcher for help about the ancestor, but finds that invalidating.

Ultimately it is her imagination and poetry that perhaps provides her with answers, the blank page that she is capable of filling, the stories she is able to create, the endings she can provide herself. She controls the narrative, no one else does.

Undiscovered is a well researched inquisition of family and colonial history, ancestral threads and both modern and ancient cultural connections that reflects one woman’s attempt to better understand herself for the benefit of her close relationships. It is about looking at personal and cultural wounds and creating solutions that help a person to move forward.

Further Reading

Read An Extract From the Book: Undiscovered by Gabriela Wiener

New York Times: Gabriela Wiener Does Not Care if You Don’t See Her Writing as Literature By María Sánchez Díez Oct 2023

Electric Lit: Gabriela Wiener Challenges the White Man in Her Head an interview by JR Ramakrishnan Oct 2023

In the interview, Wiener is asked about her surname growing up:

In countries that suffered colonization, both racism and classism from white creole elites towards people of Andean descent is virulent and normalized. Brown or “huaco” faces are penalized but so are brown surnames. And if you already have both you’re screwed. I used to be terrified of going on class trips to archeology museums because we would always pass by a huaco display and the kids would make fun of me, comparing my face to the huaco portraits. But at the same time my last name whitened me, protected me, it was my link to whiteness.

2018 Exposition Musée Quai Branly: « Le Pérou avant les Incas » au musée du Quai Branly

My Review of Ancestor Trouble; A Reckoning and A Reconciliation by Maud Newton

Author, Gabriela Wiener

Gabriela Wiener is a Peruvian writer and journalist based in Madrid, Spain. Her books include Nine Moons, a memoir on pregnancy and reproduction, and Sexographies, a collection of first person gonzo journalism essays on contemporary sex culture, swingers clubs and ayahuascha.

Her work has appeared in numerous publications and has been translated into six languages. She is a regular contributor to El Público (Spain), Vice and New York Times en Español. Wiener won Peru’s National Journalism Award for her investigative report on violence against women.

You Shall Leave Your Land by Renato Cisneros tr. Fionn Petch

“Who has not,
at one point or another,
played with thoughts of his ancestors,
with the prehistory of his flesh and blood?”

Jorge Luis Borges, I, A Jew

Our Father, Who Hath Sinned Against Us

Two centuries ago in Peru, Nicolasa Cisneros gave birth to seven children and raised them fatherless, responding to anyone who asked after her husband that he was travelling. This woman gave her name ‘Cisneros’ to these children. A maternal name that carried down another four generations via her youngest son Luis the Poet, to Fernán to Groucho to Renato, the author.

wp-1677233567875.This work of autofiction opens when the author with his elderly uncle is taken to a cemetery where the tomb of his great-great-grandmother lies, where he is shown proof of her close association with Gregorio Cartagena, a priest, the man who fathered all her children, whom she was never married to, a man who denied his children both his name and a relationship with their father.

Renato Cisneros struggles with the idea of having been denied this name and heritage, having embraced another that he had been proud of, but that now became a source of confusion and a questioning of much that he had assumed.

The upright and irreproachable men I had admired for as long as I could remember, the flesh of my flesh, abruptly became blurred, reduced to timid, vulgar and inconsequential individuals. My former clarity became turbid. Clay became crust. The tight weave became unstitched, revealing its threads.

An Identity Crisis

Question Identity Ancestry LineageThis novel is his way of exploring all that, of seeing how this new information informs him, how it makes apparent the patterns and threads of a lineage. Although much of the narrative by necessity has been ficitonlised, it reads like a work of creative nonfiction.

The custom of the double life has been repeated in each generation. If this is not a habit, a custom, a trend, I don’t know what it is. An enduring coincidence? A hereditary gene? A vice, an illness, an infection? An echo? How to escape it? Can atavistic viruses be eliminated? Can contagion be avoided? Can this intangible, genetically transmittable part of us ever be decontaminated, or does it become intrinsic from the start and all we can do is bear it? How can we be sure what is ours, our own, and what is passed on if everything comes to us melted down and mixed up at birth? Were the men of my family aware of obeying an established mould? Did they ever set to correct that tradition, or were they simply carried along by it? Am I yet another such man? Will I repeat the story I am writing? Or am I writing it down in order not to repeat it?

The narrative switches between a near present day Lima 2013/14 when he is searching and discussing his thoughts with his aged Uncle Gustavo, and delves into the family relationships of 1830’s Peru through and up to the early to mid 1900’s.

It was his Uncle who opened his eyes to the presence of the twin graves, who had been willing to engage him in an open conversation, as he tried to understand what occurred and how it was affecting him and discussed his right to document family secrets and lies perpetuated. Gustavo had tried to engage his siblings years before, without success.

They had no desire to understand or clear away the dense clouds that shrouded their world. The did not believe that ‘pain, if it brings truth, is always a good thing’.

Cisneros, having learned of the deception of the priest and the circumstance of his great great grandmother, finds correlating patterns down the lineage as he investigates.

Poets and Politicians, Journalists and Diplomats

The story unearths the life of Nicolasa and each of the subsequent grandfathers, moving from Peru to La Havre, to Paris, to Argentina and back to Peru, as these men’s careers rise and fall and move in parallel with Peruvian history and as they cross paths with a number of historical figures and events. The historical and political aspects are light enough not to impose too much on the narrative, while giving context to mobility of the family, both physically and socially.

Two of the grandfathers were renowned poets, whose verses were often performed at family gatherings, though the author knew little of who they really were.

I learned to both love and and to resist the Cisneros clan. Because they said things by halves, because they spent their lives speaking superficially about our dead ancestors at literary soirées that felt like joyful funerals, or rather the same funeral being reprised over the decades.

Ancestor Trouble, Lies Become Truths Become Lies Become Stories

Ombu Trees Argentina Peru

Photo by Johannes Plenio on Pexels.com

It reminded me in places of a similar journey taken by Maud Newton, in her equally riveting Ancestor Trouble: A Reckoning and a Reconciliation; estranged from her father, she too explores the concept of inter-generational inheritance, something she fears, but wishes to come to terms with. And how lies, even when they are known, can be passed down families to become ‘sort of’ truths, as Daphne du Maurier recounts in her work of autofiction The Glass-Blowers, a story that busts open the myth of her own family heritage and false name.

Although one might think a family history is personal, which it is, You Shall Leave Your Land is universally interesting for the questions it poses to us all, and for the cultural expose of a tumultuous period in Peruvian history as it developed into a Republic, with changes in leadership creating exiles of people overnight.

Blame and Misfortune, A Woman’s Lot

Vintage pointing hand illustration vectorIf I have one criticism, it would be the way the women in the story have been depicted, they are made to be responsible and given agency in a way that might raise the eyebrows of some readers. In times gone by, when a woman fell pregnant, there were few options open to them and very little choice.

For example, when Luis Benjamin is given an ultimatum by the mother of his children to legitimize their relationship, he takes the children and disappears and yet when she reverts to the life she had previously, he judges it and views this as an erasure of their bond and time together – whereas it is more likely that without the support of her children’s father, she had little choice but to use her talent and beauty to survive. Clearly there is much imaginative licence used, however, I found myself querying some of those authorial decisions.

Overall, I thought it was an excellent and thought provoking novel, another beautifully translated gem from Charco Press. It can be read as a standalone novel, though it is a prequel – an earlier novel The Distance Between Us is delves into the life of his father, who is barely mentioned in this book.

Renato Cisneros, Author

Renato Cisneros (Lima, 1976) is a well-known journalist, broadcaster and writer in Peru, where he presents current affairs programmes on radio and TV. Having published a number of books of poetry and two novels, in 2015 he stepped back from his career as a broadcaster to fully concentrate on his writing.

The Distance Between Us (a novel about a son embarking on a journey to understand his complex relationship with his father and how it shaped the man he is today) sold over 35,000 copies in Peru and was shortlisted for the Second Mario Vargas Llosa Biannual Award, longlisted for the Prix Médicis (2017) and was the winner of the Prix Transfuge du Meilleur Roman de Littérature Hispanique (2017). The prequel, Dejarás la tierra (You Shall Leave Your Land) is a bestseller in Spain and Latin America and was published in English in January 2023 by Charco Press. Renato Cisneros currently lives in Madrid.