Leila Aboulela awarded PEN Pinter Prize 2025

Freedom to Write, Freedom to Read

Leila Aboulela winner of English Pen Prize 2025

Leila Aboulela, the Sudanese author who now lives in Scotland has won the English PEN Award 2025, a prize established in homage to Harold Pinter, the British playwright, screenwriter, director and actor and the 2005 Nobel Laureate for Literature:

“who in his plays uncovers the precipice under everyday prattle and forces entry into oppression’s closed rooms”

Judges praised Aboulela, the author of six novels, for her ‘nuanced and rich perspectives on themes that are vital in our contemporary world: faith, migration, and displacement’, calling her writing ‘a balm, a shelter, and an inspiration’.

The author responded:

‘I am honoured to win a prize established in memory of Harold Pinter, a great writer who continues to inspire so much loyalty and consistent high regard. For someone like me, a Muslim Sudanese immigrant who writes from a religious perspective probing the limits of secular tolerance, this recognition feels truly significant. It brings expansion and depth to the meaning of freedom of expression and whose stories get heard.’

One of the judges, novelist Nadifa Mohamed added:

Leila Aboulela is an important voice in literature, and in a career spanning more than three decades her work has had a unique place in examining the interior lives of migrants who chose to settle in Britain. In novels, short stories and radio plays she has navigated the global and local, the political with the spiritual, and the nostalgia for a past home with the concurrent curiosity and desire for survival in a new one. Aboulela’s work is marked by a commitment to make the lives and decisions of Muslim women central to her fiction, and to examine their struggles and pleasures with dignity. In a world seemingly on fire, and with immense suffering unmarked and little mourned in Sudan, Gaza, and beyond, her writing is a balm, a shelter, and an inspiration.’

The prize is awarded annually to writers resident in the UK, Ireland, the Commonwealth or the former Commonwealth. 

Former winners of the PEN Pinter Prize are Arundhati Roy (2024), Michael Rosen (2023), Malorie Blackman (2022), Tsitsi Dangarembga (2021), Linton Kwesi Johnson (2020), Lemn Sissay (2019), Chimamanda Ngozie Adichie (2018), Michael Longley (2017), Margaret Atwood (2016), James Fenton (2015), Salman Rushdie (2014), Tom Stoppard (2013), Carol Ann Duffy (2012), David Hare (2011), Hanif Kureishi (2010) and Tony Harrison (2009).

Three Novels By Leila Aboulela I Recommend

Bird Summons (2019)

Bird Summons is an excellent novel about three Muslim immigrant women living in Scotland, from different countries, who set off on a short holiday in the Scottish Highlands, to pay homage to Lady Evelyn Murray Cobbold, the first British woman convert to Islam who performed Hajj, the spiritual pilgrimage to Mecca.

Taken further outside of their comfort zones, the trip is a kind of reckoning for each of the women, a little like a road trip novel, they are stuck with each other, their forced isolation in the Highlands brings out the best and worst in each other and will leave them each transformed by the experience.

The Kindness of Enemies (2015)

The Kindness of Enemies, is a dual narrative set in modern day Scotland and mid 1800’s Russia and the Caucasus. The contemporary character is Natasha Wilson (born to a Russian mother and Sudanese father, whose mother marries a Scot), a Scottish university lecturer whose research concerns the life of Caucasian Highlander, Shamil Imam.

The novel moves between the issues facing Natasha in her life, and the ancient conflict between Highlander mountain men lead by Shamil Imam as they resisted Tsarist Russia from expanding into their territory.

River Spirit (2023)

River Spirit is historical fiction set in 1890’s Sudan, at a turning point in the country’s history, as its population began to mount a challenge against the ruling Ottoman Empire, only the people were not united, due to the opposition leadership coming from a self-proclaimed “Mahdi” – a religious figure that many Muslims believe will appear at the end of time to spread justice and peace.

The novel tells the story of orphan siblings, Akuany and Bol, and their young merchant friend Yaseen, the friend of their father who made a promise to protect them, forever connecting them to his life. It is also a story of the Nile, of the White Nile and the Blue Nile, a symbol of twin selves, one free, one enslaved, of twin occupying forces, the Ottoman and British Empires and of the many aspects in the story where twin forces clash, mix and become something new.

Aboulela’s other novels are The Translator (1999), Minaret (2005), Lyrics Alley (2010) all three of which were longlisted for the Women’s Prize for Fiction (Orange Prize) and she has also published a short story collection Elsewhere, Home (2018).

Have you read any works by Leila Aboulela? Let us know in the comments below.

Photo by Gabriela Palai on Pexels.com

Further Reading

World Literature Today Interview: Writing as Spiritual Offering: A Conversation with Leila Aboulela by  Keija Parssinen

Guardian article: Leila Aboulela wins PEN Pinter prize for writing on migration and faith

JSTOR: Leila Aboulela and the Ideology of Muslim Immigrant Fiction by Waïl S. Hassan

Leila Aboulela, Author

Leila Aboulela grew up in Khartoum and has been living in Aberdeen since 1990. She is the author of six novels among them River SpiritThe TranslatorMinaret and Lyrics Alley, Fiction Winner of the Scottish Book Awards. Leila was the first ever winner of the Caine Prize for African Writing and her story collection, Elsewhere, Home won the Saltire Fiction Book of the Year Award.

Her books have been translated into fifteen languages, and she has also written numerous plays for BBC Radio. She is Honorary Professor of the WORD Centre at the University of Aberdeen and a Fellow of the Royal Society of Literature. 

Bird Summons (2019) by Leila Aboulela

This is the first book I have read by Leila Aboulela, an author I have long wished to read, being someone who grew up in one culture and has experienced life in another, an observer perspective that interests me.

A New Exploration of Culture

There was a time when literary insights into other cultures came predominantly from male explorers of anglo-saxon cultures, now we are increasingly able to read stories from a viewpoint of a woman coming from an African or Eastern culture or country, living in the West. They are able to bring a richness in perspective and fresh insights of encounters with the place they have arrived in and people they live side by side.

Bird Summons is a tale of three women. They share in common that they belong to the Arabic Speaking Muslim Women’s Group, although they have all grown up in different countries. Within the group and from that common element, they will challenge and learn from each other.

We witness how attitudes shift and change as they transform, within this environment they have adapted to. One can not live elsewhere and stay fixed in the past and even when one adapts to a new present, it is necessary to continue changing and moving forward, no matter what challenges us from the outside.

The first British woman to perform the Hajj

Salma has organised a trip for the members of the group to visit the remote site of the grave of Lady Evelyn Cobbold, the first British woman to perform the Hajj pilgrimage to Mecca, to educate themselves about the history of Islam in Britain, however rumours of its defacement cause some to have doubts, whittling their numbers to just three.

“The attempt of the women to visit Lady Evelyn’s grave is a way of connecting more closely to Britain. Because Lady Evelyn was a Muslim like them, they see her as one of them and it gives them a sense of belonging.

She was also more independent than they are, stronger, more confident, more able. She was a Scottish aristocrat and therefore vastly more entitled than they would ever be. She represents the figure of a leader which is something that they need.” Leila Aboulela

Sometimes adversity offers a gift and rather than an overnight visit, they decide to stay a week at the loch, a resort on the grounds of a converted monastery, from where they can leisurely make their way to the grave.

A Contemporary Scottish Pilgrimage

Each of the three women has a pressing life issue that over the week consumes them, that the other women become aware of, leading them to have a strange, hallucinatory, spiritual experience. As their journey unfolds, they explore how faith, family and culture determine their lives, decisions and futures.

As they travel we get to know their characters, their lives, how attached they are to the place they now call home and the pressures and influences on them that come from the cultures they have left behind. They live at the intersection of a past and present, of who they were and who they are becoming. This holiday will be transformational for all three of them.

“Salma, Moni and Iman are weighed down by their egos, though it might not be apparent to them at first. Like most of us, they see themselves as good people, justified in the positions and decisions they have taken.” Leila Aboulela

Salma was trained as a Doctor in Egypt, leaving her fiance, for David, a British convert who would bring her to Scotland, something her family approved of and she was excited to do, despite being unable to practice her profession. Though successful in her current job as a massage therapist, when Amir starts messaging her, she begins imagining the life she might have had, obsessively checking and replying to the messages.

Moni left a high flying career, her life now revolves around caring for her disabled son Adam, consuming her and pushing her away from her husband who wants them to join him in Saudi Arabia, something Moni rejects because of how she believes Adam will  be perceived, an outcast.

Iman is young, beautiful, unlucky in love and a poor judge of character, the men she has married were stunned by her beauty but possessive.

Surrounded by adulation and comfort, like a pet, she neither bristled nor rebelled. She did, though, see herself growing up, becoming more independent.

The Hoopoe

Hoopoe bird Bird Summons Leila Aboulela
Photo by Magda Ehlers on Pexels.com

And then there is the Hoopoe. The wonderful bird that’ll take some readers on a side journey to find out more. The bird comes to Iman in a dream, recounting fable-like stories.

It spoke a language that she could understand.  It knew her from long ago, it had travelled with her all those miles, never left her side, was always there but only here in this special place, could it make  itself known.

It is one of only three birds mentioned in the Quran, and symbolises tapping into ancient wisdom, probing one’s inner questions for the answers being sought.

The appearance of the Hoopoe late in the novel heralds a period of magic realism, that reminds me of the experience of reading The Enlightenment of the Greengage Tree. It comes as a surprise when the woman’s reality shifts, as they shape-shift and are tested within the experience. It is disconcerting for the reader as we too experience the women’s confusion, but I recognise it as part of the cultural experience, of an aspect of traditional storytelling bringing a mythical message-carrying bird into contemporary social relevance.

“The Hoopoe in classical Sufi literature is the figure of the spiritual/religious teacher who imparts wisdom and guidance. However, the Hoopoe’s powers are limited. The women must make their own choices.”

It is a wonderful book of three international women, their journey, which they believe to be a pilgrimage to an important site, which becomes an inner voyage of transformation.

Highly Recommended.

Leila Aboulela, Author

Leila Aboulela was born in Cairo and brought up in Khartoum, the capital of Sudan. She lived for some years in Aberdeen, Scotland.

Her novels include The Translator (1999), Minaret (2005) and Lyrics Alley (2010) all of which were longlisted for the Orange Prize — and The Kindness of Enemies (2015). Lyrics Alley also won Novel of the Year at the Scottish Book Awards and was shortlisted for the Commonwealth Writers’ Prize.

“When I write I experience relief and satisfaction that what occupies my mind, what fascinates and disturbs me, is made legitimate by the shape and tension of a story. I want to show the psychology, the state of mind and the emotions of a person who has faith. I am interested in going deep, not just looking at ‘Muslim’ as a cultural or political identity but something close to the centre, something that transcends but doesn’t deny gender, nationality, class and race. I write fiction that reflects Islamic logic; fictional worlds where cause and effect are governed by Muslim rationale. However, my characters do not necessarily behave as ‘good’ Muslims; they are not ideals or role models. They are, as I see them to be, flawed characters trying to practise their faith or make sense of God’s will, in difficult circumstances.”

Further Reading

the punch magazine: interview: Leila Aboulela, Elsewhere, Love