The Seven Moons of Maali Almeida by Shehan Karunatilaka

The Seven Moons of Maali Almeida by Sri Lankan author Shehan Karunatilaka won the Booker Prize in 2022. It wasn’t on my radar, probably because it seemed to me like it was trying to be too many things, but when I saw a hardcover copy on sale at the annual Ansouis vide grenier last September, I decided to delve into it and see for myself.

Outstanding Sri Lankan Literature

I knew that it was about the civil war era in Sri Lanka and I have read some excellent novels that are set in those difficult times, most recently the novel that won the Women’s Prize for Fiction in 2024 Brotherless Night by V.V. Ganeshananthan (see my review here), but my favourite novel set in that country is Naomi Munaweera’s Island of a Thousand Mirrors (my review here), winner of the Commonwealth Writer’s Prize in 2013.

Munaweera writes exquisitely of the island of Sri Lanka, in lyrical prose that takes the reader inside the family experiences, evoking all the senses, the aroma of the cuisine, the fear and excitement of young, forbidden love, the pain of heartbreak, the palpable tension as sisters walk to school, sometimes witnessing images that will stain their minds and revisit their dreams for years.

Mystery, Satire, Historical Fiction and Magical Realism in One

Booker Prize Winner 2022 Sri Lankan literature magic realism afterlife noir

Seven Moons is a literary mystery about the life and death of Maali Almeida, who from the opening pages, in a second person narrative, turns up dead and from the In Between, that place between life and the afterlife that he now inhabits, proceeds to uncover the mystery of his death.

Set in 1990 Colombo, Maali was a war photographer, a promiscuous gay man, sometimes gambler and seeker of the next photograph that will show the dark and gruesome elements of those in power, a witness to crimes he believes can bring down governments, stop wars.

The In Between, Down Below and The Light

When he arrives at the In Between, he and others like him are told they have seven moons, seven nights to meet the criteria to enter The Light. As they queue and ask questions about their deaths, Maali hopes he is about to wake up from a dream.

The swarm of souls presses closer, berating and badgering the woman in white. You gaze upon the pallid faces, sunken eyes in broken heads, squinted in rage and pain and confusion. The pupils are in shades of bruises and scabs. Scrambled browns, blues and greens – all of which disregard you. You have lived in refugee camps, visited street markets at noon, and fallen asleep at packed casinos. The heave of humanity has never been picturesque. This heave throngs towards you and heaves you away from the counter.

metaphysical thriller civil war Sri Lanka supernatural

Every soul has those seven moons to wander around the In Between, to recall past lives, and to forget.

While he should be completing the tasks to get to The Light, instead he shifts from The In Between back to the present, the Down Below and observes the aftermath of his death.

He tries to direct those close to him towards his most incriminating photographs in order to achieve which he was not able during life. He doesn’t understand quite how these shifts happen, and neither does the reader, making it somewhat confusing to keep up with this trippy journey.

Here’s what you remember from two nights ago: (a) visiting the Leo casino, (b) drinking at the bar, (c) eating the buffet, (d) fooling around with the bartender. here’s what you don’t remember: (a) sitting with a suddha (b) being thrown to your death.

Conversations With the Dead

As well as investigating his own murder, along the way he has conversations with a dead athiest, a dead revolutionary, lawyer, bodyguard, priest, dogs and more. He observes the number of spirits hanging on to the living whispering their ears.

You’ve always thought the voice in your head belonged to someone else. Telling you the story of your life as if it had already happened. The omniscient narrator adding a voiceover to your day. The coach telling you to stop feeling sorry and do what you’re good at. Which was winning at blackjack, seducing young peasants and photographing scary places.

Moons, Chapters and Beats

On his motivation for writing this novel, the author had this to say:

‘I began thinking about [Seven Moons] in 2009, after the end of our civil war, when there was a raging debate over how many civilians died and whose fault it was. A ghost story where the dead could offer their perspective seemed a bizarre enough idea to pursue, but I wasn’t brave enough to write about the present, so I went back 20 years, to the dark days of 1989.’

Not just an author of fiction, Shehan Karunatilaka has also written rock songs and speaks of his work in terms of beats and rhythm, infused with supernatural folklore, ghost stories and history.

It’s a long novel that for me held my interest in parts and then lost me as it shifted, but each time that began to annoy me and slow me down, the narrative would shift back to something of interest and so I persevered, however, I did find it overly long in its digressions, drifting in and out of reality. It’s an undeniably clever, erudite novel, unique in its conception that reminded me a little of the surreal experience of reading David Mitchell’s Cloud Atlas.

The Judges on A Metaphysical Thriller Winner

In addition to praising its ambitious scope and hilarious audacity of narrative techniques, the Booker judges had this to say of the metaphysical thriller:

‘Life after death in Sri Lanka: an afterlife noir, with nods to Dante and Buddha and yet unpretentious. Fizzes with energy, imagery and ideas against a broad, surreal vision of the Sri Lankan civil wars. Slyly, angrily comic.’

‘This is a metaphysical thriller, an afterlife noir that dissolves the boundaries not just of different genres, but of life and death, body and spirit, east and west. It is an entirely serious philosophical romp that takes the reader to ’the world’s dark heart’ — the murderous horrors of civil war Sri Lanka. And once there, the reader also discovers the tenderness and beauty, the love and loyalty, and the pursuit of an ideal that justify every human life.’

Have you read The Seven Moons of Maali Almeida? Share your thoughts in the comments below.

Further Information

Read an Interview With the author Shehan Karunatilka

Click here to read an extract from the first section of the novel – Read an Extract from The Seven Moons of Maali Almeida

Chouette by Claire Oshetsky

Chouette is a second person narrative account written by Tiny (the mother), a professional cellist, to her baby Chouette.

The author Claire Oshetsky describes it as a parable about motherhood, the way she/they experienced raising two non-conforming children. She uses magical realism to magnify and portray a surreal circumstance.

Review

person playing cello Chouette Claire Oshetsky motherhood parable

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Tiny has always been an outsider and she knows her child will be different. She’s wary and unsure how to proceed, knowing it is going to take all she has, to raise her baby the way it will need to be nurtured. Impregnated by an owl, she gives birth to an owl-baby, Chouette.

One of the first things that is sacrificed is her cello playing quartet, and the time she previously spent playing. The instrument might have been sacrificed but music continues to be a part of their lives.

“As for you owl-baby, let’s lay out the facts. Your owlness is with you from the very beginning. It’s there when a first cell becomes two, four, eight. It’s there when you sleep too much, and crawl too late, and when you bite when you aren’t supposed to bite, and shriek when you aren’t supposed to shriek; and on the day that you are born – on the day when I first look down on your pinched-red, tiny-clawed, outraged little body lying naked and intubated in a box – I won’t have the slightest idea about who you are, or what I will become.

But there you will be, and you will be of me.”

Chouette Clairte OshetskyTiny describes to her daughter the story of her conception and arrival into the world and the challenges she has had, both living in a world where her husband, his family and much of the community frown upon this mother and child, and of the mother’s increasing loss of her own sense of self, due to the sacrifices made in order to nurture and allow the child to develop and grow safely.

Tiny sees her offspring as an owl-baby and shares how this magical conception and birth took place, while the husband continues to refer to her as Charlotte. Tiny is tuned into Chouette’s needs, but senses disapproval everywhere, and the more understanding she is of Chouette, the more she feels the external world closing in on her.

“I begin to understand what a gift I’ve been given, to have been chosen for this task. The truth overwhelms me, and humbles me. The birds are telling me that my life’s work, as your mother, will be to teach you how to be yourself – and to honour however much of the wild world you have in you, owl-baby – rather than mould you to be what I want you to be, or what your father wants you to be.”

The story shares these twin perspectives, of the way Tiny sees the world (described through the metaphor of an owl baby and everything she needs, how she behaves and the incongruency of that with the expectations of the existing world they live in) – and the perspective of the husband, who can only see things from the perspective of what he has been conditioned to believe is normal.

motherhood, sacrifice, love,Thus a struggle arises between two ways of seeing, of being, one that requires natural behaviour to be modified, medicated, suppressed, so that the child will appear and behave in the family and society as “normal”, while the other allows for that natural “but judged and condemned” way of being to exist.

Therein lies the central conflict, whether to train a child to fit in with everyone else, a shadow of their former self, or allow them to feel more comfortable in their own skin by being themselves. Rather then compromise, the novel presents the two options as extremes, posing one against the other, mother against father.

Each reader is likely to have a different experience of reading the novel, depending on whether you read it as magical realism or a metaphor. Just as the husband and wife see things so very differently in their perspective and determination about how to raise this child, so too will a reader bring their own perspective, experience and varying degree of open-mindedness to the text.

Music, A Narrative Accompaniment

Throughout the novel there are references to different pieces of music, that resonate with the mood or feeling being experienced, or are used to calm a situation. The author’s daughter, a musician, contributed to this aspect of the novel.

“There’s a lot of music  in the novel, and she was my primary consultant about music. And the other way she helped me was just reminiscing about what it was like for her to live through this shared experience of being a child that was deeply misunderstood and sometimes put in situations that were frightening, even in her school system or with therapists that we went with her to see.”

It is very much Tiny’s narrative and as such, there is little empathy towards the husband’s perspective, which challenges and discomforts the reader.

It is a dark, contemporary tale that couldn’t be more relevant than now, when so many mother’s are facing the same dilemma. Should I follow my own intuitive inclination, because I know this child, I love this child, and when I don’t compare this child to others, I see he/she/they are perfect the way are – or do I listen to what the other, the external world is saying, is judging, is condemning them to, despite reducing them to a shell of who they really are?

Owl Symbolism

Owl Wisdom Branch Green

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I found it an incredible, disturbing, yet resonant novel, so mind openly, imaginative in the creation of an owl-like creature to accentuate the reactions and responses non-conforming children invite without asking. The owl a prescient choice, auspicious.

The owl sees in the dark, is an observant listener, with its heightened powers of observation and intuition. In some traditions it possesses paranormal wisdom, regal silence and fierce intelligence. Just like those extraordinary children.

Further Reading

Essay, Refinery 29 – Gender: A Family Story by Claire Oshetsky

NPR Interview: A parable about motherhood, ‘Chouette‘ begins with a human birth to an owl baby – Danielle Kurzleban talks to Claire Oshetsky

Poets & Writers: Ten Questions for Claire Oshetsky

The Author, Claire Oshetsky

Claire Oshetsky is a novelist whose writing has appeared in Salon, Wired, and the New York Times. She lives with her family in California. Chouette is her debut novel.