New Zealand Book Awards Winner 2024 #theOckhams

Today the New Zealand Book Awards 2024 announced their winners. Known as The Ockham’s they are regarded as the country’s premier literary honours for books written by New Zealanders.

Awards are given for Fiction (the Jann Medlicott Acorn Prize for Fiction), Poetry (the Mary and Peter Biggs Award for Poetry), Illustrated Non-Fiction (the Booksellers Aotearoa New Zealand Award for Illustrated Non-Fiction) and General Non-Fiction.

There are also four awards for first-time authors (the Mātātuhi Foundation Best First Book Awards) and, at the judges’ discretion, Te Mūrau o te Tuhi, a Māori Language Award.

Auckland Writer’s Festival | Waituhi O Tāmaki 2024

The announcement of the winners, hosted by Jack Tame coincided with the beginning of the annual Auckland Writer’s Festival, running from 14 – 19 May, 2024.

The Jann Medlicott Acorn Prize for Fiction

From a shortlist of four novels, the winner of the Fiction award is Emily Perkins for Lioness.

Jann Medlicott Acorn Prize for Fiction 2024

A searing and urgent novel crackling with tension and intelligence, Lioness starts with a hiss and ends with a roar as protagonist Therese’s dawning awareness and growing rage reveals itself.

At first glance this is a psychological thriller about a privileged wealthy family and its unravelling. Look closer and it is an incisive exploration of wealth, power, class, female rage, and the search for authenticity.

Emily Perkins deftly wrangles a large cast of characters in vivid technicolour, giving each their moment in the sun, while dexterously weaving together multiple plotlines. Her acute observations and razor-sharp wit decimate the tropes of mid-life in moments of pure prose brilliance, leaving the reader gasping for more. Disturbing, deep, smart, and funny as hell, Lioness is unforgettable.

Author, Emily Perkins

Emily Perkins is an award-winning writer living in Aotearoa, New Zealand. Her books include the Women’s Prize longlisted The Forrests, Novel About My Wife, winner of the Believer Book of the Year Award and the Montana Medal for Fiction, and the short story collection Not Her Real Name, winner of the Geoffrey Faber Memorial Prize.

She also writes for theatre, film and television, including the original play The Made and an adaptation of Henrik Ibsen’s The Doll’s House, both with Auckland Theatre Company. With director Alison Maclean, she co-wrote the feature film The Rehearsal, adapted from Eleanor Catton’s novel.

Emily has taught creative writing and was the host of TVNZ’s books programme The Good Word. She is a member of the UK’s Folio Academy, an Arts Foundation Laureate, and a Member of the New Zealand Order of Merit for services to literature.

Other Category Winners

The winner of the Booksellers Aotearoa New Zealand Award for Illustrated Non-Fiction was Gregory O’Brien for Don Binney: Flight Path, an illustrated account of the life and work of one of NZ’s most iconic artists.

The Mary and Peter Biggs Award for Poetry went to Grace Yee for her fusion of Cantonese-Taishanese and English collection that moves between old newspaper cuttings, advertisements, letters, recipes, cultural theory, and dialogue, evoking the unsettledness of migration, Chinese Fish.

The General Non-Fiction Award went to Damon Salesa for An Indigenous Ocean: Pacific Essays and the Maori Language Award went to Tā Pou Temara (Ngāi Tūhoe) for Te Rautakitahi o Tūhoe ki Ōrākau.

I read Lioness in the summer of 2023 and found it a compelling thought provoking read, where there is as much going on beneath the surface of scenes depicted, in the spaces its protagonist inhabits, observing those around her, as there was in their reality. While reading, it felt like I hadn’t read anything that had done this before, it provoked hyper-vigilant observations, readers will likely have strong opinions about the characters, it’s almost impossible not to.

I’m happy to see Emily Perkins‘ work being celebrated, there is often a frisson of excitement around one of her novels coming out, her readership extending much beyond NZ.

Have you read Lioness? What did you think of it?

Ockham New Zealand Book Awards Shortlist 2024

Earlier this month the shortlists were announced for the New Zealand Book Awards 2024. All four of the shortlisted authors have won the prize before. You can read my post on the 8 novels that made the longlist here.

Eleanor Catton, who won the Booker Prize in 2013 for The Luminaries,(my review) is a finalist for her novel Birnam Wood (my review).

Emily Perkins, who won the Montana Medal for Fiction or Poetry in 2009 for Novel About My Wife is shortlisted with Lioness. (I read and enjoyed it, but not reviewed)

Pip Adam, who won the Acorn Foundation Fiction Prize in 2018 for The New Animals (recently read but not reviewed) is in the running with Audition. (On my bookshelf!)

Stephen Daisley, who won the first awarded Acorn Foundation Fiction Prize in 2016 for Coming Rain is a contender this year with A Better Place.

Judge’s Comment

Juliet Blyth, convenor of judges for the Jann Medlicott Acorn Prize for Fiction, says there is much to celebrate among this year’s shortlisted novels, and readers will be rewarded by the richness contained within their pages.

“These four singular and accomplished titles encompass pertinent themes of social justice, violence, activism, capitalism, war, identity, class, and more besides. Variously confronting, hilarious, philosophical, and heart-rending, these impressive works showcase Aotearoa storytellers at the top of their game.”

The Shortlist

The four novels shortlisted for the fiction prize, along with judges’ comments are:

Jann Medlicott Acorn Prize for Fiction

NZ book awards 2024 shortlist

Audition by Pip Adam, Te Herenga Waka University Press – [Science Fiction/Dystopia]

– A spaceship called Audition is hurtling through the cosmos. Squashed immobile into its largest room are three giants: Alba, Stanley and Drew. If they talk, the spaceship keeps moving; if they are silent, they resume growing.

Talk they must, and as they do, Alba, Stanley and Drew recover their shared memory of what has been done to their former selves – experiences of imprisonment, violence and misrecognition, of disempowerment and underprivilege.

A novel, part science fiction, part social realism that asks what happens when systems of power decide someone takes up too much room – about how we imagine new forms of justice, and how we transcend the bodies and selves we are given.

Judges’ Comment

Three giants hurtle through the cosmos in a spacecraft called Audition powered by the sound of their speech. If they are silent, their bodies continue to grow. Often confronting and claustrophobic, but always compelling, Audition asks what happens when systems of power decide someone takes up too much space and what role stories play in mediating truth. A mind-melting, brutalist novel, skillfully told in a collage of science fiction, social realism, and romantic comedy.

A Better Place  by Stephen Daisley, Text – [WWII visceral novel]

– a novel about brothers at war, empathy and the aftermath. Aged 19 in 1939, Roy and his twin brother Tony enlist in the NZ Infantry Brigade. They fight in Crete where Tony dies. Burdened by the loss of his brother, Roy continues to Africa and Europe.

Beautifully written, brutal, tender and visceral, A Better Place is about love in its many forms.

Judges’ Comment

The tragedies of war and prevailing social attitudes are viewed with an unflinching but contemporary eye as Stephen Daisley’s lean, agile prose depicts faceted perspectives on masculinity, fraternity, violence, art, nationhood and queer love in this story about twin brothers fighting in WW2. With its brisk and uncompromising accounts of military action, and deep sensitivity to the plights of its characters, A Better Place is by turns savage and tender, absurd and wry.

eco thriller tech billionaire New Zealand

Birnam Wood  by Eleanor Catton, Te Herenga Waka University Press – [Eco Mystery/Thriller(y)]

– an eco-thriller of sorts that considers intentions, actions, and consequences, an unflinching examination of the human impulse to ensure our own survival. Featuring green activists, politician farmer and his wife, a tech billionaire and the lone wolf investigative journalist with a past.

Judges’ Comment

When Mira Bunting, the force behind guerilla gardening collective Birnam Wood, meets her match in American tech billionaire Robert Lemoine, the stage is set for a tightly plotted and richly imagined psychological thriller. Eleanor Catton’s page-turner gleams with intelligence, hitting the sweet spot between smart and accessible. And like an adrenalised blockbuster grafted on to Shakespearian rootstock, it accelerates towards an epic conclusion that leaves readers’ heads spinning.

Lioness by Emily Perkins, Bloomsbury – [Literary Fiction/Blended Family, Second Wife Drama]

– a novel of a woman’s self doubt and shifting place in second family’s and relationships.

Trevor and Therese are a power couple living in the capital city, he is a developer and she runs a chain of fashion boutiques. That’s the exterior. At home, there is his adult family (issues) to contend with and her uncertain place in a scenario that is rapidly shifting when his deals come under scrutiny and his children make increasing demands. Increasingly, she finds refuge elsewhere, inviting another kind of risk into her precarious existence.

Judges’ Comment

After marrying the older, wealthier Trevor, Teresa Holder has transformed herself into upper-class Therese Thorn, complete with her own homeware business. But when rumours of corruption gather around one of Trevor’s property developments, the fallout is swift, and Therese begins to reevaluate her privileged world. Emily Perkins weaves multiple plotlines and characters with impressive dexterity. Punchy, sophisticated and frequently funny, Lioness is an incisive exploration of wealth, power, class, female rage, and the search for authenticity.

Winner Announced

The winners will be announced on 15 May during the Auckland Writer’s Festival.