Nesting by Roísin O’Donnell

I have added this new title to my pile of books to read for Reading Ireland Month 2025, since it came to my attention, when it was longlisted for the Women’s Prize for Fiction 2025.

On the Run, Creating Home

Nesting by Rosisin O'Donnell longlisted for Womens Prize fiction 2025 Reading Ireland Month

Nesting is a visceral observation of one worldly capable woman trying to create a safe, stable home environment for her preschool age daughters in Dublin.

At the outset, Ciara appears to be living an idyllic middle class suburban life in a leafy suburban of Dublin, until that day – after bringing in the washing, shortly before her handsome civil servant husband is due to arrive home, she bundles her 3 & 5 yr old girls into the car and leaves – the marriage.

Every memory, even the good ones, are laced with clues, with red flags, but also with the critical voice within, that constantly judges her and has kept her there until now. Her battle will not be just with survival and the actions of her husband, but the battle against a conditioned life that resides within her mind, talking constantly, undermining her.

There it is again, that voice in her head. Haven’t you got what you wanted? The thing you’ve been secretly longing for? A lovely home in Ireland. Two little girls. Pigtails curling in the salty spray, jumping around in Minnie Mouse swimsuits with frills around the bums. Ryan, a loyal, hard-working husband. The type of man who other women sneak glances at, when he’s pushing the swings or ordering lunch, or standing – as he is right now – bare chested, towel drying his hair. And yet – on this bright day with seagulls screeching – there’s a gathering weight in her chest, like the feeling before thunder.

The Need for Safety, A Refuge

As the novel opens she is about to leave home for the second time with the girls, she has little money and nowhere to stay, but the intimidating psychological abuse she is subject to from her husband, has arrived at a tipping point. Inside that home, she is unable to think herself into a solution, so she runs.

It’s a habit that started when she was pregnant with Sophie. She used to call it ‘nesting’. That thing women do when they sense their baby is arriving soon. Grouting, hoovering, taking a mad notion to paint the backyard wall Azores Blue. Only, she didn’t sense an arrival but an impending threat. Cleaning, painting, fixing every centimetre of that house felt like the only thing that was safe.

And then the mountain she must climb to establish stability for the three of them, the constant demands of small children, the intimidating messages she is bombarded with, the ticking bomb of needing to get employed quickly and the near impossible task of renting a home as a young single mother in a city going through a housing crisis, with a severe housing shortage, with overpriced rentals and family across a border, unable to do much more than provide moral support..

Battling the System, the Enablers

Full of tension, this novel speeds along thriller-like, as Ciara tries to gain traction in her life and avoid the pitfalls and obstacles, including the compulsory nightly 8pm check in at the temporary hotel housing and the shame of being told to use the back entrance. Determined to escape the lure of going back, Ciara perseveres with the challenge of choosing safety over risk, when all the odds feel stacked against her.

You feel the vulnerability, the fear, the relentless pressure and overwhelm experienced, knowing she is one of the few with the determination and willpower to not go back. She will be tested.

Ciara bites her lip. Fighting the urge to tell Ryan everything. Where they are staying. What they had for dinner. It’s hard to justify her need to keep him informed of her every move. To keep herself under surveillance.

It’s a roller coaster ride of will she, won’t she, as she struggles to not give in to what at times seems the easier, self-sacrificing route…totally gripping, emotionally charged, an uncomfortable cathartic but necessary read.

Not an easy read, but a grim reminder of the absolute importance of every person to have some means of independence and a recognition of the signs of coercive control and psychological abuse in relationships and the path out.

Chair of judges for the Women’s Prize Kit de Waal said the book was:

‘a moving story, well told about what it’s like to try and leave an abusive relationship, the hurdles, the stigma, the doubt, the ease and temptation of return. Not maudlin or depressing, there’s lots of light here but ultimately this is about a system ripe for change where getting help is nearly as hard as escape itself.’

Further Reading

Women’s Prize for Fiction 2025: In Conversation with Roisin O’Donnell – the book, idea inspiration, the writing & creative process, advice to writers, author whose work has impacted her, favorite author.

The Guardian: Nesting by Roisín O’Donnell review – a tense portrait of coercive control

Author, Roisin O’Donnell

Roisín O’Donnell is an award-winning Irish author. She won the prize for Short Story of the Year at the An Post Irish Book Awards in 2018, and was shortlisted for the same prize in 2022. She is the author of the story collection Wild Quiet, longlisted for the Edge Hill Short Story Prize and shortlisted for the Kate O’Brien Award.

Her short fiction has featured in The Stinging Fly, The Tangerine, the Irish Times and many other places. Other stories have been selected for major anthologies such as The Long Gaze Back, and have featured on RTÉ Radio. Nesting is her first novel. She lives near Dublin with her two children.

Reading Ireland Month 2025 Best Irish literature

12 thoughts on “Nesting by Roísin O’Donnell

  1. Dear Claire
    Thanks for your review. Sorry, but we found that novel quite boring and full of cliches. We have to admit none of us finished it.
    All the best
    The Fab Four of Cley
    🙂 🙂 🙂 🙂

    Liked by 1 person

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  3. I can see why this would appear to the judges for the Women’s Prize for Fiction, especially given the topic. It sounds very propulsive — not an easy read, I imagine, but a horribly believable one. We need writers to vocalise experiences like this, so it’s good to see it on the longlist.

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